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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Patrick Williams • Article Archive

Patrick Williams serves as organist and choirmaster at Mater Misericordiae Parish and Saint Edward the Confessor Catholic Church. These are churches of the diocese of Phoenix, served by the Priestly Fraternity of Saint Peter (FSSP) with exclusive use of the pre-conciliar rites in Latin.—Read full biography (with photographs).

Patrick Williams · June 4, 2023

“Offertory Verses and Why You Should Sing Them” (Includes PDF Download)

“This has nothing to do with tradition; it is shallow anti-intellectualism, lack of critical thinking, and aesthetic preference masquerading as obedience.” —Patrick Williams

Patrick Williams · May 15, 2023

Sacred Music Institute at Mount St. Mary’s, Cincinnati

July 19–21 Sacred Music Institute “Inheritors of Heaven: The Call to Eucharistic Worship”

Patrick Williams · April 12, 2023

The Illumination of the Church at the Easter Vigil

“Is the symbolism of the Easter Vigil better served by brilliant light or the faint glow of candles in the darkness?” —Patrick Williams

Patrick Williams · April 10, 2023

Gregorian Rhythm Wars • “Non Praevaleat”

“We got to this point because we questioned unfounded claims.” —Patrick Williams

Patrick Williams · March 31, 2023

Who Should Sing the Passion? What about Tracts?

“I am of the opinion that women are not to participate in the singing of the crowd parts and that the manner of alternation in the tract is merely a matter of custom, preference, or practicality.” —Patrick Williams

Patrick Williams · March 20, 2023

At the Cross • Stabat Mater

“The devotional version of this hymn employs a later tune erroneously called ‘plainsong’ in various sources.” —Patrick Williams

Patrick Williams · March 15, 2023

Ictus Fictus!

“Hardly any of this made-up system has its basis in medieval music theory or in the manuscripts themselves.”—Patrick Williams

Patrick Williams · March 12, 2023

Chant Glossary

Glossary of Chant Terms

Patrick Williams · March 10, 2023

Gregorian Rhythm Wars • “Clap Your Hands!” (10 Mar 2023)

“With my questions unanswered by those objecting to rhythmic markings based on the oldest sources, it is difficult to take their arguments seriously.” —Patrick Williams

Patrick Williams · March 2, 2023

Patrick’s Second Response to Matthew

“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams

Patrick Williams · February 28, 2023

Patrick Williams Responds to Matthew Frederes

“. . . zealous to keep the traditions of our forefathers, ever trying . . . boldly to restore any which might have been forgotten in the course of the ages.” —Preface to the Vatican Edition

Patrick Williams · February 25, 2023

Blackley’s Sunday Mass Propers Now Available as Free PDF

“Transcriptions are best done by those who both sing & conduct and enjoy studying minute neumatic details & problems—all this while making sure that the horizontal musical line of each song is their main musical concern.” —R. John Blackley

Patrick Williams · February 15, 2023

Gregorian Rhythm Wars • “Liturgical Recitative” (15 Feb 2023)

“May our voices be the instruments through which God breathes new life into the ancient chants of the Catholic Church, decrepit through centuries of neglect and misinterpretation!” —Patrick Williams

Patrick Williams · February 7, 2023

Gregorian Rhythm Wars • “The Normal Syllabic Value” (6 Feb 2023)

“The problem with semiology is not that it neglects the rhythmic indications of the oldest sources, but rather that it overinterprets them, like the nuance theory on steroids.” —Patrick Williams

Patrick Williams · January 15, 2023

Getting More Mileage out of a Polyphonic Requiem

“Many choirs only have the opportunity to sing a choral Requiem Mass once a year, if that.” —Patrick Williams

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Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Worse, composers are now setting the introits of the missal [instead of the Graduale] to music, even to chant, though these texts were explicitly for spoken recitation only.”

— ‘Dr. William Mahrt (Fall, 2015)’

Recent Posts

  • PDF Download • “Music List” for 9 November
  • “Music List” • 9 Nov. (Dedic. Lateran)
  • PDF Download • Offertory (9 Nov.)
  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +

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