• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
    • Feasts Website
  • Donate
  • Cart
Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · January 27, 2018

Can You Sing Along to Monks?

A video to supplement our local choir practices – a quick run through Missa Orbis Factor (also known as Mass XI) – the Gregorian Mass setting for Sundays during the year.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · January 6, 2018

Tweaking Linebreaks Online with Gregorio

You CAN add linebreaks with Illuminare Score Editor. All in the browser.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · December 30, 2017

GABC Propers Tool Revisited

A major shortcut to preparing Gregorian chant propers and ordinaries.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · December 23, 2017

Epiphany Proclamation 2018

Fifteen years typing up the Proclamation of Moveable Feasts!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · December 16, 2017

Not That Gaudete

A simple misunderstanding that arises with new choir members who are aware of the Christmas Carol called Gaudete and that the Third Sunday of Advent is known as Gaudete Sunday.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · December 9, 2017

Online Advent Calendars 2017

What do you use to countdown to Christmas?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · December 2, 2017

Tantum Ergo Comically Misunderstood in Italian

Tantum Ergo or Canta Merlo? A bit of fun with Italian and Latin.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · November 25, 2017

Sing Salve Regina in Your Rosary

A good chant to begin with. Print a copy with interlinear translation and join with one of the best known chants from the Church Universal.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · October 14, 2017

Christus Vincit – Christ Conquers

A little more on the triumphal chant inspired from Roman victory celebrations.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · September 30, 2017

Corda Pia – A Franciscan Hymn

A really old hymn commemorating the Stigmata of St Francis of Assisi.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · September 23, 2017

How Much Latin Do You Need?

How to learn to read 20% of the Missale Romanum – forget “Amo, Amas, Amat” – dive into the most frequently used words.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · September 16, 2017

Catena Legionis in Gregorian Chant

Our Lady sings Magnificat with tones surpassing sweet – and you can too with this simple Gregorian chant setting.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · September 9, 2017

The Place of Pews in the Church

Are chairs or pews a hindrance or a help?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · April 29, 2017

Sing everyday! Regina Caeli!

Singing isn’t just a Sunday thing – if you want to sing well, then it’s good to sing everyday! Bring this ancient antiphon into your life and see how it goes.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Veronica Brandt · April 20, 2017

Patterns in the Easter Sequence

I had a go at finding the structure of the melody…

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Interim pages omitted …
  • Page 15
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)
  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”