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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Musicam Sacram” (5 March 1967) • Does It Apply?

Jeff Ostrowski · July 14, 2025

OMETIME AROUND the year 2012, during a job interview, the priest interviewing me exclaimed: “So I can only assume you go to sleep each night with MUSICAM SACRAM under your pillow, right?” I wasn’t quite sure how to answer. This job interview was for a parish which celebrated the 1970 Missal (a.k.a. “Ordinary Form”) … but MUSICAM SACRAM doesn’t apply to the Ordinary Form. That’s because MUSICAM SACRAM was issued on 5 March 1967. What we call the “Ordinary Form” wasn’t released until 1970. In 1967, the CONSILIUM was still working on an “Experimental Mass” rejected by the bishops in October of 1967.

(1 of 2) Experimental Mass • On 24 October 1967, Father Bugnini celebrated this EXPERIMENTAL MASS in the presence of more than 100 bishops and cardinals in the Sistine Chapel. Broadly speaking, their reaction was negative. Even Bugnini himself admitted that “the votes went to some extent contrary to what the CONSILIUM wanted.” The eminent historian, Yves Chiron, characterized the bishops’ response as a “public disavowal.” After witnessing the EXPERIMENTAL MASS, John Cardinal Heenan (Archbishop of Westminster and close personal friend of Pope Paul VI) declared:

“If we were to offer them the kind of
ceremony we saw yesterday in the Sistine
Chapel, we would soon be left with the
congregation of mostly women and children.”

(2 of 2) Experimental Mass • Because of the negative response, the CONSILIUM had to go back to the drawing board. Moreover, Cardinal Lercaro (the one responsible for creating the EXPERIMENTAL MASS) was forced to resign. Some believe he was made a scapegoat by Pope Paul VI and—to be completely honest—it’s undeniable that many others besides Cardinal Lercaro had worked on creating the EXPERIMENTAL MASS.

The 1967 Document • In 1970,1 the Novus Ordo was released—in spite of the fact that not all of its books were complete. The great haste with which it was produced explains why so many errors were included in that first edition. It goes without saying that MUSICAM SACRAM does not apply to a form of the Mass which wouldn’t be invented for another three years. Moreover, in places where MUSICAM SACRAM contradicts SACROSANCTUM CONCILIUM, church law says musicians must follow the document with higher authority.

What Weight? • Are we free to completely ignore MUSICAM SACRAM? I wouldn’t say that, but it only applies to the 1965 Missal. Similarly, De Musica Sacra (promulgated on 3 September 1958) only applies to the 1962 Missal. In some ways, the fact that MUSICAM SACRAM doesn’t apply to the 1970 Missal means we “dodged a bullet”—because in his book, La Riforma Liturgica, Bugnini admits he twisted this document to undermine (and frequently contradict) the explicit wishes of Vatican II as expressed in SACROSANCTUM CONCILIUM, which was officially promulgated on 4 December 1963.

Bad Laws • I wish I could tell our readers that all church legislation was perfect and never contradicted itself. Unfortunately, that’s not true. For example, in January of 1968, the United States Conference of Bishops issued a horrifying document called “The Place of Music in Eucharistic Celebrations,” which said the psalms (!) shouldn’t be sung during Mass! (Happily, that hideous document was eventually repealed.) For the record, a document such as MUSICAM SACRAM can never overrule SACROSANCTUM CONCILIUM, which has a higher authority. In my view, the best course of action is to study the authentic tradition of the Catholic Church. In other words, let us return to the authentic traditions and avoid getting ‘bent out of shape’ looking at contradictory documents and statements. I repeat once again: in places where MUSICAM SACRAM contradicts Vatican II, we must follow the higher authority.

1 The Novus Ordo appeared in some places in (late) 1969, but in most countries it appeared early in 1970. However, the books were only partially complete at that time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Lercaro, The Place of Music in Eucharistic Celebrations, Yves Chiron Last Updated: July 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Indeed, we may not hope for real Latin poetry any more, because Latin is now a dead language to all of us. However well a man may read, write, or even speak Latin now, it is always a foreign language to him, acquired artificially. It is no one’s mother tongue. Does a man ever write real poetry in an acquired language?”

— Rev’d Adrian Fortescue (d. 1923)

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