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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Worship the Lord in Holy Attire

Mark Haas · July 12, 2025

OME YEARS AGO my wife and I were blessed with a beautiful ten-day cruise through the Eastern Caribbean. Among the many joys of that vacation—sunshine, fine dining, and serene ocean views—there was one particular moment I will never forget. As part of the cruise experience, there was formal dinner evening. Wanting to strike the right note, I opted for what I considered to be a fitting “Caribbean formal” look: a collared shirt, pleated khaki shorts, and penny loafers. However, as we approached the dining hall, a polite staff member gently blocked our entrance and said with a smile and charming accent, “Sorry sir. No short pants.”

It was a small embarrassment, but also a lesson: there are times and places where our attire should reflect the dignity of the occasion.

Set apart • As Catholics, we receive an invitation far more profound than any cruise dinner on the Lido deck. Each week, we are called to participate in the greatest feast this side of heaven: the Holy Sacrifice of the Mass. “Blessed are those who are called to the supper of the Lamb” (Revelation 19:9). This is no ordinary meal. It is the source of our strength, the summit of our worship, and a foretaste of the heavenly banquet.

So, how do we set ourselves apart for something so sacred? One answer: we dress for the occasion.

Of course, there is no strict dress code for Mass. The Church does not impose regulations on fashion. “Come as you are,” many say—and rightly so, for Christ welcomes all. Yet this does not mean that attire is irrelevant. Rather, it gives us the freedom to express, through our clothing, the reverence and love we carry in our hearts. As sacred musicians, we can make an intentional effort to visually set ourselves apart for Mass.

What does the Church say? • The Church teaches that sacred music is not a mere ornament to the liturgy—it is integral. “Sacred music is to be considered the more holy, the more closely connected it is with the liturgical action” (Sacrosanctum Concilium, 112). Just as the priest and deacon wear vestments to signify their role in the mysteries being celebrated, so too should those who serve in the music ministry consider how their outward appearance reflects the sacred nature of their role.

Psalm 29:2 instructs us to “Adore the Lord in holy attire,” and Psalm 96:9 echoes, “Worship the Lord in holy attire.” These are not just poetic lines—they are invitations to align our outward appearance with the sanctity of the liturgy. When the choir ascends to the loft or stands before the congregation, they are not performers, but ministers. Their voices lift the hearts of the faithful to God; their presence should reflect the dignity of their calling.

Indeed, the Catechism reminds us that “Bodily gestures, such as … clothing, can express the dispositions of our hearts” (CCC 1151). Dressing with care and reverence for Mass is a sign—not just to God, but to others—of our awareness of the sacred. Choir members are not bystanders; they are active participants in the Mass offering. Indeed, everyone in the room is actively present to offer sacrifice. The traditional term used to be that everyone would “assist at Mass.” And like the reader who might don an alb, or the altar server who puts on a cassock, choir members, too, are set apart to assist in this sacred ritual.

What do the Saints say? • Pope St. John Paul II emphasized this liturgical identity when he said, “In the celebration of the liturgy, the entire assembly is involved: each person has a part to play, and each part is important, for together they form the Body of Christ in worship.” For the choir, this means embracing both the musical and visual witness that their ministry entails.

Some might argue that dress is subjective, and indeed, the Church does not impose a strict dress code for Mass. Yet the absence of law is not the absence of meaning. Dressing well for Mass, particularly for those who serve, is not about vanity or fashion. It is about reverence. As choir members, our attire should say, “This moment matters. I am not at a rehearsal. I am standing on holy ground.”

The Second Vatican Council reminds us that liturgical ministers “should discharge their office with the sincere devotion and decorum demanded by so exalted a ministry” (Sacrosanctum Concilium, 29). What we wear can reflect our interior devotion, and in turn, invite the faithful into a deeper reverence.

Saint John Chrysostom once advised, “When you are going to church, prepare yourself as if you were going to heaven; for it is heaven itself that you are about to enter.” The choir, like the clergy and servers, leads others into this heavenly mystery—not only by sound, but by example.

Conclusion • So let us, as ministers of sacred music, recommit ourselves to this task. Let us prepare our voices, our hearts, and yes—even our clothing—to reflect the greatness of the God we serve. Let us lead by example. Whether in robes, coordinated dress, or modest Sunday-best, may our appearance match the dignity of our role.

“Adore the Lord in holy attire.” This call is not only poetic—it is prophetic. May we, the ministers of music, rise to meet it with joy, humility, and reverence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass, Etiquette, Liturgy of the Second Vatican Council, Traditional Catholic Vestments Last Updated: July 12, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

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