• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Worship the Lord in Holy Attire

Mark Haas · July 12, 2025

OME YEARS AGO my wife and I were blessed with a beautiful ten-day cruise through the Eastern Caribbean. Among the many joys of that vacation—sunshine, fine dining, and serene ocean views—there was one particular moment I will never forget. As part of the cruise experience, there was formal dinner evening. Wanting to strike the right note, I opted for what I considered to be a fitting “Caribbean formal” look: a collared shirt, pleated khaki shorts, and penny loafers. However, as we approached the dining hall, a polite staff member gently blocked our entrance and said with a smile and charming accent, “Sorry sir. No short pants.”

It was a small embarrassment, but also a lesson: there are times and places where our attire should reflect the dignity of the occasion.

Set apart • As Catholics, we receive an invitation far more profound than any cruise dinner on the Lido deck. Each week, we are called to participate in the greatest feast this side of heaven: the Holy Sacrifice of the Mass. “Blessed are those who are called to the supper of the Lamb” (Revelation 19:9). This is no ordinary meal. It is the source of our strength, the summit of our worship, and a foretaste of the heavenly banquet.

So, how do we set ourselves apart for something so sacred? One answer: we dress for the occasion.

Of course, there is no strict dress code for Mass. The Church does not impose regulations on fashion. “Come as you are,” many say—and rightly so, for Christ welcomes all. Yet this does not mean that attire is irrelevant. Rather, it gives us the freedom to express, through our clothing, the reverence and love we carry in our hearts. As sacred musicians, we can make an intentional effort to visually set ourselves apart for Mass.

What does the Church say? • The Church teaches that sacred music is not a mere ornament to the liturgy—it is integral. “Sacred music is to be considered the more holy, the more closely connected it is with the liturgical action” (Sacrosanctum Concilium, 112). Just as the priest and deacon wear vestments to signify their role in the mysteries being celebrated, so too should those who serve in the music ministry consider how their outward appearance reflects the sacred nature of their role.

Psalm 29:2 instructs us to “Adore the Lord in holy attire,” and Psalm 96:9 echoes, “Worship the Lord in holy attire.” These are not just poetic lines—they are invitations to align our outward appearance with the sanctity of the liturgy. When the choir ascends to the loft or stands before the congregation, they are not performers, but ministers. Their voices lift the hearts of the faithful to God; their presence should reflect the dignity of their calling.

Indeed, the Catechism reminds us that “Bodily gestures, such as … clothing, can express the dispositions of our hearts” (CCC 1151). Dressing with care and reverence for Mass is a sign—not just to God, but to others—of our awareness of the sacred. Choir members are not bystanders; they are active participants in the Mass offering. Indeed, everyone in the room is actively present to offer sacrifice. The traditional term used to be that everyone would “assist at Mass.” And like the reader who might don an alb, or the altar server who puts on a cassock, choir members, too, are set apart to assist in this sacred ritual.

What do the Saints say? • Pope St. John Paul II emphasized this liturgical identity when he said, “In the celebration of the liturgy, the entire assembly is involved: each person has a part to play, and each part is important, for together they form the Body of Christ in worship.” For the choir, this means embracing both the musical and visual witness that their ministry entails.

Some might argue that dress is subjective, and indeed, the Church does not impose a strict dress code for Mass. Yet the absence of law is not the absence of meaning. Dressing well for Mass, particularly for those who serve, is not about vanity or fashion. It is about reverence. As choir members, our attire should say, “This moment matters. I am not at a rehearsal. I am standing on holy ground.”

The Second Vatican Council reminds us that liturgical ministers “should discharge their office with the sincere devotion and decorum demanded by so exalted a ministry” (Sacrosanctum Concilium, 29). What we wear can reflect our interior devotion, and in turn, invite the faithful into a deeper reverence.

Saint John Chrysostom once advised, “When you are going to church, prepare yourself as if you were going to heaven; for it is heaven itself that you are about to enter.” The choir, like the clergy and servers, leads others into this heavenly mystery—not only by sound, but by example.

Conclusion • So let us, as ministers of sacred music, recommit ourselves to this task. Let us prepare our voices, our hearts, and yes—even our clothing—to reflect the greatness of the God we serve. Let us lead by example. Whether in robes, coordinated dress, or modest Sunday-best, may our appearance match the dignity of our role.

“Adore the Lord in holy attire.” This call is not only poetic—it is prophetic. May we, the ministers of music, rise to meet it with joy, humility, and reverence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass, Etiquette, Liturgy of the Second Vatican Council, Traditional Catholic Vestments Last Updated: July 12, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

  • False! • “Youthful” Music Attracts the Young
  • “I Don’t Care Anymore!” • Lead by Loving Example
  • Installment #2 • “Serious Problems with the Lectionary Translation”
  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up