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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does music keep kids quiet at Mass?

Veronica Brandt · May 4, 2013

WAS GOING TO WRITE a more confident answer to the title of this article, until a recent Mass with the most beautiful singing and the noisiest children. It brought it home that music is not an instant fix. Dr. Peter Kwasniewski’s article last week Music as a Character-Forming Force sheds some light on the subject.

“To think that children will automatically grow up into adults who have a sense of what is and is not fitting, appropriate, noble, beautiful, is as naïve as thinking that they would behave morally or turn to God in prayer with no discipline and no religious education.”

When we teach our children to behave during Mass we are laying the foundations for good habits. There’s the positive side of teaching them the beauty of what is happening there and the negative side of what shouldn’t happen there. This takes time, patience and much repetition, but it is worthwhile!

The music of the Mass is a big help towards this positive side. Children aren’t big on abstract ideas. They have a more concrete world with lots of emotional turbulence. Music is the language of emotions. You can speak to children with the music to communicate the difference between music for dancing around and music for that difficult concept of being quiet and still. Anticipating what music they will hear at Mass and running through it at home can be a huge help. Song is much more effective when you have a go at singing it yourself – get into how it feels.

Bring liturgical music into the daily rhythm with some of the Liturgy of the Hours or Divine Office. There is so much Gregorian chant available, it can be overwhelming, but maybe starting with the Marian antiphon for the season and picking up bits slowly. Children are great with daily rituals.

Reading St. Thérèse’s Story of a Soul we find that as a very young child she did not attend Mass. Her mother would go to an early Mass and then the rest of the family to the main Mass, bringing home the pain bénit or blessed bread (a sacramental, not the Blessed Sacrament). Many of us today cannot arrange something like that, but it is a comfort to know that even saints sometimes didn’t sit still through Mass as young children.

Sometimes it might seem a parent spends all of Mass outside. As our pastor frequently points out, you don’t need a line of sight to the altar to fulfil your Sunday obligation. Taking disruptive children outside is a normal part of teaching children how to behave. It isn’t a sign of a bad child or a problem, but part of the answer.

It may feel like forever, but children do grow up. The days are long but the years are short. Today’s toddlers are tomorrow’s altar servers and choir members. Then we can look back and whisper a “Thanks be to God.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

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