PDF Download • Saint Noël Chabanel Mass Setting (“Lamb of God”) for the Ordinary Form
Today, we release the congregational “Lamb of God” with SATB polyphonic extension.
Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).
Today, we release the congregational “Lamb of God” with SATB polyphonic extension.
Some feel the most irresponsible 1960s reformer was Fr. Godfrey Diekmann. The Second Vatican Council had solemnly declared: “In accordance with the centuries-old tradition of the Latin rite, the Latin language is to be retained by clerics in the divine office.” In spite of this clear directive, Diekmann (3 March 1964) wrote: “What young candidate […]
Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.
As of a few minutes ago, you may go here to download the organ accompaniment booklet (25 pages) I created for the feast of the TRANSFIGURATION. Obviously, that feast will not take place for another year. Nevertheless, several techniques I used may be of interest to those who create liturgical booklets.
Sometimes you win and sometimes you learn!
The professor inserted himself into our conversation, saying: “You’re both being foolish…”
I mentioned a 3-Voice Setting of the AGNUS DEI, based on a Canon by William Byrd (d. 1623) in the context of the “hairpin” technique, something I really will emphasize this coming season. The piece is for Soprano, Middle, and Baritone. (The “Middle” voice should ideally be a mixture of women and men.) Recently, we […]
If music sung at Church resembles a toothpaste commercial, a Broadway show, or a campfire song—does it really belong at Mass?
In case anybody missed it, we recently updated our editorial policy. Our website continues to grow in popularity—Deo gratias! Therefore, it seemed appropriate to ‘codify’ what we’ve been doing for the last few years.
It’s really humbling—and also very cool—to come across examples of how acclaimed several of my colleagues are. I was doing some research for a recent post and came across (!) one of our contributors in a place I was not expecting. You can see which one if you click here and scroll towards the middle […]
Confirmed: Full archives of “Triumph” (a 1960s Roman Catholic magazine) are available online!
Dr. Weaver kindly made me aware of something stupendous. Created by Abbat Pothier’s assistant and approved by his successor (about ten years after his death), it’s a KYRIALE, GRADUALE, and VESPERALE: 2,000 pages long! It’s in Gregorian notation on five staves and marks each mora vocis. Here’s a photograph of the “Puer Natus” INTROIT taken with my […]
In 1994, the most powerful mainstream Catholic music organization published a song about the “enlightenment of Buddha.”
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