• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Patrick Williams • Article Archive

Patrick Williams serves as organist and choirmaster at Mater Misericordiae Parish and Saint Edward the Confessor Catholic Church. These are churches of the diocese of Phoenix, served by the Priestly Fraternity of Saint Peter (FSSP) with exclusive use of the pre-conciliar rites in Latin.—Read full biography (with photographs).

Patrick Williams · June 4, 2023

“Offertory Verses and Why You Should Sing Them” (Includes PDF Download)

“This has nothing to do with tradition; it is shallow anti-intellectualism, lack of critical thinking, and aesthetic preference masquerading as obedience.” —Patrick Williams

Patrick Williams · May 15, 2023

Sacred Music Institute at Mount St. Mary’s, Cincinnati

July 19–21 Sacred Music Institute “Inheritors of Heaven: The Call to Eucharistic Worship”

Patrick Williams · April 12, 2023

The Illumination of the Church at the Easter Vigil

“Is the symbolism of the Easter Vigil better served by brilliant light or the faint glow of candles in the darkness?” —Patrick Williams

Patrick Williams · April 10, 2023

Gregorian Rhythm Wars • “Non Praevaleat”

“We got to this point because we questioned unfounded claims.” —Patrick Williams

Patrick Williams · March 31, 2023

Who Should Sing the Passion? What about Tracts?

“I am of the opinion that women are not to participate in the singing of the crowd parts and that the manner of alternation in the tract is merely a matter of custom, preference, or practicality.” —Patrick Williams

Patrick Williams · March 20, 2023

At the Cross • Stabat Mater

“The devotional version of this hymn employs a later tune erroneously called ‘plainsong’ in various sources.” —Patrick Williams

Patrick Williams · March 15, 2023

Ictus Fictus!

“Hardly any of this made-up system has its basis in medieval music theory or in the manuscripts themselves.”—Patrick Williams

Patrick Williams · March 12, 2023

Chant Glossary

Glossary of Chant Terms

Patrick Williams · March 10, 2023

Gregorian Rhythm Wars • “Clap Your Hands!” (10 Mar 2023)

“With my questions unanswered by those objecting to rhythmic markings based on the oldest sources, it is difficult to take their arguments seriously.” —Patrick Williams

Patrick Williams · March 2, 2023

Patrick’s Second Response to Matthew

“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams

Patrick Williams · February 28, 2023

Patrick Williams Responds to Matthew Frederes

“. . . zealous to keep the traditions of our forefathers, ever trying . . . boldly to restore any which might have been forgotten in the course of the ages.” —Preface to the Vatican Edition

Patrick Williams · February 25, 2023

Blackley’s Sunday Mass Propers Now Available as Free PDF

“Transcriptions are best done by those who both sing & conduct and enjoy studying minute neumatic details & problems—all this while making sure that the horizontal musical line of each song is their main musical concern.” —R. John Blackley

Patrick Williams · February 15, 2023

Gregorian Rhythm Wars • “Liturgical Recitative” (15 Feb 2023)

“May our voices be the instruments through which God breathes new life into the ancient chants of the Catholic Church, decrepit through centuries of neglect and misinterpretation!” —Patrick Williams

Patrick Williams · February 7, 2023

Gregorian Rhythm Wars • “The Normal Syllabic Value” (6 Feb 2023)

“The problem with semiology is not that it neglects the rhythmic indications of the oldest sources, but rather that it overinterprets them, like the nuance theory on steroids.” —Patrick Williams

Patrick Williams · January 15, 2023

Getting More Mileage out of a Polyphonic Requiem

“Many choirs only have the opportunity to sing a choral Requiem Mass once a year, if that.” —Patrick Williams

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

Recent Posts

  • PDF Downloads • 5 Simple Palestrina Pieces
  • Dr. Alfred Calabrese • “My Invitation To You”
  • “Reminder” — Month of December (2025)
  • PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)
  • “Translations Approved for Liturgical Use”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.