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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · January 12, 2014

The International Institute for Culture

“For the Love of Music” Series

Fr. David Friel · January 10, 2014

Is Chant Just for Old-Heads?

The NY Frassati Fellowship Chant Workshop

Fr. David Friel · January 5, 2014

Ministry vs. Edification

Do the People “Minister” to their Priests?

Fr. David Friel · January 1, 2014

Fruitful Virginity

Flaming, Yet Unconsumed

Fr. David Friel · December 29, 2013

Singing as a Work of Mercy

The Doylestown Comfort Choir

Fr. David Friel · December 25, 2013

The Song of the Angels

Divine Worship as a Formula for Peace

Fr. David Friel · December 22, 2013

The Book of Non-Blessings

Of Advent Wreathes & Christmas Crèches

Fr. David Friel · December 15, 2013

Tallis Scholars Live

In Praise of A Polyphonic Credo

Fr. David Friel · December 9, 2013

Nature’s Solitary Boast

In Mary, We Are Capable of God

Fr. David Friel · December 8, 2013

Is It An Obligation?

What to Do with the Immaculate Conception

Fr. David Friel · December 1, 2013

Chant Behind Bars

Might Chant Scholas Flourish in Prisons?

Fr. David Friel · November 28, 2013

Deo Gratias

The Liturgical Model of Gratitude

Fr. David Friel · November 24, 2013

The Lord as “Dominus”

What Dominates Your Life?

Fr. David Friel · November 17, 2013

Must Art Be Permanent?

A Thought from Evelyn Waugh

Fr. David Friel · November 4, 2013

Peculiar Altar Decorations

Reimagining the Altar Steps

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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