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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · October 3, 2020

3 October 2020 • What Kids Lack

Kids these days will never know the adventure of traveling to a special music library, climbing the steps, locating the correct LP record, and placing it into the record player (which had a needle). In the 1990s, this was the only way one could listen to Hofmann’s live recording of Chopin’s 4th Ballade. I have […]

Jeff Ostrowski · October 2, 2020

“Spoken vs. Sung Propers” • The Complete History

Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+

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Jeff Ostrowski · October 1, 2020

Famous Italian Actor Regrets Aborting Son

“It was the mistake of my life. When I was very young, I had the chance to become a father, but I had my son aborted. Now, I’ve become very strongly against abortion.” —Andrea Roncato

Jeff Ostrowski · September 30, 2020

“Homily for the 18th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Sin is an offense against God. Therefore, only God can forgive sin.

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Jeff Ostrowski · September 29, 2020

PDF Download • Extremely Rare! — 1966 “Book of Catholic Worship” (809 pages)

Do you recognize where these pages were stolen from in 1966, when they hoped nobody would notice?

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Jeff Ostrowski · September 26, 2020

Communication • Re: Modern Catholic Hymns

Are you familiar with “Thaxted”—a beautiful hymn tune?

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Jeff Ostrowski · September 22, 2020

EWTN Features Catholic Choirmaster & Composer

Brian J. Nelson is director of Sacred Music at the Saint Lawrence Catholic Campus Center.

Jeff Ostrowski · September 22, 2020

22 September 2020 • “Tears of Joy”

A reader wrote to us: “Thank you for the sample verses of Hymn #869 (Solemn Hymn to the Son of God). I found this music posted to YouTube this morning, and I’ve lost count at of the number of times I’ve replayed it and—no exaggeration!—it makes me tear up each time. This lovely hymn makes […]

Jeff Ostrowski · September 22, 2020

“Homily for the 17th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

“I never really understand this psalm until I entered the Franciscan Novitiate in 1942…”

Jeff Ostrowski · September 20, 2020

Myth Re: Johann Sebastian Bach

Some musicologists try to make a “splash” by saying that Bach was totally forgotten when he died—remembered only as an organ virtuoso—and that his sons were more famous than he was. Such an idea is indefensible. It is true that musical styles changed in 1750AD—but this is normal. Musical styles change constantly; e.g. much of […]

Jeff Ostrowski · September 18, 2020

Arthur Friedheim, Franz Liszt’s Secretary

Arthur Friedheim (d. 1932) has a very poor reputation as a pianist, and Liszt rejected him several times before finally accepting him as a pupil, yet the Liszt recordings he left are quite good—especially considering the transgressions by other Liszt pupils. Friedheim must have been an amazing musician; twice he was asked to become conductor […]

Jeff Ostrowski · September 15, 2020

More on the Mystery Book

Examples: Non Abluunt Lymphae Deum, Rebus Creatis Nil Egens, Salve Caput Cruentatum, Sancti Venite, Victis Sibi Cognomina, Hoste Dum Victo Triumphans, and Jam Desinant Suspiria.

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Jeff Ostrowski · September 15, 2020

Homily — “Seven Sorrows of the Blessed Mother” • Father Valentine Young, OFM

During World War II, Catholic churches were filled on Friday evenings for the Sorrowful Mother Novena and Benediction.

Jeff Ostrowski · September 14, 2020

13th Anniversary of “Summorum Pontificum”

“The cemeteries are filled……”

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Jeff Ostrowski · September 10, 2020

“A blast from the past”

Consilium document (“Instantibus Pluribus”) to presidents of the national liturgical commissions, on norms for translation of the Graduale Simplex, dated 23 January 1968: “The types of chant in the Graduale Simplex may be adapted to the style of music and song typical of individual peoples. But any sort of secular or profane melody is excluded.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    When kings decide to go to war, they often don’t consider the pain and suffering inflicted upon the soldiers who actually fight the war. Something similar could be said about the ‘agents of liturgical reform’ who gained power after Vatican II. With the stroke of a pen, they often make changes that will require thousands—or even millions—of man hours, undertaken by composers and editors. The Sprinkling Rite during Eastertide (PDF) is a good example. The version given there was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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