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Views from the Choir Loft

Chants That Crowds Roar With Burning Hearts

Veronica Moreno · May 12, 2025

ATCHING BIG SPORTING events, you will sometimes hear the roar of an anthem suddenly fill the stadium. Maybe it is like the 7th inning stretch that our new Pope may have heard at a baseball game or the “Olé” they sing at soccer games. But there are special chants that crowds roar. They bring people together. Jonathan Haidt calls it a “hive switch” and he describes it as:

We have the ability (under special conditions) to transcend self-interest and lose ourselves (temporarily and ecstatically) in something larger than ouselves. . . [The hive switch is] a group-level adaptation designed by group-level selection for group binding . . . made out of neurons, neurotransmitters, and hormones.

I’ve been in many choirs where I’ve felt that switch “click.” Maybe first in my high school jazz choir, where we just blended well. Thinking about it, those mariachi groups that go from Mexican birthday party, to baptism, to corporate dinner, to everywhere else must have some deep expertise in this phenomenon because each even is a different group. Well, I’ve felt that click with them, especially when surrounded by family.

And of course, in our Church choirs, I could write an entire novel about this. When you listen to Mr. Ostrowki’s choirs, you’ll often hear how much effort we put in trying to be one blended unit singing to God with a very intimate earnestness.

To access this hymn’s media in the Brébeuf Portal, click here.

But what about those stadium chants for huge groups? Here is more from Haidt:

If evolution chanced upon a way to bind people together into large groups, the most obvious glue is oxytocin, a hormone and neurotransmitter produced by the hypothalamus. Oxytocin is widely used among vertebrates to prepare females for motherhood. . . What a lovely hormone!

I think this is what explains the feeling to see our Holy Father, not a professional musician (!), chant the Regina Caeli this Mother’s Day weekend.

Regina caeli laetare,alleluia.
Quia quem merúisti portáre, alleluia
Resurrexit, sicut dixit, alleluia.
Ora pro nobis Deum, alleluia
Gaude et laetare, Virgo Maria, alleluia
Quia surrexit Dominus vere, alleluia

Queen of Heaven, rejoice, alleluia.
For He whom you did merit to… pic.twitter.com/Px1Hy5lQIW

— EWTN News (@EWTNews) May 11, 2025

It’s the same feeling hearing my children, in their wobbly toddler voices, chant. Their voice melts my mother-heart. That’s why those videos go viral on social media.

So now, our Holy Father intones (and completes) the chant, and we sing with all of our hearts on fire for this Faith.

P.S.

I should add that this experience is magnified in retreats and in events like the Symposium! Just look at how these three participants remember:

(a) Eighty voices chanting compline nightly and leading the music at high Mass were profound experiences which, as I say, I will never forget.

(b) We breathed out praise together, beautifully. I felt so alive, so full of joy.

(c) Most especially, singing and learning with all like-minded and fervent Catholics, seeking to do the will of God in manifesting His Beauty through sacred music and to evangelize through our joint effort was the most touching and inspiring experience in my life.

(d) I had to stop singing for a moment while trying not to cry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 12, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Lord’s Prayer, among the Greeks, is said by all the people; among us, by the priest alone.”

— Pope Saint Gregory the Great

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