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Views from the Choir Loft

Failure, The Liturgy, & Today’s Mr. Know-It-All

Jeff Ostrowski · May 27, 2013

SUBMITTED AN ARTICLE to Homiletic & Pastoral Review, which is a wonderful publication, but it was rejected. Let me explain what happened.

I’ve been published in HPR in the past. About two years ago, I started considering submitting another article, and after a few months, I finally found the time to sit down and write it. Then, I had to wait for it to be proofread. Then, I finally found the time to place it in the mail (summer 2012). Their organization recently changed editors, and they lost my submission. I sent it again. Finally, on 20 November 2012, they said they enjoyed the article but decided not to print it. The priest who rejected it was very professional, polite, and encouraging.

So, here’s my dilemma: the process took so long, I don’t even like my article anymore! Here it is, in case you want to read it:

      * *  Moving Forward with Liturgical Reform: Positive Steps [pdf]

I’m beginning to wonder if I should continue to write articles. Has anyone had a similar experience? Feel free to share your thoughts in the combox.

REMEMBER: I’m not saying HPR should have printed my article. They probably get hundreds of wonderful submissions. I’m merely relating what happened.

I BEGAN TO PONDER ARTICLES. What is an article? Is it only to be published when it contains newly-discovered information? It seems to me that certain successful authors publish the same ideas over and over.

In a certain sense, we live in a very strange age. We are taught never to use the personal pronoun “I” when writing articles. We are told we must project the image of an omniscient, objective, modern “scholar,” and personal pronouns detract from this. How ironic, since ours is the same age that denies the existence of absolute Truth! In graduate school, we had to attend numerous conferences and symposia where papers were presented by musicologists who could barely play a C Major scale. We listened to presentations on the great choral works of history from theorists who could not even sing in tune. One time, a professor marked an error on my paper because I had pointed out an interesting fact about a certain composition. His red pen wrote, “Let your readers decide if that is interesting.” I’m sure he wanted me to congratulate him on how “objective” he was. By the way, I just committed a sin by writing, “His red pen wrote.” Another one of my professors would have asked me, “Did HE write, or did his PEN write?” Enough. You get the point.

If only our modern day “know-it-all” professors would take the time to look back into former decades, they would see that musicologists and theorists who actually knew their stuff did indeed use the personal pronoun “I” throughout their works. They were not at all embarrassed to say things like, “I have not found any mediaeval source containing such-and-such.” They were quite comfortable in their own knowledge as well as the fact that they were not infallible. We need more scholars like them!

The worst is when I see an article by somebody touted as “one of the leading experts on the Catholic liturgy.” I’ve pretty much “seen it all” in this regard. I’ve seen articles published about the liturgy by “scholars” who are comfortable preaching heresy. I’ve seen articles on the liturgy by Bishops who don’t even say Mass each day (according to people who work for them). I’ve seen articles on the liturgy published by “priest scholars” who don’t even say their office each day and allow every manner of terrible music at their Masses.

In fact, only those who have suffered can understand the liturgy. And only those who understand the liturgy ought to publish articles about it.

At the liturgy, we come face-to-face with God. Imagine! And we can pray to Him, telling Him all our troubles, worries, and woes.

In some ways, the Canon and the Propers are the most moving parts of Mass. You might ask, “Why the Propers? Why not the Readings.” The answer is the same reason which accounts for the popularity of Blogs. Blogs are popular because the entries are not too long, and we have short attention spans. The same with the Propers: they pick out the perfect little “nuggets” to carefully reflect on.

Where else can we go and enter into anything of such antiquity? Many of these prayers go back untold ages. All of a sudden, images confront one. Emperor Heraclius, Thomas Aquinas, Pope Hadrian, Saint Augustine, and a thousand others. Especially during the Roman Canon, when the names of so many ancient saints are recounted. Especially when the Canon is read with love and care, as in this audio excerpt by Most Rev. Bishop Gracida. Especially in the quiet solitude of one’s soul.

Some people think that the mere fact of owning a lot of old books with copious footnotes makes one a scholar. I promise you, it doesn’t. Only those who live the liturgy ought to write and speak about it. Books are books. People are people. God is God. Life is not the internet. Life is not fancy footnotes. Life is being in communion with God, and the liturgy allows us to do this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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