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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · August 9, 2026

“Worst Teacher the World Has Ever Seen”

I recently learned that Pope Leo XII honored him with the “Order of the Golden Spur.”

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Jeff Ostrowski · August 7, 2026

Eucharistic Prayer No. 2 on Sundays?

Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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Jeff Ostrowski · August 6, 2026

1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)

That such a richly-illustrated missal could have been created—much less mass produced—in the 1930s is beyond belief.

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Jeff Ostrowski · August 5, 2026

Knox. Has. No. Equal.

Its final verse is the famous “O Salutaris Hostia.”

Jeff Ostrowski · August 3, 2026

“Plainsong Propers” • Fascinating 1980s Recordings

Father John Buchanan was a priest of the Archdiocese of Saint Paul–Minneapolis.

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Jeff Ostrowski · August 3, 2026

Proportionalist Plainchant • (Documented)

This document shows a “mensuralist” approach to Gregorian Chant.

Jeff Ostrowski · August 1, 2026

Garnier Alleluias • “Have They Moved?”

We received an email asking whether the “Garnier Gospel Acclamations website” has…

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Jeff Ostrowski · August 1, 2026

PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

Taken with great skill, the photos involved the Right Rev’d Joseph F. Cussen, Rev’d Thomas P. Conley, Rev’d George B. Ford, and Rev’d John F. Carvlin.

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Jeff Ostrowski · July 31, 2026

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article: “Two Ways to Defile a Hymn.”

Jeff Ostrowski · July 29, 2026

Absolutely ‘Perfect’ Voice-Leading?

This brief passage seems (in my humble opinion) to be a delightful specimen.

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Jeff Ostrowski · July 28, 2026

“Progress Report” (With Samples) • Forthcoming Roman Catholic Hymnal In Spanish

It’s coming along nicely!

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Jeff Ostrowski · July 26, 2026

PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)

This includes 1914-1962 (years which were excluded from Muir’s book).

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Jeff Ostrowski · July 23, 2026

Calling Dr. Weaver!

A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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Jeff Ostrowski · July 22, 2026

“A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)

Is there anyone on the planet willing to pretend he doesn’t understand the plain meaning of those words?

Jeff Ostrowski · July 19, 2026

SLANE • “Simplified” Keyboard Arr.

Do you know ‘SLANE’ the hymn tune?

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Corpus Christi Watershed

President’s Corner

    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The director should not allow any one to pre-intone who is not able to do it, lest ridiculous mistakes should occur; he should suppress all singing out of tune, all shouting, and all arbitrary harmonising by the singers, and should see that in responding to the celebrant, the choir invariably take up the tone corresponding to his.”

— Manual of Roman Chant (1860) by a Priest of the Congregation of the Most Holy Redeemer

Recent Posts

  • “Reprehensible Rhymes” • (1955 Hymnal)
  • 70% Moonshine? • Jeff Responds to a Dissertation-Length Article on Gregorian Chant
  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray

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