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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · April 8, 2017

33 Days to Marian Consecration

There are 33 days to prepare for the feast of Our Lady of Fatima this centenary year, starting Monday April 10.

Veronica Brandt · April 1, 2017

Liturgical Language Barriers

Learning enough to use Latin liturgically is important and easy if you have the information. Including a short video giving tips to cover most Church Latin pronunciation.

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Veronica Brandt · March 4, 2017

O Crux Ave, partial recording

A stepping stone towards singing this motet with a small choir – a recording for the middle voice of Fr Friel’s 3 part motet.

Veronica Brandt · February 25, 2017

Making rehearsal CDs and finding mp3s

Burning CDs may seem old-fashioned, but many people still rely on their CD players. All the shortcuts, plus a free recording of Audi Benigne Conditor.

Veronica Brandt · January 14, 2017

Forget the First Note, give me the Do

A tip for sight-reading chant – start with a Do La Fa to anchor your ear and find the starting note from the tonic.

Veronica Brandt · December 30, 2016

The longest 54 seconds in a Missa Cantata

Directing music for a Sung Mass can be terrifying. Here’s a tip to help you avoid one trap.

Follow the Discussion on Facebook

Veronica Brandt · December 22, 2016

Epiphany Proclamation 2017

“It is solemnly made known, dearest brethren that, just as we—through the bounteous mercy of God—have rejoiced in the Birth of Our Lord Jesus Christ…”

Veronica Brandt · December 17, 2016

Random Acts of Beauty: the Vestment Fund

Looking for a chariitable appeal you can support in good conscience? Check out this new Vestment Fund.

Veronica Brandt · December 15, 2016

Come to Sydney for a Retreat in Silence and Song

Sydney might not be famous for spiritual endeavours. Here is a peak at a few upcoming retreats for men.

Veronica Brandt · November 19, 2016

Liturgy and Sensory Issues

Simplicity and predictability are important for being inclusive.

Veronica Brandt · November 12, 2016

Gregorian chant is not all the same

Have you ever been asked to sing some Gregorian chant? How do you choose a representative piece?

Veronica Brandt · October 29, 2016

Christus Vincit – Laudes Regiae

The flexible and stirring chant that is almost a war cry. Two versions to download.

Veronica Brandt · October 22, 2016

Compline Online with Chant Notation

A handy online copy of Compline according to the 1962 liturgical books dynamically adapting to the day of the week, feast or feria and looks great on small screen mobile devices.

Veronica Brandt · June 25, 2016

It’s not about talent

A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

Recent Posts

  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)
  • Fulton J. Sheen • “24-Hour Catechism”

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