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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 25, 2013

Who Likes to be “Pruned”?

I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.

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Richard J. Clark · October 18, 2013

Composing Heals a Heavy Heart

Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

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Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

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Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

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Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

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Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

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Richard J. Clark · September 13, 2013

It’s No Fluke

One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.

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Richard J. Clark · September 11, 2013

In Paradisum | Pray for Peace

On this day, let us pray for peace and for those who died before us.

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Richard J. Clark · September 11, 2013

Sacred Music and The New Evangelization

If the Church were to reclaim the proper role and function of its very own music, it would go a long to way to repossessing the deeply influential significance of the liturgy in our everyday lives. In turn, this would powerfully foster evangelization.

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Richard J. Clark · September 6, 2013

Thank You, But Hold the Applause

Mass cannot, nor should not compete on a level of entertainment. “Such attractiveness fades quickly.” It is in our very human nature, the need to worship God. Our brains are wired for contemplation. It is within our very soul to connect with the divine.

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Richard J. Clark · September 5, 2013

Praying for Peace in Syria – Day of Prayer and Fasting

Pope Francis has called for a day of fasting and prayer for peace this coming Saturday, September 7, 2013.

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Richard J. Clark · August 30, 2013

Startlingly Human

The Psalms of David often reveal both the ugliness of humanity and his unwavering faith in God. In his prayer, he calls for the defeat – the blood of his enemies. His words are startlingly human.

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Richard J. Clark · August 12, 2013

Music for the Assumption of the Blessed Virgin Mary

Several FREE downloads of sacred music for the Solemnity of the Assumption of the Blessed Virgin Mary

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Richard J. Clark · August 9, 2013

Reason for Encouragement

Great congregational singing points to great work being done by music directors and pastors all over the country. Know that your influence and reach may be much farther than you will ever dream or know.

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Richard J. Clark · August 2, 2013

Chant Belongs to the People

When I spoke to Fr. Pierre Paul about the wholesale abandonment of Gregorian Chant, he said something I’ll never forget – not just the words, but how he said it, with resolute irrefutability: “It belongs to the people.”

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President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

Recent Posts

  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)
  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!

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