PDF Download • “Mass of the Alabaster Jar” (2016)
These settings were written to be easily played by pianists and organists of an intermediate skill level.
Guest Article: “Why That Hymn Doesn’t Work”
Twelve Criteria to Help Explain Yourself
Musical and Liturgical Life at the St. Lawrence Catholic Campus Center
Praising our Extraordinary God in the Ordinary Form
“To Sing With The Angels” • A History Of The Twin Cities Catholic Chorale
A guest article by Dr. Virginia A. Schubert.
Reflections on the Change of the Mandatum Rite
A guest article by Mr. Michael Chan, who lives in Hong Kong.
Benedict XVI Institute Seeks Executive Director
Are you an entrepreneur?
Sermon on Poor Souls • Based on Wisdom 2:23—3:9
A guest article by Fr. Valentine Young, OFM
“Saving” Gregorian Chant In The Ordinary Form
Daniel Craig’s review with a “signs of the times” digression.
PDF Download • SAB Setting of “Jesu Rex Admirabilis”
Including an update on wonderful things happening for Sacred Music in Colorado!
The Responsorial Psalm: What You Never Knew!
…including recent documentation from the Bishops’ Committee on the Liturgy (USCCB).
Adapting Chant To The Vernacular
“The more closely a composition approaches the Gregorian melodic form, the more sacred it becomes.”
Lenten Acclamations To Genevan Psalm Tunes
“Dom Beauduin realised that the singing of psalms and the reading of the Scriptures in divine worship is the greatest bond between Catholics and Protestants.” —Fr. Mark Woodruff
“No Approval Needed for Substitute Songs” says USCCB • Exclusive Documentation
“After six months and 70+ letters, I received a letter from the chairman of Bishops’ Committee on the Liturgy.” —Dan Craig
How Important Is The Poetic Value Of A Hymn?
“If Christians want me to believe in their god, they will have to sing me better hymns.” —Nietzsche
A Close Friend & Advisor To Hans Küng Reacts To Our Recent Posting Of A Breviary From 1967
“I regretted the loss of the beautiful Latin cadences and sonorous chant but appreciated the understanding brought by the English translation…” —Thomas Riplinger