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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

Jeff Ostrowski · January 26, 2026

WISH I COULD assure our readers that every liturgical decree by the USCCB has been praiseworthy and correct. Sadly, the truth is much knottier. Father Frederick R. McManus (d. 2005) convinced the BCL to give tremendous “advisory” power to something called the Committee on the Liturgy, which has frequently modified its own name. [It currently calls itself: ‘Committee on Divine Worship’.] It might be best to simply refer to it as the MCMANUS COMMITTEE, owing to its history. Beginning in the 1960s, this group has published many troubling statements. It would take years to document them all, but let me cite one example. In 1972, they published The Place of Music in Eucharistic Celebrations which warned against singing from the PSALTER (!!!) at Mass, since doing so “may create problems rather than solve them.” Even now, it seems unthinkable such a repugnant document got approval.1 (It was finally rescinded in 2008.)

(1 of 2) Tantum Ergo • I mention this because an obsession or ‘golden oldie’ of the McManus crowd was their attempt to abolish one of the four traditional ends of prayer: viz. adoration. At every Mass, Catholics are supposed to pray T.A.R.P.: Thanksgiving, Adoration, Reparation, Petition. However, certain ‘reformers’—especially during the 1980s—vociferously insisted that it was wrong to adore the Eucharist at Mass.2 But practicing Catholics realize “Tantum Ergo” (and other hymns adoring the SANCTISSIMUM) are perfectly appropriate for the Holy Mass. To pretend we shouldn’t adore the Eucharist, in my opinion, goes beyond misguided into the realm of the satanic.

(2 of 2) Tantum Ergo • The following setting of the PANGE LINGUA by Father Edgard de Læt (d. 1973) can be sung by two females and one male. Readers know that “Tantum Ergo” is part of a longer hymn (PANGE LINGUA) by Saint Thomas Aquinas. In other words, the PANGE LINGUA by definition contains “Tantum Ergo.”

*  PDF Download • PANGE LINGUA (Musical Score for 3 Voices)
—Harmonies courtesy of Father Edgard De Laet, priest & professor at the LEMMENSINSTITUUT.

Free rehearsal videos for each individual voice await you at #20245.

Lack Of Singers • I mentioned how—for very small scholae cantorum—that piece can be sung with one male and two females. If that’s the method of performance chosen, the singers would switch to unison with organ on the odd verses. When my choir sings this piece, we will have SATB harmony (without organ) on the odd verses.

Feeling Despondent • Most readers will not bother to click on the link which leads to the rehearsal videos for each individual voice—and that makes me feel downcast, because those videos took a long time to create! (I’m actually embarrassed to admit how long they took.)

No Such Thing As Neutral • Everything done in the liturgical sphere communicates something—everything. There’s no such thing as “neutral.” For instance, in the pre-conciliar rite (a.k.a. MISSALE VETUSTUM or Extraordinary Form), he who would proclaim Sacred Scripture at Mass first vested in special clothing and said special prayers in preparation. But Father McManus and his fellow ‘agents of renewal’ deliberately eliminated that, insisting that lay people walk up to the sanctuary, not having carefully put on special vestments and not having said special prayers in preparation. Moreover, in the pre-conciliar rite, Sacred Scripture was only proclaimed at Mass by one who had dedicated his entire life to God by taking vows of poverty, chastity, and obedience. Whether we like it or not, all this communicates something.

Lay People Not To Blame • Catholics in the 1970s did what they were told by the clergy. It’s difficult to blame them for obeying legitimate authority. As insane as it sounds, people like Frederick McManus were considered ‘experts’ in the sacred liturgy. When the MCMANUS COMMITTEE declared that the public proclamation of Sacred Scripture isn’t really important enough to require special vestments, special preparatory prayers, and reservation to ministers who have dedicated their life to God—that communicates something (even subliminally). And then we wonder why many Catholics no longer consider Sacred Scripture inerrant?

1980s • Imagine you were an adult in the 1980s. You had little choice except to believe the ‘experts’ because the Internet didn’t exist, and libraries in your neighborhood weren’t likely to contain Catholic liturgical documents. (Even if you had such documents, they were most likely written in Latin.) Consider what Father McManus said about Hand-Communion. Writing in 1987, Father McManus—without presenting a shred of evidence or supporting documentation—made the following claim about receiving Holy Communion in the hand:

“Communion in the hand, besides being a more active, committed, and mature sign of sharing in the Lord’s body, has proved to be a more reverent mode of communicating.”

Do you agree such a statement is indefensible?

Imagine claiming—without evidence
—that receiving the SANCTISSIMUM
in the hand is a “more reverent” way.

Imagine claiming—without evidence
—that receiving the SANCTISSIMUM
in the hand is a “more active” way.

Imagine claiming—without evidence
—that receiving the SANCTISSIMUM
in the hand is a “more committed” way.

Imagine claiming—without evidence
—that receiving the SANCTISSIMUM
in the hand is a “more mature” way.

No Foundation • What basis does Father McManus have for declaring that receiving the SANCTISSIMUM kneeling on the tongue is “less reverent” and “less mature” than receiving standing up in the hand? In another place, McManus refers to reception on the tongue as the “discipline of the past several centuries.” That’s like saying: “Gregorian chant was something the Church sang for a few years…” Hating reception on the tongue is one thing (and McManus clearly hates the traditional practice). But telling egregious lies to one’s readers is something else entirely.

Concluding Thoughts • The Catholic Church in America is still reeling from the ‘reforms’ done by McManus and his colleagues. Readers know very well how—with each passing year—more churches are closed and more dioceses file bankruptcy. But someday, much that got destroyed in the 1970s will have to be set right. I spent a long time preparing those rehearsal videos (above). I hope that I can contribute in some small way to the renewal of the sacred liturgy so desperately needed in our times.

1 Any Church musician knows that 97% of what we sing comes from the PSALTER. Only a lunatic who’s never set foot in a Catholic Church could be ignorant of this basic fact. In times like this, it’s important to remember that our Lord Himself chose Judas to be an Apostle. When England broke away from the Catholic Church in the 16th century, only one English bishop (Saint John Fisher) had the holiness and courage to resist; and the Anglicans murdered him because of it. Indeed, our Savior was sentenced to death by the highest religious authorities of the time! In fairness to the bishops, however, the committee in Washington D.C. usually keeps them in the dark. Then, at the last moment, they’re asked to vote on certain items.
2 For instance, cf. the American Catholic Hymnal (1992) insists that hymns which adore Christ must never be used at Mass, according to what they call “the Church’s renewed understanding of the Eucharist.” That hymnal’s PREFACE repeatedly and explicitly says hymns which adore Christ must not be used during Mass, but “right emphasis” [their phrase] should be “unity.” That hymnal also explicitly says to avoid words like brotherhood, man, and mankind. Instead, it promotes new texts such as God, Like A Mother which—according to the editors of that book—manifest the “new teachings” [their phrase] of the Catholic Church. Needless to say, they never provide any citations for these “new teachings.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1991 American Catholic Hymnal, 1992 American Catholic Hymnbook, Father Edgard De Laet, Frederick McManus Liturgical, synecdoche bread and butter mean livelihood Last Updated: January 26, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

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