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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 25, 2013

Who Likes to be “Pruned”?

I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.

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Richard J. Clark · October 18, 2013

Composing Heals a Heavy Heart

Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

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Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

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Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

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Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

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Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

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Richard J. Clark · September 13, 2013

It’s No Fluke

One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.

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Richard J. Clark · September 11, 2013

In Paradisum | Pray for Peace

On this day, let us pray for peace and for those who died before us.

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Richard J. Clark · September 11, 2013

Sacred Music and The New Evangelization

If the Church were to reclaim the proper role and function of its very own music, it would go a long to way to repossessing the deeply influential significance of the liturgy in our everyday lives. In turn, this would powerfully foster evangelization.

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Richard J. Clark · September 6, 2013

Thank You, But Hold the Applause

Mass cannot, nor should not compete on a level of entertainment. “Such attractiveness fades quickly.” It is in our very human nature, the need to worship God. Our brains are wired for contemplation. It is within our very soul to connect with the divine.

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Richard J. Clark · September 5, 2013

Praying for Peace in Syria – Day of Prayer and Fasting

Pope Francis has called for a day of fasting and prayer for peace this coming Saturday, September 7, 2013.

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Richard J. Clark · August 30, 2013

Startlingly Human

The Psalms of David often reveal both the ugliness of humanity and his unwavering faith in God. In his prayer, he calls for the defeat – the blood of his enemies. His words are startlingly human.

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Richard J. Clark · August 12, 2013

Music for the Assumption of the Blessed Virgin Mary

Several FREE downloads of sacred music for the Solemnity of the Assumption of the Blessed Virgin Mary

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Richard J. Clark · August 9, 2013

Reason for Encouragement

Great congregational singing points to great work being done by music directors and pastors all over the country. Know that your influence and reach may be much farther than you will ever dream or know.

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Richard J. Clark · August 2, 2013

Chant Belongs to the People

When I spoke to Fr. Pierre Paul about the wholesale abandonment of Gregorian Chant, he said something I’ll never forget – not just the words, but how he said it, with resolute irrefutability: “It belongs to the people.”

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)

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