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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Pilgrims Sing, the World Disappears

Mark Haas · November 4, 2025

ATIN GREGORIAN CHANT is universal. It is Catholic. And I can prove it.

Take a listen to the recording below. It is a recent viral social media post of a group of pilgrims singing Credo IV.

*  Mp3 Download • Live Rec. (“Credo IV by mystery choir”)
——“Credo IV”  • Mystery choir.

Now listen closely—what country are they from? What part of the world? What accent do they have? What is their nationality? Can you tell?

In this particular recording, the singers were a group of US seminarians from Virginia on pilgrimage to Rome. Yet, when they chant in Latin, they ceased to sound American. They didn’t sound Italian, French, or African either. They sounded Catholic—universalis, belonging to no one people but to everyone at once. This is the power of the Church’s ancient language: it transcends the divisions of culture and geography and allows the faithful to sing with one heart and one voice.

Clarity • Latin is often called a “dead language,” but in the life of the Church, that is its greatest strength. Because Latin no longer evolves like modern tongues, it remains fixed—unchanged, clear, and precise. Living languages shift constantly; words pick up new meanings, phrases become outdated, and connotations change. “Don we now our gay apparel,” means something entirely different to modern ears than it did just a few generations ago. The unchanging nature of Latin preserves the clarity of doctrine and worship, ensuring that the Church’s prayers mean today what they meant a thousand years ago.

Unity • Many parishes today celebrate Mass in several languages—English, Spanish, Vietnamese, and more. This reflects the beauty of cultural diversity, but it can also lead to division. A parish may unintentionally become three or four communities sharing one building but not one heart.

The great unifier–as the Second Vatican Council envisioned–is the use of Latin for the common parts of the Mass. Sacrosanctum Concilium, the Constitution on the Sacred Liturgy, states that “the use of the Latin language is to be preserved in the Latin rites” (§36) and that “steps should be taken so that the faithful may be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (§54).

Borders disappear • Those pilgrims from Virginia are from the United States. Many of them are likely American football fans who enjoy barbecues and hot dogs. If you spoke with them on the street, they would have American accents. But when they chanted together in Rome, they were not from any country. Their accents disappeared. Their culture blended into the harmony of the Church.
They were no longer citizens. They were Catholic. They were universal. And that, in the truest sense, is what it means to be part of the Church that sings with one timeless, heavenly voice.

You can see the original video post here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 4, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.