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Corpus Christi Watershed

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Views from the Choir Loft

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

OCUMENTS FROM the Second Vatican Council encourage Catholics to “sing the Mass” rather than replacing the Mass with non-liturgical texts. This practice is an outgrowth of a maxim attributed to Pope St. Pius X: “Don’t pray at Mass, pray the Mass.” However, those attempting to introduce the Mass Propers at their parishes realize absolute consistency is necessary. Therefore, what happens when a cantor gets sick or there is not adequate time for the choir to learn a chant from the Graduale Romanum or Simple English Propers? Or what about circumstances where a choir is not present, such as a 7:00am Sunday Mass, or (perhaps) a special Holy Day? What about the summer months, when some choirs do not meet? If the Propers are simply omitted, this causes considerable confusion for the congregation, which was previously told that each Mass has special Propers which ought to be sung. We know very well that the Liturgy is complex and must not constantly switch back and forth with changing texts, practices, and musical choices. Constant changes are quite disruptive to Liturgical prayer.

In an effort to make sure that the Mass Propers can always be sung at every Mass no matter what, I have created a 391-page book containing very simple musical arrangements of the Graduale in English:

      * *  Lalemant Propers Website (Graduale Romanum in English)

Visiting this website, one can freely download the entire 391-page book. One can also purchase a beautifully-bound hard copy.

      * *  Click here to download the 391-page book

      * *  Click here to purchase the 391-page book

      * *  Click here for Preface & Table of Contents

Below is a video example of a setting from the Lalemant Propers. This random selection is from Holy Saturday, so one can see this new collection contains much more than just antiphons (for instance, the Good Friday Reproaches, forty-five complete Psalms, Sequences, etc.).

HE COLLECTION is named in honor of St. Gabriel Lalemant, one of the bravest men ever to set foot in the New World. St. Lalemant worked alongside St. Isaac Jogues and the other Jesuit Martyrs of North America. Most of the Corpus Christi Watershed projects are dedicated to these Martyrs, as well as their colleagues who have not yet been canonized. For instance, if you visit the St. Charles Garnier Website, you will notice many Gospel Acclamations named in honor of French Jesuits. By pressing the «View Previous 2 Months» button, you will see names like Fr. François Bressani, William Couture, Fr. Simon Le Moyne, Fr. Paul Ragueneau, Fr. Pierre Chaumonot, Fr. Joseph Le Caron, Fr. Claude Dablon, Fr. Pierre Chastellain, Fr. Jérôme Lalemant, and Fr. Barthélemy Vimont.

I feel strongly called by God to help make the Jesuit Martyrs of North America better known. The first musical CD I ever produced (2001) was dedicated to them, and through the years we have done what we can. However, there is still so much more that needs to be accomplished to make their stories better known. Of course, it is not always possible to do as much as one would like, as the primary object of our organization must be to survive and continue providing resources for the Liturgy. However, I will continue to pray that the Lord will grant this request: that through the years, Corpus Christi Watershed can be a vehicle to let every person in North America know and honor the holy Jesuit Martyrs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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