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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · January 12, 2014

The International Institute for Culture

“For the Love of Music” Series

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Fr. David Friel · January 10, 2014

Is Chant Just for Old-Heads?

The NY Frassati Fellowship Chant Workshop

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Fr. David Friel · January 5, 2014

Ministry vs. Edification

Do the People “Minister” to their Priests?

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Fr. David Friel · January 1, 2014

Fruitful Virginity

Flaming, Yet Unconsumed

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Fr. David Friel · December 29, 2013

Singing as a Work of Mercy

The Doylestown Comfort Choir

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Fr. David Friel · December 25, 2013

The Song of the Angels

Divine Worship as a Formula for Peace

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Fr. David Friel · December 22, 2013

The Book of Non-Blessings

Of Advent Wreathes & Christmas Crèches

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Fr. David Friel · December 15, 2013

Tallis Scholars Live

In Praise of A Polyphonic Credo

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Fr. David Friel · December 9, 2013

Nature’s Solitary Boast

In Mary, We Are Capable of God

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Fr. David Friel · December 8, 2013

Is It An Obligation?

What to Do with the Immaculate Conception

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Fr. David Friel · December 1, 2013

Chant Behind Bars

Might Chant Scholas Flourish in Prisons?

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Fr. David Friel · November 28, 2013

Deo Gratias

The Liturgical Model of Gratitude

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Fr. David Friel · November 24, 2013

The Lord as “Dominus”

What Dominates Your Life?

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Fr. David Friel · November 17, 2013

Must Art Be Permanent?

A Thought from Evelyn Waugh

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Fr. David Friel · November 4, 2013

Peculiar Altar Decorations

Reimagining the Altar Steps

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President’s Corner

    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • “Be Joyful Mary” • Organ Interlude
  • Active Passivity? Yes. Let me explain.
  • “A Mode of Singing & Chanting Mass for Children”
  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)

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