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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 22, 2020

21 July 2020 • From a Musicology PhD…

To you and your colleagues who helped produce the Brébeuf hymnal, I wanted to drop a line to say “bravo.” I just got a copy and immediately ordered the choral supplement (I ought to have just gotten it in the first place). What an achievement this book is! This is the sort of hymnal one […]

Jeff Ostrowski · July 21, 2020

“Pope Pius XII Psalter” • How different was it?

If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.

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Jeff Ostrowski · July 17, 2020

PDF Download • “Label Your Luggage”

Religious instruction from Fr. Robert Nash, SJ. (1943 Imprimatur)

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Jeff Ostrowski · July 14, 2020

PDF Download • “Saint Edmund Arrowsmith Mass”

The fourth installment—“Mass settings that work well, even with a single cantor + organist.”

Jeff Ostrowski · July 14, 2020

Wonderful emails received recently…

(#1) “Thank you for all the great work you do to provide music and rehearsal videos for all of us to use! It has been invaluable to those music and choir directors who’ve had to build a Gregorian chant schola from scratch! May God continue to bless all you do to promote sacred music for […]

Jeff Ostrowski · July 13, 2020

1,055 Images • “Paramentica Liturgical Design”

When we pray from a book which is special, beautiful, and dignified, it helps us focus.

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Jeff Ostrowski · July 12, 2020

Honesty and Integrity

Someone who made a generous donation wrote as follows: While I sometimes strongly disagree with the content or tone of the blog article authors, I, as a parish music director, have used CCWatershed’s resources countless times and have always found the site to be an excellent source of high-quality Sacred Music, which is very hard […]

Jeff Ostrowski · July 12, 2020

Two Settings • “Holy God, We Praise Thy Name”

Imagine trying to read from a score like this!

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Jeff Ostrowski · July 10, 2020

Featured • “To All Who Care About CCWatershed”

During my 9 years as president, you know I never ask for assistance unless it’s absolutely necessary.

Jeff Ostrowski · July 8, 2020

Can These Youngsters Save Catholic Music?

This remarkable piece by Father Victoria contains a mind-blowing canon between upper voices!

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Jeff Ostrowski · July 8, 2020

“Just how Tridentine are you?” • Quiz by GIA Publications

GIA’s 2004 article Re: “masses of yesteryear” seems absurd on this 13th Anniversary of Summorum Pontificum.

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Jeff Ostrowski · July 5, 2020

Two remarkable (radical) liturgical realities … which few realize!

It’s interesting to compare the literal translations in the Brébeuf Hymnal to those done by Solesmes Abbey during the 1950s.

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Jeff Ostrowski · June 30, 2020

Draft Document • “Church Music Manifesto” (2020)

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Jeff Ostrowski · June 28, 2020

Sonata during the Gradual?

Wolfgang Amadeus Mozart wrote seventeen Church Sonatas between 1772 and 1780. These are short pieces intended to be played between the Epistle and the Gospel (during Mass). Shortly after Mozart left Salzburg, the Archbishop mandated that an appropriate choral motet or congregational hymn be sung at that point in the liturgy, with the result that […]

Jeff Ostrowski · June 27, 2020

Sister Goodchild • “Gregorian Chant for Church and School”

This 130-page book can be downloaded for free.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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