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Views from the Choir Loft

Chants That Crowds Roar With Burning Hearts

Veronica Moreno · May 12, 2025

ATCHING BIG SPORTING events, you will sometimes hear the roar of an anthem suddenly fill the stadium. Maybe it is like the 7th inning stretch that our new Pope may have heard at a baseball game or the “Olé” they sing at soccer games. But there are special chants that crowds roar. They bring people together. Jonathan Haidt calls it a “hive switch” and he describes it as:

We have the ability (under special conditions) to transcend self-interest and lose ourselves (temporarily and ecstatically) in something larger than ouselves. . . [The hive switch is] a group-level adaptation designed by group-level selection for group binding . . . made out of neurons, neurotransmitters, and hormones.

I’ve been in many choirs where I’ve felt that switch “click.” Maybe first in my high school jazz choir, where we just blended well. Thinking about it, those mariachi groups that go from Mexican birthday party, to baptism, to corporate dinner, to everywhere else must have some deep expertise in this phenomenon because each even is a different group. Well, I’ve felt that click with them, especially when surrounded by family.

And of course, in our Church choirs, I could write an entire novel about this. When you listen to Mr. Ostrowki’s choirs, you’ll often hear how much effort we put in trying to be one blended unit singing to God with a very intimate earnestness.

To access this hymn’s media in the Brébeuf Portal, click here.

But what about those stadium chants for huge groups? Here is more from Haidt:

If evolution chanced upon a way to bind people together into large groups, the most obvious glue is oxytocin, a hormone and neurotransmitter produced by the hypothalamus. Oxytocin is widely used among vertebrates to prepare females for motherhood. . . What a lovely hormone!

I think this is what explains the feeling to see our Holy Father, not a professional musician (!), chant the Regina Caeli this Mother’s Day weekend.

Regina caeli laetare,alleluia.
Quia quem merúisti portáre, alleluia
Resurrexit, sicut dixit, alleluia.
Ora pro nobis Deum, alleluia
Gaude et laetare, Virgo Maria, alleluia
Quia surrexit Dominus vere, alleluia

Queen of Heaven, rejoice, alleluia.
For He whom you did merit to… pic.twitter.com/Px1Hy5lQIW

— EWTN News (@EWTNews) May 11, 2025

It’s the same feeling hearing my children, in their wobbly toddler voices, chant. Their voice melts my mother-heart. That’s why those videos go viral on social media.

So now, our Holy Father intones (and completes) the chant, and we sing with all of our hearts on fire for this Faith.

P.S.

I should add that this experience is magnified in retreats and in events like the Symposium! Just look at how these three participants remember:

(a) Eighty voices chanting compline nightly and leading the music at high Mass were profound experiences which, as I say, I will never forget.

(b) We breathed out praise together, beautifully. I felt so alive, so full of joy.

(c) Most especially, singing and learning with all like-minded and fervent Catholics, seeking to do the will of God in manifesting His Beauty through sacred music and to evangelize through our joint effort was the most touching and inspiring experience in my life.

(d) I had to stop singing for a moment while trying not to cry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 12, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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