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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 27, 2014

Mass in Honor of Pope Saint John Paul II

FREE DOWNLOAD of the complete score AND recordings.

Richard J. Clark · April 25, 2014

PREVIEW – Mass in Honor of Pope Saint John Paul II

Preview of the “Mass in Honor of Pope Saint John Paul II” Listen to the Gloria!

Richard J. Clark · April 18, 2014

Christ, the Wounded Healer

What role does suffering have in our lives and in our work?

Richard J. Clark · April 11, 2014

Mass of the Angels | Congregational Mass Setting in English

“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood

Richard J. Clark · April 4, 2014

A priest who sings both energizes the liturgy and fosters interior prayer.

Once the mass began, the children began singing the Gregorian Introit, and fifteen thousand young people immediately stilled to complete silence.

Richard J. Clark · March 21, 2014

Reverent and welcoming parishes are not mutually exclusive.

Yes, the house is on fire. Yes, liturgy is important. Seriously? Yes.

Richard J. Clark · March 14, 2014

The Greatest in the Kingdom

Children grant us enormous perspective on life. They remind us not only what, but WHO is most important— namely, God and family.

Richard J. Clark · March 7, 2014

It’s impossible to please everyone so do what is right and just.

Liturgical advice from Tony Soprano???

Richard J. Clark · March 5, 2014

Misereris omnium | Ash Wednesday Introit

Few parishes are willing to sing Gregorian Introits for the Entrance Procession, but it is SIGNIFICANT that the very first Introit of Lent sings of God’s infinite MERCY.

Richard J. Clark · February 28, 2014

RCIA and the Importance of Holy Week Choir Rehearsals

He described a sense awe that overwhelmed him during the liturgy. His conclusion at the time was that he should no longer continue with RCIA. Was this a failure of the RCIA program? No, this was success!

Richard J. Clark · February 21, 2014

When in Crisis: Ideology and Diplomacy

In cases of constant crisis, diplomacy yields far more fruit than ideology. Demanding the ideal will usually get you nothing but a pink slip.

Richard J. Clark · February 7, 2014

Disparagement Is Not Helping the Cause of Liturgical Reform

Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.

Richard J. Clark · January 31, 2014

Changing the Culture: Progress, Not Perfection

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations.

Richard J. Clark · January 24, 2014

The Economics of Jobs in Sacred Music

Demand within the Church for beautiful sacred music is low leaving a surplus of highly qualified musicians quite capable of offering such beauty. How many Catholic musicians do you know work for other denominations because that is where their skills are valued?

Richard J. Clark · January 17, 2014

Gregorian Propers at a Nuptial Mass in “Southie”?

“Southie” is a section of Boston better known from the films “Good Will Hunting” and “The Departed.” It is also infamous for the convicted murderer and gangster, James “Whitey” Bulger. But, yes, glorious Gregorian Propers, polyphony, and hymnody at a Nuptial Mass in “Southie.”

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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