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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · April 1, 2017

Liturgical Language Barriers

Learning enough to use Latin liturgically is important and easy if you have the information. Including a short video giving tips to cover most Church Latin pronunciation.

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Veronica Brandt · March 4, 2017

O Crux Ave, partial recording

A stepping stone towards singing this motet with a small choir – a recording for the middle voice of Fr Friel’s 3 part motet.

Veronica Brandt · February 25, 2017

Making rehearsal CDs and finding mp3s

Burning CDs may seem old-fashioned, but many people still rely on their CD players. All the shortcuts, plus a free recording of Audi Benigne Conditor.

Veronica Brandt · January 14, 2017

Forget the First Note, give me the Do

A tip for sight-reading chant – start with a Do La Fa to anchor your ear and find the starting note from the tonic.

Veronica Brandt · December 30, 2016

The longest 54 seconds in a Missa Cantata

Directing music for a Sung Mass can be terrifying. Here’s a tip to help you avoid one trap.

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Veronica Brandt · December 22, 2016

Epiphany Proclamation 2017

“It is solemnly made known, dearest brethren that, just as we—through the bounteous mercy of God—have rejoiced in the Birth of Our Lord Jesus Christ…”

Veronica Brandt · December 17, 2016

Random Acts of Beauty: the Vestment Fund

Looking for a chariitable appeal you can support in good conscience? Check out this new Vestment Fund.

Veronica Brandt · December 15, 2016

Come to Sydney for a Retreat in Silence and Song

Sydney might not be famous for spiritual endeavours. Here is a peak at a few upcoming retreats for men.

Veronica Brandt · November 19, 2016

Liturgy and Sensory Issues

Simplicity and predictability are important for being inclusive.

Veronica Brandt · November 12, 2016

Gregorian chant is not all the same

Have you ever been asked to sing some Gregorian chant? How do you choose a representative piece?

Veronica Brandt · October 29, 2016

Christus Vincit – Laudes Regiae

The flexible and stirring chant that is almost a war cry. Two versions to download.

Veronica Brandt · October 22, 2016

Compline Online with Chant Notation

A handy online copy of Compline according to the 1962 liturgical books dynamically adapting to the day of the week, feast or feria and looks great on small screen mobile devices.

Veronica Brandt · June 25, 2016

It’s not about talent

A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life.

Veronica Brandt · May 28, 2016

Planning a Corpus Christi Procession

Last minute preparations for a Corpus Christi Procession.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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