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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

Richard J. Clark · September 13, 2013

It’s No Fluke

One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.

Richard J. Clark · September 11, 2013

In Paradisum | Pray for Peace

On this day, let us pray for peace and for those who died before us.

Richard J. Clark · September 11, 2013

Sacred Music and The New Evangelization

If the Church were to reclaim the proper role and function of its very own music, it would go a long to way to repossessing the deeply influential significance of the liturgy in our everyday lives. In turn, this would powerfully foster evangelization.

Richard J. Clark · September 6, 2013

Thank You, But Hold the Applause

Mass cannot, nor should not compete on a level of entertainment. “Such attractiveness fades quickly.” It is in our very human nature, the need to worship God. Our brains are wired for contemplation. It is within our very soul to connect with the divine.

Richard J. Clark · September 5, 2013

Praying for Peace in Syria – Day of Prayer and Fasting

Pope Francis has called for a day of fasting and prayer for peace this coming Saturday, September 7, 2013.

Richard J. Clark · August 30, 2013

Startlingly Human

The Psalms of David often reveal both the ugliness of humanity and his unwavering faith in God. In his prayer, he calls for the defeat – the blood of his enemies. His words are startlingly human.

Richard J. Clark · August 12, 2013

Music for the Assumption of the Blessed Virgin Mary

Several FREE downloads of sacred music for the Solemnity of the Assumption of the Blessed Virgin Mary

Richard J. Clark · August 9, 2013

Reason for Encouragement

Great congregational singing points to great work being done by music directors and pastors all over the country. Know that your influence and reach may be much farther than you will ever dream or know.

Richard J. Clark · August 2, 2013

Chant Belongs to the People

When I spoke to Fr. Pierre Paul about the wholesale abandonment of Gregorian Chant, he said something I’ll never forget – not just the words, but how he said it, with resolute irrefutability: “It belongs to the people.”

Richard J. Clark · July 26, 2013

Requiem pour une américaine à Paris

One of the most powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City. Many of the liturgies at the Colloquia have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy.

Richard J. Clark · July 19, 2013

“Missa de Jerry Seinfeld” and Praying as a Family

What I will remember most is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him.

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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