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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Worship the Lord in Holy Attire

Mark Haas · July 12, 2025

OME YEARS AGO my wife and I were blessed with a beautiful ten-day cruise through the Eastern Caribbean. Among the many joys of that vacation—sunshine, fine dining, and serene ocean views—there was one particular moment I will never forget. As part of the cruise experience, there was formal dinner evening. Wanting to strike the right note, I opted for what I considered to be a fitting “Caribbean formal” look: a collared shirt, pleated khaki shorts, and penny loafers. However, as we approached the dining hall, a polite staff member gently blocked our entrance and said with a smile and charming accent, “Sorry sir. No short pants.”

It was a small embarrassment, but also a lesson: there are times and places where our attire should reflect the dignity of the occasion.

Set apart • As Catholics, we receive an invitation far more profound than any cruise dinner on the Lido deck. Each week, we are called to participate in the greatest feast this side of heaven: the Holy Sacrifice of the Mass. “Blessed are those who are called to the supper of the Lamb” (Revelation 19:9). This is no ordinary meal. It is the source of our strength, the summit of our worship, and a foretaste of the heavenly banquet.

So, how do we set ourselves apart for something so sacred? One answer: we dress for the occasion.

Of course, there is no strict dress code for Mass. The Church does not impose regulations on fashion. “Come as you are,” many say—and rightly so, for Christ welcomes all. Yet this does not mean that attire is irrelevant. Rather, it gives us the freedom to express, through our clothing, the reverence and love we carry in our hearts. As sacred musicians, we can make an intentional effort to visually set ourselves apart for Mass.

What does the Church say? • The Church teaches that sacred music is not a mere ornament to the liturgy—it is integral. “Sacred music is to be considered the more holy, the more closely connected it is with the liturgical action” (Sacrosanctum Concilium, 112). Just as the priest and deacon wear vestments to signify their role in the mysteries being celebrated, so too should those who serve in the music ministry consider how their outward appearance reflects the sacred nature of their role.

Psalm 29:2 instructs us to “Adore the Lord in holy attire,” and Psalm 96:9 echoes, “Worship the Lord in holy attire.” These are not just poetic lines—they are invitations to align our outward appearance with the sanctity of the liturgy. When the choir ascends to the loft or stands before the congregation, they are not performers, but ministers. Their voices lift the hearts of the faithful to God; their presence should reflect the dignity of their calling.

Indeed, the Catechism reminds us that “Bodily gestures, such as … clothing, can express the dispositions of our hearts” (CCC 1151). Dressing with care and reverence for Mass is a sign—not just to God, but to others—of our awareness of the sacred. Choir members are not bystanders; they are active participants in the Mass offering. Indeed, everyone in the room is actively present to offer sacrifice. The traditional term used to be that everyone would “assist at Mass.” And like the reader who might don an alb, or the altar server who puts on a cassock, choir members, too, are set apart to assist in this sacred ritual.

What do the Saints say? • Pope St. John Paul II emphasized this liturgical identity when he said, “In the celebration of the liturgy, the entire assembly is involved: each person has a part to play, and each part is important, for together they form the Body of Christ in worship.” For the choir, this means embracing both the musical and visual witness that their ministry entails.

Some might argue that dress is subjective, and indeed, the Church does not impose a strict dress code for Mass. Yet the absence of law is not the absence of meaning. Dressing well for Mass, particularly for those who serve, is not about vanity or fashion. It is about reverence. As choir members, our attire should say, “This moment matters. I am not at a rehearsal. I am standing on holy ground.”

The Second Vatican Council reminds us that liturgical ministers “should discharge their office with the sincere devotion and decorum demanded by so exalted a ministry” (Sacrosanctum Concilium, 29). What we wear can reflect our interior devotion, and in turn, invite the faithful into a deeper reverence.

Saint John Chrysostom once advised, “When you are going to church, prepare yourself as if you were going to heaven; for it is heaven itself that you are about to enter.” The choir, like the clergy and servers, leads others into this heavenly mystery—not only by sound, but by example.

Conclusion • So let us, as ministers of sacred music, recommit ourselves to this task. Let us prepare our voices, our hearts, and yes—even our clothing—to reflect the greatness of the God we serve. Let us lead by example. Whether in robes, coordinated dress, or modest Sunday-best, may our appearance match the dignity of our role.

“Adore the Lord in holy attire.” This call is not only poetic—it is prophetic. May we, the ministers of music, rise to meet it with joy, humility, and reverence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass, Etiquette, Liturgy of the Second Vatican Council, Traditional Catholic Vestments Last Updated: July 12, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He lives in Florida with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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