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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: The “Restoration” of the Easter Vigil

Jeff Ostrowski · April 7, 2025

N THE YEARS leading up to the Second Vatican Council, Pope Pius XII had already appointed a secret cadre—known as the Commissio Piana—to begin liturgical reforms. Perhaps its most significant reform was something they called the “restoration” of Holy Week. I have written extensively about the 73 changes made to Holy Week by the Commissio Piana, and I won’t be repeating all that here.1 Suffice it to say that the Easter Vigil was “restored” (their term) in 1951.

Mixed Messages • To put it charitably, the goals of the Commissio Piana were somewhat muddled. For instance, it constantly spoke of restoring the Easter Vigil. But when people demanded to know what the big fuss was all about, the reformers constantly pointed to the RENEWAL OF BAPTISMAL PROMISES at the Easter Vigil. For instance, on 13 February 1952, Cardinal Antonelli said: “Nobody can deny the importance of this public and solemn renewal.” Or consider one of the reactions sent to Rome in 1952 in an effort corroborate the success of the modified Easter Vigil:

“It was a real triumph of faith and devotion. The Cathedral and the churches were unbelievably full of very devout people. […] The people are especially grateful to the Holy Father, who—inspired by the Lord—has given back to the faithful one of the greatest of liturgical consolations and has allowed them to re-live one of the most beautiful moments of the primitive Church.”

Notice how Archbishop Hannibal Bugnini calls it a “restoration” in his statement:

“The first fruit of the commission’s work was the restoration of the Easter Vigil (1951), which elicited an explosion of joy throughout the Church.”

(1 of 2) Not A Restoration • The problem, of course, is that the RENEWAL OF BAPTISMAL PROMISES is a complete innovation. It was invented for the first time in the 1950s. A 1953 publication from Westminster, Maryland—which hopped on the bandwagon vis-à-vis the reforms—unwittingly admitted this contradiction, stating:

“The renewal of baptismal vows in the vernacular
is a startling innovation, calculated to stir us
to make of Easter a great new beginning
of our Christian life.”

(2 of 2) Not A Restoration • It’s a strange type of “restoration from the primitive church” that rejoices over innovations which never existed before. I believe Cardinal Antonelli was a holy man. That being said, he seems a bit confused when he wrote in his MEMORIA SULLA RIFORMA LITURGICA (1948):

“Courageous men must be found, who are […] able to create a rite in harmony with both the ancient liturgy and with the spirit of modern life.”

The Catechumenate • In the years leading up to Vatican II, those who desired liturgical reform often cited as a major desideratum “the restoration of the Catechumenate.” They wanted a clear separation between the “Mass of the Catechumens” and the “Mass of the Faithful.” However, I’ve noticed something bizarre: the catechumens aren’t sent away in the 1970 Missal. (Although I’m told sending them away is a valid option.) Wasn’t that the whole point? In the primitive church—e.g. in the time of Justin Martyr—the deacon would dismiss the catechumens at the conclusion of the LITURGY OF THE WORD. This was known as the “Dismissal of the Catechumens.” Over many centuries, the Mass developed. Eventually, we were only left with the final dismissal (“Ite, missa est”).

Conclusion • I don’t want to sound pessimistic, but many of these “restorations” seem fake. It reminds me of “restoring” the Sequence in the 1970 Missal by allowing it to come before (!) the ALLELUIA (the traditional arrangement is still an option, but nobody realizes that)—even though its very name reminds one it belongs after the ALLELUIA. Furthermore, the reformers had no interest in restoring certain items. For instance, they never pushed for long vigils containing hours of penance and fasting. Nor did they push for public confession of sins. It seems like the reformers thought they knew better than all the Catholics who lived before them—but now we’re finding out they weren’t as clever as they thought. Nor was the mediæval church as “unenlightened” and “backwards” as the reformers believed. Someday, all this must be set right. Úsquequo Dómine?

1 Much more could be said about this subject, and more research needs to be done. For instance, it would be wonderful to obtain an English translation of the MEMORIA SULLA RIFORMA LITURGICA (1948). Something I’ve noticed again and again—which I find quite frustrating—is that some “Catholic influencers” who vociferously defend the 1950 Holy Week struggle mightily when it comes to listing specific differences between the 1950 Holy Week and the 1956 “reformed” Holy Week. In my view, one who ardently advocates for something should know (at a minimum) what it actually is. In the 3rd edition of the Campion Missal, both versions are printed in full, while detailed footnotes list the similarities and differences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Commissio Piana, Dismissal of the Catechumens, Mass of the Catechumens, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: April 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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