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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 6, 2026

Fulton J. Sheen • “24-Hour Catechism”

(1 of 50) “Philosophy of Life”

Jeff Ostrowski · January 6, 2026

“Reminder” — Month of January (2026)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · January 6, 2026

Hymn Translation • “Was Dr. John Mason Neale the Greatest of All Time?”

I received permission to reveal publicly this “comparison chart” of hymn translations.

Jeff Ostrowski · January 5, 2026

PDF • “Music List” (Sunday, 11 January)

Readers have expressed interest in examining my “music list” for the feast of the Baptism of the Lord.

Jeff Ostrowski · January 5, 2026

August 1970 • “Graduale Simplex Doc” (12 pages)

Similar to polyester vestments & wreckovations, its sad legacy is bound up with everything regrettable about the 1960s liturgical reforms.

Jeff Ostrowski · January 4, 2026

Epiphany Hymn • “New 2-Voice Arrangement”

This can be sung by one woman and one man.

Jeff Ostrowski · January 3, 2026

How Does The Vatican “Rhythm” Actually Sound?

With an excerpt from the feast of the Baptism of the Lord.

Jeff Ostrowski · January 3, 2026

Simplified Accompaniment (Epiphany Hymn)

Simplified keyboard accompaniment for “Bethlehem! Of noblest cities” (Epiphany hymn).

Jeff Ostrowski · January 2, 2026

“Adeste Fideles” • Too Many Translations!

Broadly speaking, only one has attained general use throughout the English-speaking world…

Jeff Ostrowski · December 30, 2025

Psalm Tone Challenge!

If you know a shorter one, please email me!

Jeff Ostrowski · December 27, 2025

“Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski

Imagine walking up into a choir loft and sounding like these young ladies without rehearsal.

Jeff Ostrowski · December 26, 2025

PDF • “O Come All Ye Faithful” (Simplified)

Please play through it and let me know what you think.

Jeff Ostrowski · December 23, 2025

💰 Are Church Musicians Paid Too Little?

I came very close to paying an unspeakably severe price.

Jeff Ostrowski · December 21, 2025

PDF Download • “In Paradisum” in English

If anyone wants to download this organ accompaniment, feel free to do so!

Jeff Ostrowski · December 19, 2025

“O Antiphons” Elevated?

From what I can tell, the 1970 rubrics moved each “O Antiphon” to the Gospel Acclamation at Mass (in late December).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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