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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chants That Crowds Roar With Burning Hearts

Veronica Moreno · May 12, 2025

ATCHING BIG SPORTING events, you will sometimes hear the roar of an anthem suddenly fill the stadium. Maybe it is like the 7th inning stretch that our new Pope may have heard at a baseball game or the “Olé” they sing at soccer games. But there are special chants that crowds roar. They bring people together. Jonathan Haidt calls it a “hive switch” and he describes it as:

We have the ability (under special conditions) to transcend self-interest and lose ourselves (temporarily and ecstatically) in something larger than ouselves. . . [The hive switch is] a group-level adaptation designed by group-level selection for group binding . . . made out of neurons, neurotransmitters, and hormones.

I’ve been in many choirs where I’ve felt that switch “click.” Maybe first in my high school jazz choir, where we just blended well. Thinking about it, those mariachi groups that go from Mexican birthday party, to baptism, to corporate dinner, to everywhere else must have some deep expertise in this phenomenon because each even is a different group. Well, I’ve felt that click with them, especially when surrounded by family.

And of course, in our Church choirs, I could write an entire novel about this. When you listen to Mr. Ostrowki’s choirs, you’ll often hear how much effort we put in trying to be one blended unit singing to God with a very intimate earnestness.

To access this hymn’s media in the Brébeuf Portal, click here.

But what about those stadium chants for huge groups? Here is more from Haidt:

If evolution chanced upon a way to bind people together into large groups, the most obvious glue is oxytocin, a hormone and neurotransmitter produced by the hypothalamus. Oxytocin is widely used among vertebrates to prepare females for motherhood. . . What a lovely hormone!

I think this is what explains the feeling to see our Holy Father, not a professional musician (!), chant the Regina Caeli this Mother’s Day weekend.

Regina caeli laetare,alleluia.
Quia quem merúisti portáre, alleluia
Resurrexit, sicut dixit, alleluia.
Ora pro nobis Deum, alleluia
Gaude et laetare, Virgo Maria, alleluia
Quia surrexit Dominus vere, alleluia

Queen of Heaven, rejoice, alleluia.
For He whom you did merit to… pic.twitter.com/Px1Hy5lQIW

— EWTN News (@EWTNews) May 11, 2025

It’s the same feeling hearing my children, in their wobbly toddler voices, chant. Their voice melts my mother-heart. That’s why those videos go viral on social media.

So now, our Holy Father intones (and completes) the chant, and we sing with all of our hearts on fire for this Faith.

P.S.

I should add that this experience is magnified in retreats and in events like the Symposium! Just look at how these three participants remember:

(a) Eighty voices chanting compline nightly and leading the music at high Mass were profound experiences which, as I say, I will never forget.

(b) We breathed out praise together, beautifully. I felt so alive, so full of joy.

(c) Most especially, singing and learning with all like-minded and fervent Catholics, seeking to do the will of God in manifesting His Beauty through sacred music and to evangelize through our joint effort was the most touching and inspiring experience in my life.

(d) I had to stop singing for a moment while trying not to cry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 12, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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