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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Musicam Sacram” (5 March 1967) • Does It Apply?

Jeff Ostrowski · July 14, 2025

OMETIME AROUND the year 2012, during a job interview, the priest interviewing me exclaimed: “So I can only assume you go to sleep each night with MUSICAM SACRAM under your pillow, right?” I wasn’t quite sure how to answer. This job interview was for a parish which celebrated the 1970 Missal (a.k.a. “Ordinary Form”) … but MUSICAM SACRAM doesn’t apply to the Ordinary Form. That’s because MUSICAM SACRAM was issued on 5 March 1967. What we call the “Ordinary Form” wasn’t released until 1970. In 1967, the CONSILIUM was still working on an “Experimental Mass” rejected by the bishops in October of 1967.

(1 of 2) Experimental Mass • On 24 October 1967, Father Bugnini celebrated this EXPERIMENTAL MASS in the presence of more than 100 bishops and cardinals in the Sistine Chapel. Broadly speaking, their reaction was negative. Even Bugnini himself admitted that “the votes went to some extent contrary to what the CONSILIUM wanted.” The eminent historian, Yves Chiron, characterized the bishops’ response as a “public disavowal.” After witnessing the EXPERIMENTAL MASS, John Cardinal Heenan (Archbishop of Westminster and close personal friend of Pope Paul VI) declared:

“If we were to offer them the kind of
ceremony we saw yesterday in the Sistine
Chapel, we would soon be left with the
congregation of mostly women and children.”

(2 of 2) Experimental Mass • Because of the negative response, the CONSILIUM had to go back to the drawing board. Moreover, Cardinal Lercaro (the one responsible for creating the EXPERIMENTAL MASS) was forced to resign. Some believe he was made a scapegoat by Pope Paul VI and—to be completely honest—it’s undeniable that many others besides Cardinal Lercaro had worked on creating the EXPERIMENTAL MASS.

The 1967 Document • In 1970,1 the Novus Ordo was released—in spite of the fact that not all of its books were complete. The great haste with which it was produced explains why so many errors were included in that first edition. It goes without saying that MUSICAM SACRAM does not apply to a form of the Mass which wouldn’t be invented for another three years. Moreover, in places where MUSICAM SACRAM contradicts SACROSANCTUM CONCILIUM, church law says musicians must follow the document with higher authority.

What Weight? • Are we free to completely ignore MUSICAM SACRAM? I wouldn’t say that, but it only applies to the 1965 Missal. Similarly, De Musica Sacra (promulgated on 3 September 1958) only applies to the 1962 Missal. In some ways, the fact that MUSICAM SACRAM doesn’t apply to the 1970 Missal means we “dodged a bullet”—because in his book, La Riforma Liturgica, Bugnini admits he twisted this document to undermine (and frequently contradict) the explicit wishes of Vatican II as expressed in SACROSANCTUM CONCILIUM, which was officially promulgated on 4 December 1963.

Bad Laws • I wish I could tell our readers that all church legislation was perfect and never contradicted itself. Unfortunately, that’s not true. For example, in January of 1968, the United States Conference of Bishops issued a horrifying document called “The Place of Music in Eucharistic Celebrations,” which said the psalms (!) shouldn’t be sung during Mass! (Happily, that hideous document was eventually repealed.) For the record, a document such as MUSICAM SACRAM can never overrule SACROSANCTUM CONCILIUM, which has a higher authority. In my view, the best course of action is to study the authentic tradition of the Catholic Church. In other words, let us return to the authentic traditions and avoid getting ‘bent out of shape’ looking at contradictory documents and statements. I repeat once again: in places where MUSICAM SACRAM contradicts Vatican II, we must follow the higher authority.

1 The Novus Ordo appeared in some places in (late) 1969, but in most countries it appeared early in 1970. However, the books were only partially complete at that time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Lercaro, The Place of Music in Eucharistic Celebrations, Yves Chiron Last Updated: July 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

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