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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

Richard J. Clark · September 13, 2013

It’s No Fluke

One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.

Richard J. Clark · September 11, 2013

In Paradisum | Pray for Peace

On this day, let us pray for peace and for those who died before us.

Richard J. Clark · September 11, 2013

Sacred Music and The New Evangelization

If the Church were to reclaim the proper role and function of its very own music, it would go a long to way to repossessing the deeply influential significance of the liturgy in our everyday lives. In turn, this would powerfully foster evangelization.

Richard J. Clark · September 6, 2013

Thank You, But Hold the Applause

Mass cannot, nor should not compete on a level of entertainment. “Such attractiveness fades quickly.” It is in our very human nature, the need to worship God. Our brains are wired for contemplation. It is within our very soul to connect with the divine.

Richard J. Clark · September 5, 2013

Praying for Peace in Syria – Day of Prayer and Fasting

Pope Francis has called for a day of fasting and prayer for peace this coming Saturday, September 7, 2013.

Richard J. Clark · August 30, 2013

Startlingly Human

The Psalms of David often reveal both the ugliness of humanity and his unwavering faith in God. In his prayer, he calls for the defeat – the blood of his enemies. His words are startlingly human.

Richard J. Clark · August 12, 2013

Music for the Assumption of the Blessed Virgin Mary

Several FREE downloads of sacred music for the Solemnity of the Assumption of the Blessed Virgin Mary

Richard J. Clark · August 9, 2013

Reason for Encouragement

Great congregational singing points to great work being done by music directors and pastors all over the country. Know that your influence and reach may be much farther than you will ever dream or know.

Richard J. Clark · August 2, 2013

Chant Belongs to the People

When I spoke to Fr. Pierre Paul about the wholesale abandonment of Gregorian Chant, he said something I’ll never forget – not just the words, but how he said it, with resolute irrefutability: “It belongs to the people.”

Richard J. Clark · July 26, 2013

Requiem pour une américaine à Paris

One of the most powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City. Many of the liturgies at the Colloquia have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy.

Richard J. Clark · July 19, 2013

“Missa de Jerry Seinfeld” and Praying as a Family

What I will remember most is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him.

Richard J. Clark · July 12, 2013

Chant Is Countercultural and Revolutionary

Chant does certain things exceedingly well that modern culture eschews. It stops time. It simultaneously quiets the soul and directs our attention to God . . . these things are abhorred by modern culture.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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