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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 27, 2014

Mass in Honor of Pope Saint John Paul II

FREE DOWNLOAD of the complete score AND recordings.

Richard J. Clark · April 25, 2014

PREVIEW – Mass in Honor of Pope Saint John Paul II

Preview of the “Mass in Honor of Pope Saint John Paul II” Listen to the Gloria!

Richard J. Clark · April 18, 2014

Christ, the Wounded Healer

What role does suffering have in our lives and in our work?

Richard J. Clark · April 11, 2014

Mass of the Angels | Congregational Mass Setting in English

“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood

Richard J. Clark · April 4, 2014

A priest who sings both energizes the liturgy and fosters interior prayer.

Once the mass began, the children began singing the Gregorian Introit, and fifteen thousand young people immediately stilled to complete silence.

Richard J. Clark · March 21, 2014

Reverent and welcoming parishes are not mutually exclusive.

Yes, the house is on fire. Yes, liturgy is important. Seriously? Yes.

Richard J. Clark · March 14, 2014

The Greatest in the Kingdom

Children grant us enormous perspective on life. They remind us not only what, but WHO is most important— namely, God and family.

Richard J. Clark · March 7, 2014

It’s impossible to please everyone so do what is right and just.

Liturgical advice from Tony Soprano???

Richard J. Clark · March 5, 2014

Misereris omnium | Ash Wednesday Introit

Few parishes are willing to sing Gregorian Introits for the Entrance Procession, but it is SIGNIFICANT that the very first Introit of Lent sings of God’s infinite MERCY.

Richard J. Clark · February 28, 2014

RCIA and the Importance of Holy Week Choir Rehearsals

He described a sense awe that overwhelmed him during the liturgy. His conclusion at the time was that he should no longer continue with RCIA. Was this a failure of the RCIA program? No, this was success!

Richard J. Clark · February 21, 2014

When in Crisis: Ideology and Diplomacy

In cases of constant crisis, diplomacy yields far more fruit than ideology. Demanding the ideal will usually get you nothing but a pink slip.

Richard J. Clark · February 7, 2014

Disparagement Is Not Helping the Cause of Liturgical Reform

Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.

Richard J. Clark · January 31, 2014

Changing the Culture: Progress, Not Perfection

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations.

Richard J. Clark · January 24, 2014

The Economics of Jobs in Sacred Music

Demand within the Church for beautiful sacred music is low leaving a surplus of highly qualified musicians quite capable of offering such beauty. How many Catholic musicians do you know work for other denominations because that is where their skills are valued?

Richard J. Clark · January 17, 2014

Gregorian Propers at a Nuptial Mass in “Southie”?

“Southie” is a section of Boston better known from the films “Good Will Hunting” and “The Departed.” It is also infamous for the convicted murderer and gangster, James “Whitey” Bulger. But, yes, glorious Gregorian Propers, polyphony, and hymnody at a Nuptial Mass in “Southie.”

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Jeffrey Tucker: “USCCB Deserves Scorn for Maintaining Strict Copyright Over Liturgical Texts.”
  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”

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