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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Rome Gets It Wrong

Jeff Ostrowski · November 11, 2013

199 Marini Papal Mass with Altar Girls (3/7/2010) AISING A CHILD in the olden days must have been unimaginably difficult. Think of the days before penicillin, running water, and electricity. We ought to get down on our knees each day and thank Almighty God for the gift of modern medicine.

We can look back on those terrible times and be glad they’re finished, done, over with. Similarly, from a liturgical perspective, we can look back upon the dark days of the 1980s and be glad they’re gone. For example, on 5 November 1987, the Congregation for Divine Worship published a document containing several misguided statements. One of the most famous is:

“Musical compositions which date from a period when the active participation of the faithful was not emphasized as the source of the authentic Christian spirit are no longer to be considered suitable for inclusion within liturgical celebrations.”

By way of justification, the Congregation cites — ready for this? — a statement by Pope St. Pius X in a 1903 letter. There’s no need for me to explain why the CDW assertion is bogus; others have already done so. I would simply add that invoking Pius X against Gregorian chant and Renaissance polyphony makes about as much sense as invoking Dr. Martin Luther King in favor of school segregation. Furthermore, the official books issued by the Church even to this day contradict the 1987 statement.

An exceedingly strained exegesis, I suppose, could make that CDW sentence “work.” Perhaps it could refer to excessively long music of the past, but even so, it still amounts to “rearranging deck chairs on the Titanic,” considering liturgical life in the 1980s. Moreover, by a quick Google search, anyone can see that the CDW statement is flagrantly opposed to the clear teachings of the Second Vatican Council (e.g. cf. Sacrosanctum Concilium, §112, §114, and §116).

BUT HOW COULD A ROMAN CONGREGATION be wrong? After all, we’re Catholics … isn’t Rome always right? Well, it’s true that when Peter’s Successor speaks infallibly — that is, when certain conditions are met — regarding faith and morals, we must believe such statements. At the same time, as Fulton Sheen pointed out, “Many a pope has gone through his entire pontificate without ever issuing an infallible statement.” As I mentioned in my series “No Salvation From Decrees,” church officials sometimes make errors of judgement. A famous case was an erroneous ruling by a Roman commission on certain theories of Galileo (although this example is not nearly as damaging to the Church as certain ignorant people think). The Church has also made errors in official documents regarding editions of Gregorian chant. (From what I understand, when a later correction is made, the previous error is “stricken from the record,” similar to how the Egyptians only recorded their victories, not their defeats.) A well-known case dealt with the Editio Medicaea; another condemned the Solesmes rhythmic editions while a certain Cardinal was on vacation (it was reversed when he returned!).

It’s probably fair to say that we Catholics need to stop being so stupid, when our Lord told us we must be “wise as serpents” (Mt 10:16). For example, one of the leading liturgical reformers after the Council was Fr. Godfrey Diekmann, a supporter of women’s ordination, proponent of “hootenanny” Masses, and member of a monastery notorious for sexual abuse of minors. Lex orandi, lex credendi. “We believe as we pray.” Should we be surprised at the results of reforms by “experts” like Diekmann?

DOES IT UPSET ME THAT A ROMAN COMMISSION published an erroneous sentence in the 1980s? Do I lose sleep over the fact that Rome was wrong about the Editio Medicaea in the 19th century? As a matter of fact, I don’t get angry, and let me tell you why.

Every night I read to my daughter before she falls asleep. One book is about sharks; did you know there are more than 400 shark species? My precious little two-year-old has all the sharks memorized — Lemon Shark, Hammerhead, Goblin Shark, etc. — and she points out each one as we read. It’s marvelous, glorious, fantastic, amazing. This is my focus: not some 1980s error by a Roman committee.

Let us calmly follow the example of Msgr. Guido Marini (see above photo). With great peace of soul, he’s preparing the altar girls for a Papal Mass in San Giovanni della Croce (7 March 2010). It’s true that allowing girls to serve at the Altar was a “reform” which might not have been prudent (see here and here), but at this point, what can we do? In truth, very little.

We have much work to do. We have prayers to say and sacrifices to offer up. Abbot Pothier quietly worked within the confines of (flawed) Ecclesiastical law, and ended up causing the most influential musical reform in Church history. He was a saintly, obedient man who shunned any type of scandal or controversy (extant letters to his brother are fascinating). Pay no heed to the piccoluomini, who will answer before Almighty God for what they’ve done. Let us continue doing our work joyfully, with confidence in the Lord and gratitude for all He has given us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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