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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • ‘Choral Extension’ for the Sanctus (especially useful in the Ordinary Form)

Jeff Ostrowski · November 24, 2025

T IS DOUBTFUL that any single man did more to defend the country of Poland from the Nazi armies than Witold Pilecki. For this reason, it’s outrageous that the Soviets who took over Poland—after treating him with inhuman cruelty—executed Pilecki as an “enemy of the state.” Their egregious hypocrisy is enough to break the brain of any sentient being. The situation calls to mind the 1970s, when many items specifically mandated by Vatican II were suddenly said to be forbidden. What makes the hypocrisy truly outrageous: those forbidding such things claimed to be doing so “in obedience to the council.” It would’ve been easier to accept if they had admitted they were explicitly contradicting Vatican II. But instead they lied egregiously, like someone setting a forest on fire “following explicit orders” from SMOKEY BEAR.

Moving Forward • Vatican II said the THESAURUS MUSICAE SACRAE must be “preserved and fostered with very great care” (SC §114). Only a dishonest person would claim that those words mean the THESAURUS must be disparaged, downplayed, or forbidden … yet this is the case in far too many churches! So how can we best move forward? Putting the question another way: how can conscientious choirmasters introduce music from the sacred treasury without being fired?

Choral Extensions • I have suggested that choral extensions are the best way to ‘subtly’ introduce Catholics to the THESAURUS. Since there was such a strong response to the SATB Christmas piece by Énemond Moreau, I’m sure readers will welcome this choral extension for the SANCTUS (which can also be used at Extraordinary Form Masses).

The choral extension comes at the end—immediately after the Gregorian Chant is sung:

Free rehearsal videos for each individual voice await you at #21488.

Sadness • Some readers won’t bother to follow the URL link, which leads to rehearsal videos for each individual voice—as well as the PDF download—and that makes me sad.

Here is one of our first attempts to sing this at Mass:

*  Mp3 Download • Live Rec.
—Live recording by a volunteer choir.

Source and Summit • Vatican II referred to the sacred liturgy as the SOURCE AND SUMMIT (“fons et culmen”) of the Church. Vatican II did not say: “The liturgy must be modified in a fundamental way and then will be the source and summit.” Vatican II did not say: “The sacred liturgy is currently defective, but once it’s modified beyond recognition it will become the source and summit.” Vatican II did not say: “Following sweeping and radical changes, the liturgy (which is currently deficient) will then at last be the source and summit.”

The Word ‘Whether’ • Nonetheless, Vatican II did call for certain revisions. For instance, they said a ‘wider place’ (amplior locus) could be given to the vernacular. Specifically, they declared: “the limits of its employment may be extended.” However, Vatican II made clear that bishops desiring to keep the entire Mass in Latin were free to do so. Specifically, Vatican II said local bishops must decide “whether and to what extent the vernacular language is to be used.” (In the 1970s, certain dishonest people pretended not to the definition of the word whether.)

Reform of the Reform • One of the main reformers,1 having observed the results of their liturgical reform, declared that “a revision will inevitably be called for.” Inadvertently, he was referring to what today is known as the “REFORM OF THE REFORM.” In other words, because the reformers went far beyond what Vatican II called for—especially regarding the REQUIEM MASS—many items will have to be fixed at some point in the future. When it comes to the question of whether the REFORM OF THE REFORM is theoretically possible, the USCCB has already made clear it is.

1 Professor Louis Bouyer, a close friend of Pope Saint Paul VI, was one of the most prominent liturgical reformers. However, when he saw the results of their work, he was horrified. For example, vis-à-vis the revised kalendar, he called it: “the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Pentecost Octave, and who scattered three quarters of the saints higgledy-piggledy, all based on notions of their own! Because these three hotheads obstinately refused to change anything to their work—and because the Pope wanted to finish up quickly to avoid letting the chaos get out of hand—their project, however insane, was accepted!” Father Bouyer referred to the reform as “the pathetic creature we produced,” and admitted it was only natural that it would “provoke laughter or indignation” because their task had been “without hope” because only a fool could reasonably expect to “recast from top to bottom—and in a few months!—an entire liturgy that took twenty centuries to develop.” Father Bouyer wrote in his memoirs: “The worst of it was an impossible OFFERTORY, in a Catholic Action, sentimental/workerist style, the handiwork of Fr Cellier, who with tailor-made arguments manipulated the despicable Bugnini in such a way that his production went through despite nearly unanimous opposition.” As mentioned above, Father Bouyer admitted in his memoirs that “a revision will inevitably be called for.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: amplior locus for the vernacular, Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Choral Extensions, La Riforma Liturgica Bugnini, Louis Bouyer Oratorian Priest, Reform of the Reform, Source And Summit, Thesaurus musicae sacrae Last Updated: December 10, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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