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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · January 6, 2018

Tweaking Linebreaks Online with Gregorio

You CAN add linebreaks with Illuminare Score Editor. All in the browser.

Veronica Brandt · December 30, 2017

GABC Propers Tool Revisited

A major shortcut to preparing Gregorian chant propers and ordinaries.

Veronica Brandt · December 23, 2017

Epiphany Proclamation 2018

Fifteen years typing up the Proclamation of Moveable Feasts!

Veronica Brandt · December 16, 2017

Not That Gaudete

A simple misunderstanding that arises with new choir members who are aware of the Christmas Carol called Gaudete and that the Third Sunday of Advent is known as Gaudete Sunday.

Veronica Brandt · December 9, 2017

Online Advent Calendars 2017

What do you use to countdown to Christmas?

Veronica Brandt · December 2, 2017

Tantum Ergo Comically Misunderstood in Italian

Tantum Ergo or Canta Merlo? A bit of fun with Italian and Latin.

Veronica Brandt · November 25, 2017

Sing Salve Regina in Your Rosary

A good chant to begin with. Print a copy with interlinear translation and join with one of the best known chants from the Church Universal.

Veronica Brandt · October 14, 2017

Christus Vincit – Christ Conquers

A little more on the triumphal chant inspired from Roman victory celebrations.

Veronica Brandt · September 30, 2017

Corda Pia – A Franciscan Hymn

A really old hymn commemorating the Stigmata of St Francis of Assisi.

Veronica Brandt · September 23, 2017

How Much Latin Do You Need?

How to learn to read 20% of the Missale Romanum – forget “Amo, Amas, Amat” – dive into the most frequently used words.

Veronica Brandt · September 16, 2017

Catena Legionis in Gregorian Chant

Our Lady sings Magnificat with tones surpassing sweet – and you can too with this simple Gregorian chant setting.

Veronica Brandt · September 9, 2017

The Place of Pews in the Church

Are chairs or pews a hindrance or a help?

Veronica Brandt · April 29, 2017

Sing everyday! Regina Caeli!

Singing isn’t just a Sunday thing – if you want to sing well, then it’s good to sing everyday! Bring this ancient antiphon into your life and see how it goes.

Veronica Brandt · April 20, 2017

Patterns in the Easter Sequence

I had a go at finding the structure of the melody…

Veronica Brandt · April 8, 2017

33 Days to Marian Consecration

There are 33 days to prepare for the feast of Our Lady of Fatima this centenary year, starting Monday April 10.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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