• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Re: The “Restoration” of the Easter Vigil

Jeff Ostrowski · April 7, 2025

N THE YEARS leading up to the Second Vatican Council, Pope Pius XII had already appointed a secret cadre—known as the Commissio Piana—to begin liturgical reforms. Perhaps its most significant reform was something they called the “restoration” of Holy Week. I have written extensively about the 73 changes made to Holy Week by the Commissio Piana, and I won’t be repeating all that here.1 Suffice it to say that the Easter Vigil was “restored” (their term) in 1951.

Mixed Messages • To put it charitably, the goals of the Commissio Piana were somewhat muddled. For instance, it constantly spoke of restoring the Easter Vigil. But when people demanded to know what the big fuss was all about, the reformers constantly pointed to the RENEWAL OF BAPTISMAL PROMISES at the Easter Vigil. For instance, on 13 February 1952, Cardinal Antonelli said: “Nobody can deny the importance of this public and solemn renewal.” Or consider one of the reactions sent to Rome in 1952 in an effort corroborate the success of the modified Easter Vigil:

“It was a real triumph of faith and devotion. The Cathedral and the churches were unbelievably full of very devout people. […] The people are especially grateful to the Holy Father, who—inspired by the Lord—has given back to the faithful one of the greatest of liturgical consolations and has allowed them to re-live one of the most beautiful moments of the primitive Church.”

Notice how Archbishop Hannibal Bugnini calls it a “restoration” in his statement:

“The first fruit of the commission’s work was the restoration of the Easter Vigil (1951), which elicited an explosion of joy throughout the Church.”

(1 of 2) Not A Restoration • The problem, of course, is that the RENEWAL OF BAPTISMAL PROMISES is a complete innovation. It was invented for the first time in the 1950s. A 1953 publication from Westminster, Maryland—which hopped on the bandwagon vis-à-vis the reforms—unwittingly admitted this contradiction, stating:

“The renewal of baptismal vows in the vernacular
is a startling innovation, calculated to stir us
to make of Easter a great new beginning
of our Christian life.”

(2 of 2) Not A Restoration • It’s a strange type of “restoration from the primitive church” that rejoices over innovations which never existed before. I believe Cardinal Antonelli was a holy man. That being said, he seems a bit confused when he wrote in his MEMORIA SULLA RIFORMA LITURGICA (1948):

“Courageous men must be found, who are […] able to create a rite in harmony with both the ancient liturgy and with the spirit of modern life.”

The Catechumenate • In the years leading up to Vatican II, those who desired liturgical reform often cited as a major desideratum “the restoration of the Catechumenate.” They wanted a clear separation between the “Mass of the Catechumens” and the “Mass of the Faithful.” However, I’ve noticed something bizarre: the catechumens aren’t sent away in the 1970 Missal. (Although I’m told sending them away is a valid option.) Wasn’t that the whole point? In the primitive church—e.g. in the time of Justin Martyr—the deacon would dismiss the catechumens at the conclusion of the LITURGY OF THE WORD. This was known as the “Dismissal of the Catechumens.” Over many centuries, the Mass developed. Eventually, we were only left with the final dismissal (“Ite, missa est”).

Conclusion • I don’t want to sound pessimistic, but many of these “restorations” seem fake. It reminds me of “restoring” the Sequence in the 1970 Missal by allowing it to come before (!) the ALLELUIA (the traditional arrangement is still an option, but nobody realizes that)—even though its very name reminds one it belongs after the ALLELUIA. Furthermore, the reformers had no interest in restoring certain items. For instance, they never pushed for long vigils containing hours of penance and fasting. Nor did they push for public confession of sins. It seems like the reformers thought they knew better than all the Catholics who lived before them—but now we’re finding out they weren’t as clever as they thought. Nor was the mediæval church as “unenlightened” and “backwards” as the reformers believed. Someday, all this must be set right. Úsquequo Dómine?

1 Much more could be said about this subject, and more research needs to be done. For instance, it would be wonderful to obtain an English translation of the MEMORIA SULLA RIFORMA LITURGICA (1948). Something I’ve noticed again and again—which I find quite frustrating—is that some “Catholic influencers” who vociferously defend the 1950 Holy Week struggle mightily when it comes to listing specific differences between the 1950 Holy Week and the 1956 “reformed” Holy Week. In my view, one who ardently advocates for something should know (at a minimum) what it actually is. In the 3rd edition of the Campion Missal, both versions are printed in full, while detailed footnotes list the similarities and differences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Hannibal Bugnini, Commissio Piana, Dismissal of the Catechumens, Mass of the Catechumens, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: April 16, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

Recent Posts

  • An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)
  • Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages
  • Jeffrey Tucker: “USCCB Deserves Scorn for Maintaining Strict Copyright Over Liturgical Texts.”
  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.