• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · December 25, 2021

“Merry Christmas!” • From Our Family To Yours

Dear readers, thank you for everything!

Corpus Christi Watershed · September 2, 2021

Breaking! • Joint Statement by Superiors General of “Ecclesia Dei” Communities

“We beg for a humane, personal, trusting dialogue, far from ideologies or the coldness of administrative decrees.”

Follow the Discussion on Facebook

Corpus Christi Watershed · March 31, 2021

New Website! • “Restore The 1954 Holy Week”

We are pleased to observe how this site included our liturgical PDF files.

Follow the Discussion on Facebook

Corpus Christi Watershed · October 22, 2020

PDF Download • “Mass Propers for Weekdays, Commons, and Saints” (1,294 pages)

Useful links as a “follow-up” to Mæstro Clark’s article about Fr. Weber’s plainsong settings.

Corpus Christi Watershed · September 19, 2020

Homily • “25th Sunday in Ordinary Time, Year A”

We should also examine ourselves on the subject of generosity and jealousy. When we see other people prosper in some way, receive some advantage or recognition, how do we respond?

Corpus Christi Watershed · August 8, 2020

PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster

Blessed Alfredo Ildefonso Cardinal Schuster was a Benedictine monk who became the Archbishop of Milan.

Corpus Christi Watershed · July 1, 2020

Monsignor Georg Ratzinger Has Died

He died on the Feast of the Most Precious Blood (at least according to the EF calendar) at age 96.

Follow the Discussion on Facebook

Corpus Christi Watershed · November 7, 2019

(1988) • Cardinal Ratzinger Addresses Chilean Bishops

“The grandeur of the liturgy rests upon…rendering tangible the Totally Other, whom we are not capable of summoning.”

Corpus Christi Watershed · September 23, 2019

San Diego Cathedral • (TLM) Solemn High Mass!

Someone took a YouTube recording, and the singing is quite good.

Corpus Christi Watershed · September 3, 2019

Brébeuf #654 • “On Jordan’s Bank The Baptist’s Cry”

Sung to the wonderful tune of “Winchester New.”

Corpus Christi Watershed · September 2, 2019

Brébeuf #657 • “O Come, Divine Messiah” (Advent)

You can hear the individual tracks if you visit the source website.

Corpus Christi Watershed · September 2, 2019

Brébeuf #655 • “Hark! A Voice” (Advent Hymn)

A beautiful English translation of “En Clara Vox Redarguit” by Fr. Fitzpatrick.

Corpus Christi Watershed · July 20, 2019

“Boys Like A Challenge!” • Charles Cole Interviewed

“If you set the bar low, a boy will crawl underneath it—but if you set the bar high, he will leap over it.” —Charles Cole

Corpus Christi Watershed · July 3, 2019

“First Images” • Sacred Music Symposium 2019

…including a live recording of the Kyrie by Palestrina!

Corpus Christi Watershed · July 2, 2019

“Keynote Address” • Sacred Music Symposium 2019

By Fr. James Fryar, FSSP—recorded live.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 9
  • Page 10
  • Page 11
  • Page 12
  • Page 13
  • Interim pages omitted …
  • Page 35
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.