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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 17, 2019

“Agincourt” • Do You Know This Hymn?

I insisted that my interpretation was correct. Then she made a comment that haunts me still.

Jeff Ostrowski · December 16, 2019

Fr. Peter Gee • My First Chant Teacher

Is it just me, or does England have extremely beautiful churches?

Jeff Ostrowski · December 12, 2019

Fantastic! • “Somber Yet Powerful” Advent Hymn

It’s impossible to incorporate all the awesome Advent hymns; the season is too short.

Jeff Ostrowski · December 10, 2019

PDF • “Veni Veni Emmanuel” (2 Voices + Organ)

Download this PDF score—free to all—and sing during Advent!

Jeff Ostrowski · December 1, 2019

(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info Table of Contents   —   Executive Summary ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS) INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and […]

Jeff Ostrowski · November 30, 2019

Fr. Wasilewski: “Evil” to Remove Pachamama Idols

His argument about “theft”—such as removing pornography from a church where children might see it—is incorrect and dangerous.

Jeff Ostrowski · November 26, 2019

Are Choirmasters Allowed To Have A Bad Day?

By 1941, Horowitz had been playing Rachmaninov’s 3rd Concerto for 23 years…

Jeff Ostrowski · November 14, 2019

Dominican Priest Calls Gregorian Chant “Infantile”

Fr. Gerard Lessard is upset that millennials “seem to be mainly interested in returning to Gregorian chant and organ music of the distant past.”

Jeff Ostrowski · November 11, 2019

Video • What Are Common Hymn Melodies?

Short demonstrations by a volunteer parish choir!

Jeff Ostrowski · November 8, 2019

PDF Download • A Eucharistic Piece My Choir Loves

Including a “preview” of the forthcoming Brébeuf Hymnal SATB Choral Supplement.

Jeff Ostrowski · October 28, 2019

What Choirmasters Do.

In case you’re wondering: the photo on the upper right is me—taken on Saturday night.

Jeff Ostrowski · October 23, 2019

Fascinating! • Tridentine “Permission Slip” (1985)

In this riveting document, Archbishop Weakland forbids one’s child from attending a Low Mass—wicked beyond a doubt!

Jeff Ostrowski · October 21, 2019

New Typesetting! • “Kyriale Supplement” (1934)

Mr. Andrew Hinkley has done something marvelous…again!

Jeff Ostrowski · October 19, 2019

PDF Download • Palestrina Kyrie (Part 2 of 3)

“Dazzlingly luscious” is probably best way to describe this Mass.

Jeff Ostrowski · October 16, 2019

“Hidden” Hymns by Cardinal Newman

Fr. Nicholls points out that Saint Newman was an admirer of Beethoven at a time when Beethoven was still living.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • “We Laughed It Off” • Archbishop of Portland on the Elimination of Latin from the Sacred Liturgy
  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly

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