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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 14, 2017

Descent into Hell and The Greatest Act of Love

Read the words of John 3:16 again.

Richard J. Clark · April 7, 2017

Sing Everything From the Viewpoint of the Resurrection

Music has a way of describing the indescribable, of bringing to speech the ineffable. That is what our choirs must do this Holy Week.

Richard J. Clark · March 24, 2017

New Music in Honor of Óscar Romero • E. Ethelbert Miller & Richard J. Clark

Pope Francis decreed Romero was martyred “in odium fidei” (“in hatred of the faith”). He was beatified in El Salvador on May 23, 2015.

Richard J. Clark · March 17, 2017

Not “What” but “Why” is Fascinating

Some people are put off…Some are bored to tears. I am fascinated. Why?

Richard J. Clark · March 10, 2017

Pope Francis, Sacred Music, and the Biggest Stage

Such musical exhortations are not new, but the tone and visibility are.

Richard J. Clark · March 4, 2017

Pope Francis on musical quality: “mediocrity, superficiality, and banality”

“Sometimes a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations.”

Richard J. Clark · February 24, 2017

Four Real Reasons for Roman Catholic Funerals

The real purpose of a Roman Catholic funeral is not what most people think.

Richard J. Clark · January 20, 2017

Communion Antiphons for Lent & Easter • NEW • World Library Publications

This is perhaps my favorite collection to date.

Richard J. Clark · January 13, 2017

Nuptial Blessings • Practice Videos • Order of Celebrating Matrimony

Fr. Gaspar eloquently emphasis key words and phrases, underscoring the beauty of the sacrament.

Richard J. Clark · January 6, 2017

Recording of Announcement of Easter and Movable Feasts • 2017

A very helpful recording for anyone singing this in English for the Ordinary Form.

Richard J. Clark · December 31, 2016

Mary was one of the strongest women to ever walk planet Earth.

“Meek,” “mild,” “humble,” and “lowly” are mistaken for submission and weakness. Only a person of great strength could possess such qualities.

Richard J. Clark · December 23, 2016

“Immense in the form of God, tiny in the form of a slave”

“Christmas is thus the feast of the loving humility of God….” — Pope Francis

Richard J. Clark · December 16, 2016

Art is an act of love.

At certain times, an artist requires refuge…

Richard J. Clark · December 9, 2016

Strong Leadership and Admitting Mistakes • Two Stories

A sure sign of an insecure leader is one whose first instinct is to blame others when something goes wrong.

Richard J. Clark · December 5, 2016

Communion Antiphons for Christmas on “Sounds from the Spires”

“Sounds from the Spires” has been a great supporter of sacred music in the liturgy, bringing choral music, chant, and the pipe organ to a broad audience.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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