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Views from the Choir Loft

OFFERTORY: Chant Propers in Three Parts for Sundays & Feasts

Fr. David Friel · June 14, 2015

629 Naples MONG THE MOST neglected of the propers is the offertorium. The Gregorian propers assigned to this moment of the liturgy are exceedingly rarely heard, yet so many of them are exquisitely beautiful.

There are numerous reasons why they are so often ignored, including their relative complexity. Many choirs & scholae do not have the time to practice these chants week to week, or they simply choose to focus their efforts elsewhere. The offertory chants have also been somewhat overlooked in the revolution of new vernacular resources we have seen in the world of sacred music over the last decade.

The need for more quality resources for the offertory has now been supplied.

Today, I would like to introduce to our readership a unique resource: Offertory, a new publication by Dr. Jon Naples. Offertory is a volume of choral chant propers in three parts for Sundays and feasts (complete). The project utilizes the Revised Grail Psalm texts for the verses and takes the antiphon texts from the Graduale.

Here are two audio samples (sung by Matthew Curtis) to give you a sense of the compositional style:

    * *  Audio Sample • EASTER SUNDAY OFFERTORY

    * *  Audio Sample • PALM SUNDAY OFFERTORY

There are several strengths worth highlighting about this collection. First, it is well organized and cleanly engraved, making it very user-friendly. Additionally, the composition is limited to only three voices, making each antiphon & verse accessible to a wide range of choirs. These voices are easily invertible, such that the various parts may be sung variously by men or women.

Moreover, this volume shows great respect for the unmetricality of English vocabulary and syntax. The employment of Psalm tones by Fr. Samuel Weber & Adam Bartlett make this a useful book for easily singing propers in English. For most Sundays and feasts, the composer has provided two disparate settings of the antiphon. In both, the melody remains the same, but the harmonization has been changed, lending greater musical interest when these options are used in alternatim.

Finally, these settings were developed by a parish musician in the context of his own parish choir, so they are practical in addition to being beautiful. I would recommend this work for parish & seminary use. It draws its inspiration from the chant tradition, and it offers beautiful settings of proper English texts.

Offertory was released earlier this year and is now available for purchase HERE. A few sample pages are available HERE.

R. JON NAPLES holds his D.M.A. in Music Composition from the University of Southern California (1995), where he studied under Morten Lauridsen. He has a background in several instruments and voice. His compositions have placed in major competitions, and he has work published through CanticaNOVA Publications. He is now in his 11th year as Director of Sacred Music at St. Margaret Parish in Oceanside, CA. Dr. Naples was also involved in the Adventus Dona conference that I covered HERE back in November.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Polyphony For Three Voices, Proper of the Mass in English, Simple English Mass Propers, Simple Steps To Improve Parish Music, Singing the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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