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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Installment #7 • Three (3) Questions Re: Forthcoming USA Lectionary

Guest Author · September 22, 2025

FEW WEEKS AGO, the Executive Director (emeritus) of ICEL, Monsignor Andrew Wadsworth publicly weighed in on our series, “Serious Problems with the Lectionary Translation.” The claim he made is anything but new. Indeed, it’s been repeated for 60+ years. Specifically, Monsignor Wadsworth justified and defended making a profit by selling the Scripture readings which are mandatory for Holy Mass because the “translators” must be paid (screenshot). Let’s delve into this assertion.

Changing One Word • Our current LECTIONARY translation for the psalter, forcibly sold to unsuspecting Catholics over and over again since 1970 (and revised slightly in 1998), was created by FATHER LOUIS FRANCIS HARTMAN (d. 1970) and his team. It was published five years after World War II. Consider the following chart:

*  PDF Download • COMPARISON CHART (Psalm 121)
—We thank the CCW staff for technical assistance with this graph.

Notice that our lectionary
translation is identical to
Rev. Louis Hartman’s version
published 5 years after WWII
except for one word.

(1) Hartman Profits • We’ve been assured it’s absolutely fine to sell the mandatory Scripture texts because profit must go to the translators. This same psalm has been sold over and over to parishes since 1970. It is estimated that $575 million has been paid in royalties to the various shell organizations since 1970. (Remember that many countries besides the United States are English-speaking and use part of our LECTIONARY.) Father Hartman died in 1970. We demand to know how much money has gone to Father Hartman over all these years.

(2) Unaccountable • The chart shows that just one word (“brothers”) was changed in the 1998 LECTIONARY. Who specifically made that alteration? Who approved it, based upon what specific criteria? The bishops we speak to claim they have virtually nothing to do with any of these decisions. They just show up each November and vote on whatever’s been worked out by the ‘liturgical bureaucracy’ in Washington D.C. But faithful Catholics are the ones paying for all this. At a minimum, we must be told who specifically is making these decisions. (Remember that their salaries have been paid—without knowledge or consent—by faithful Catholics all these decades.)

(3) Ruthless Enforcement • The various shell corporations which profit from selling the same bits Sacred Scripture year after year are ruthless when it comes to their “rights.” They control all dissemination: broadcast, radio, television, YouTube, and so forth. As a result, the painstaking work of Father Hartman, published 5 years after World War II, is guarded as if it were the nuclear codes. The shell corporations determine who is allowed to place bits of ‘their’ Sacred Scripture on YouTube, and under what circumstances. Is anyone willing to defend such an arrangement?

Monsignor Wadsworth insisted that “the principal reason for the copyrighting of the liturgical text [is] to ensure everyone uses the same officially approved text.” But will anyone defend bizarre and reprehensible examples like this, which have been enforced for decades?

Why This Matters • For more than a decade, we’ve been told a “new” LECTIONARY is being produced for the United States. Who specifically is pushing for this? What is the specific criteria for this most recent tinkering? What specific information has been given to the bishops about this? Is there any truth to the assertion this is only being done because Father Hartman’s copyright expires in 2025? We can’t shake the feeling that foxes are once again being given free access to the chicken coop—the very same foxes who caused so much harm over the last 60+ years.

ROBERT O’NEILL
Former associate of Monsignor
Francis “Frank” P. Schmitt
at Boys Town in Nebraska

JAMES ARNOLD
Formerly associated w/ King’s College, Cambridge
A convert to the Catholic Church, and
distant relative of J. H. Arnold

MARIA B.
Currently serves as a musician in the
Roman Catholic Diocese of Charlotte.
Those aware of the situation in
her diocese won’t be surprised she
chose to withhold her last name.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Father Louis Francis Hartman, Monsignor Andrew Raymond Wadsworth, Serious Problems with the Lectionary Translation Last Updated: September 28, 2025

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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