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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Pilgrims Sing, the World Disappears

Mark Haas · November 4, 2025

ATIN GREGORIAN CHANT is universal. It is Catholic. And I can prove it.

Take a listen to the recording below. It is a recent viral social media post of a group of pilgrims singing Credo IV.

*  Mp3 Download • Live Rec. (“Credo IV by mystery choir”)
——“Credo IV”  • Mystery choir.

Now listen closely—what country are they from? What part of the world? What accent do they have? What is their nationality? Can you tell?

In this particular recording, the singers were a group of US seminarians from Virginia on pilgrimage to Rome. Yet, when they chant in Latin, they ceased to sound American. They didn’t sound Italian, French, or African either. They sounded Catholic—universalis, belonging to no one people but to everyone at once. This is the power of the Church’s ancient language: it transcends the divisions of culture and geography and allows the faithful to sing with one heart and one voice.

Clarity • Latin is often called a “dead language,” but in the life of the Church, that is its greatest strength. Because Latin no longer evolves like modern tongues, it remains fixed—unchanged, clear, and precise. Living languages shift constantly; words pick up new meanings, phrases become outdated, and connotations change. “Don we now our gay apparel,” means something entirely different to modern ears than it did just a few generations ago. The unchanging nature of Latin preserves the clarity of doctrine and worship, ensuring that the Church’s prayers mean today what they meant a thousand years ago.

Unity • Many parishes today celebrate Mass in several languages—English, Spanish, Vietnamese, and more. This reflects the beauty of cultural diversity, but it can also lead to division. A parish may unintentionally become three or four communities sharing one building but not one heart.

The great unifier–as the Second Vatican Council envisioned–is the use of Latin for the common parts of the Mass. Sacrosanctum Concilium, the Constitution on the Sacred Liturgy, states that “the use of the Latin language is to be preserved in the Latin rites” (§36) and that “steps should be taken so that the faithful may be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (§54).

Borders disappear • Those pilgrims from Virginia are from the United States. Many of them are likely American football fans who enjoy barbecues and hot dogs. If you spoke with them on the street, they would have American accents. But when they chanted together in Rome, they were not from any country. Their accents disappeared. Their culture blended into the harmony of the Church.
They were no longer citizens. They were Catholic. They were universal. And that, in the truest sense, is what it means to be part of the Church that sings with one timeless, heavenly voice.

You can see the original video post here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 4, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

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