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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: The “Restoration” of the Easter Vigil

Jeff Ostrowski · April 7, 2025

N THE YEARS leading up to the Second Vatican Council, Pope Pius XII had already appointed a secret cadre—known as the Commissio Piana—to begin liturgical reforms. Perhaps its most significant reform was something they called the “restoration” of Holy Week. I have written extensively about the 73 changes made to Holy Week by the Commissio Piana, and I won’t be repeating all that here.1 Suffice it to say that the Easter Vigil was “restored” (their term) in 1951.

Mixed Messages • To put it charitably, the goals of the Commissio Piana were somewhat muddled. For instance, it constantly spoke of restoring the Easter Vigil. But when people demanded to know what the big fuss was all about, the reformers constantly pointed to the RENEWAL OF BAPTISMAL PROMISES at the Easter Vigil. For instance, on 13 February 1952, Cardinal Antonelli said: “Nobody can deny the importance of this public and solemn renewal.” Or consider one of the reactions sent to Rome in 1952 in an effort corroborate the success of the modified Easter Vigil:

“It was a real triumph of faith and devotion. The Cathedral and the churches were unbelievably full of very devout people. […] The people are especially grateful to the Holy Father, who—inspired by the Lord—has given back to the faithful one of the greatest of liturgical consolations and has allowed them to re-live one of the most beautiful moments of the primitive Church.”

Notice how Archbishop Hannibal Bugnini calls it a “restoration” in his statement:

“The first fruit of the commission’s work was the restoration of the Easter Vigil (1951), which elicited an explosion of joy throughout the Church.”

(1 of 2) Not A Restoration • The problem, of course, is that the RENEWAL OF BAPTISMAL PROMISES is a complete innovation. It was invented for the first time in the 1950s. A 1953 publication from Westminster, Maryland—which hopped on the bandwagon vis-à-vis the reforms—unwittingly admitted this contradiction, stating:

“The renewal of baptismal vows in the vernacular
is a startling innovation, calculated to stir us
to make of Easter a great new beginning
of our Christian life.”

(2 of 2) Not A Restoration • It’s a strange type of “restoration from the primitive church” that rejoices over innovations which never existed before. I believe Cardinal Antonelli was a holy man. That being said, he seems a bit confused when he wrote in his MEMORIA SULLA RIFORMA LITURGICA (1948):

“Courageous men must be found, who are […] able to create a rite in harmony with both the ancient liturgy and with the spirit of modern life.”

The Catechumenate • In the years leading up to Vatican II, those who desired liturgical reform often cited as a major desideratum “the restoration of the Catechumenate.” They wanted a clear separation between the “Mass of the Catechumens” and the “Mass of the Faithful.” However, I’ve noticed something bizarre: the catechumens aren’t sent away in the 1970 Missal. (Although I’m told sending them away is a valid option.) Wasn’t that the whole point? In the primitive church—e.g. in the time of Justin Martyr—the deacon would dismiss the catechumens at the conclusion of the LITURGY OF THE WORD. This was known as the “Dismissal of the Catechumens.” Over many centuries, the Mass developed. Eventually, we were only left with the final dismissal (“Ite, missa est”).

Conclusion • I don’t want to sound pessimistic, but many of these “restorations” seem fake. It reminds me of “restoring” the Sequence in the 1970 Missal by allowing it to come before (!) the ALLELUIA (the traditional arrangement is still an option, but nobody realizes that)—even though its very name reminds one it belongs after the ALLELUIA. Furthermore, the reformers had no interest in restoring certain items. For instance, they never pushed for long vigils containing hours of penance and fasting. Nor did they push for public confession of sins. It seems like the reformers thought they knew better than all the Catholics who lived before them—but now we’re finding out they weren’t as clever as they thought. Nor was the mediæval church as “unenlightened” and “backwards” as the reformers believed. Someday, all this must be set right. Úsquequo Dómine?

1 Much more could be said about this subject, and more research needs to be done. For instance, it would be wonderful to obtain an English translation of the MEMORIA SULLA RIFORMA LITURGICA (1948). Something I’ve noticed again and again—which I find quite frustrating—is that some “Catholic influencers” who vociferously defend the 1950 Holy Week struggle mightily when it comes to listing specific differences between the 1950 Holy Week and the 1956 “reformed” Holy Week. In my view, one who ardently advocates for something should know (at a minimum) what it actually is. In the 3rd edition of the Campion Missal, both versions are printed in full, while detailed footnotes list the similarities and differences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Commissio Piana, Dismissal of the Catechumens, Mass of the Catechumens, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: April 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)

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