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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Re: The “Restoration” of the Easter Vigil

Jeff Ostrowski · April 7, 2025

N THE YEARS leading up to the Second Vatican Council, Pope Pius XII had already appointed a secret cadre—known as the Commissio Piana—to begin liturgical reforms. Perhaps its most significant reform was something they called the “restoration” of Holy Week. I have written extensively about the 73 changes made to Holy Week by the Commissio Piana, and I won’t be repeating all that here.1 Suffice it to say that the Easter Vigil was “restored” (their term) in 1951.

Mixed Messages • To put it charitably, the goals of the Commissio Piana were somewhat muddled. For instance, it constantly spoke of restoring the Easter Vigil. But when people demanded to know what the big fuss was all about, the reformers constantly pointed to the RENEWAL OF BAPTISMAL PROMISES at the Easter Vigil. For instance, on 13 February 1952, Cardinal Antonelli said: “Nobody can deny the importance of this public and solemn renewal.” Or consider one of the reactions sent to Rome in 1952 in an effort corroborate the success of the modified Easter Vigil:

“It was a real triumph of faith and devotion. The Cathedral and the churches were unbelievably full of very devout people. […] The people are especially grateful to the Holy Father, who—inspired by the Lord—has given back to the faithful one of the greatest of liturgical consolations and has allowed them to re-live one of the most beautiful moments of the primitive Church.”

Notice how Archbishop Hannibal Bugnini calls it a “restoration” in his statement:

“The first fruit of the commission’s work was the restoration of the Easter Vigil (1951), which elicited an explosion of joy throughout the Church.”

(1 of 2) Not A Restoration • The problem, of course, is that the RENEWAL OF BAPTISMAL PROMISES is a complete innovation. It was invented for the first time in the 1950s. A 1953 publication from Westminster, Maryland—which hopped on the bandwagon vis-à-vis the reforms—unwittingly admitted this contradiction, stating:

“The renewal of baptismal vows in the vernacular
is a startling innovation, calculated to stir us
to make of Easter a great new beginning
of our Christian life.”

(2 of 2) Not A Restoration • It’s a strange type of “restoration from the primitive church” that rejoices over innovations which never existed before. I believe Cardinal Antonelli was a holy man. That being said, he seems a bit confused when he wrote in his MEMORIA SULLA RIFORMA LITURGICA (1948):

“Courageous men must be found, who are […] able to create a rite in harmony with both the ancient liturgy and with the spirit of modern life.”

The Catechumenate • In the years leading up to Vatican II, those who desired liturgical reform often cited as a major desideratum “the restoration of the Catechumenate.” They wanted a clear separation between the “Mass of the Catechumens” and the “Mass of the Faithful.” However, I’ve noticed something bizarre: the catechumens aren’t sent away in the 1970 Missal. (Although I’m told sending them away is a valid option.) Wasn’t that the whole point? In the primitive church—e.g. in the time of Justin Martyr—the deacon would dismiss the catechumens at the conclusion of the LITURGY OF THE WORD. This was known as the “Dismissal of the Catechumens.” Over many centuries, the Mass developed. Eventually, we were only left with the final dismissal (“Ite, missa est”).

Conclusion • I don’t want to sound pessimistic, but many of these “restorations” seem fake. It reminds me of “restoring” the Sequence in the 1970 Missal by allowing it to come before (!) the ALLELUIA (the traditional arrangement is still an option, but nobody realizes that)—even though its very name reminds one it belongs after the ALLELUIA. Furthermore, the reformers had no interest in restoring certain items. For instance, they never pushed for long vigils containing hours of penance and fasting. Nor did they push for public confession of sins. It seems like the reformers thought they knew better than all the Catholics who lived before them—but now we’re finding out they weren’t as clever as they thought. Nor was the mediæval church as “unenlightened” and “backwards” as the reformers believed. Someday, all this must be set right. Úsquequo Dómine?

1 Much more could be said about this subject, and more research needs to be done. For instance, it would be wonderful to obtain an English translation of the MEMORIA SULLA RIFORMA LITURGICA (1948). Something I’ve noticed again and again—which I find quite frustrating—is that some “Catholic influencers” who vociferously defend the 1950 Holy Week struggle mightily when it comes to listing specific differences between the 1950 Holy Week and the 1956 “reformed” Holy Week. In my view, one who ardently advocates for something should know (at a minimum) what it actually is. In the 3rd edition of the Campion Missal, both versions are printed in full, while detailed footnotes list the similarities and differences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Commissio Piana, Dismissal of the Catechumens, Mass of the Catechumens, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: April 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

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