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Views from the Choir Loft

The New Lectionary & “Voice of God” Hymns

Jeff Ostrowski · February 10, 2025

OR ALMOST TWO decades, we’ve been assured a new LECTIONARY for the United States is “forthcoming.” According to highly placed officials at the USCCB, it could be here as early as 2029. On the other hand, those in charge of liturgical matters do whatever they please at any given moment—and they answer to no one. Even a basic question like which feasts in the United States are holy days of obligation has been ensnared in an absurd quarrel between several Vatican dicasteries. When it comes to what Monsignor Skeris called “the USCCB Liturgy Club,” it’s crucial to remember that promises—even legal threats—made in the past mean absolutely nothing (as I recently attempted to explain). As an American politician once said: “That was then; this is now.” It’s a scandalous situation … but what can any of us do? Perhaps it’s best to simply accept it.

Specificity! Specificity! • When Hitler was gaining power in Germany, he promised something “new.” He promised “a departure from the past.” Hitler did deliver something new—but was it better? Foolish people assume “new” is synonymous with “better.” As I’ve explained with examples provided, in many instances the so-called ABBEY PSALMS AND CANTICLES is virtually identical to previous versions, including the NAB. I ask again: Why specifically are they revising the LECTIONARY? What are some specific items they plan to fix?

Sad + Scandalous • Certain passages in our current LECTIONARY without question need to be revised. Look at the GOSPEL for the 22nd Sunday in Ordinary Time (Year A) and you’ll see it was bowdlerized in a shameful and scandalous way by people who don’t believe human beings have a “soul.” Are these same folks the ones who will be “fixing” the LECTIONARY? Why haven’t we seen a list with specific examples that need to be fixed? I have my doubts…

“Voice Of God” Hymns • As I recently explained, it makes sense to try to “even out” translations so they can be sung. Yet seven decades after Vatican II this still hasn’t been done in the United States—so forgive my skepticism. A good example comes from yesterday, where the ALLELUIA VERSE “broke the tone” because it was jagged:

Come after me
and I will make you fishers of men.

That could easily be fixed (as it was in the Spanish LECTIONARY):

Come after me, says the Lord,
and I will make you fishers of men.

Indeed, the traditional Gregorian Chant often has “dicit Dóminus.” This helps to eliminate something many hate: viz. “Voice of God Hymns.”

Inconsistencies • Speaking of yesterday’s Mass, the Responsorial Psalm says “In the sight of the angels I will sing your praises, Lord.” Then (just a few seconds later) we hear: “In the presence of the angels I will sing your praise.” Part of the problem is that various companies own different sections of the LECTIONARY.1 Another problem is the constant and unending search for the most ‘authentic’ psalm manuscript, which becomes obsessed with each new trend.

On the other hand, such inconsistencies have always been part of the sacred liturgy (even in the Traditional Latin Mass). Just one example: “Cum Clamarem” vs. “Dum Clamarem” for the 10th Sunday after Pentecost. As Father Adrian Fortescue wrote in 1912:

The text of the Introit, as of all the chants of the Mass, is taken not from the Vulgate but from the old Itala. It will be remembered that the fact that people were accustomed to sing the Itala text at Mass was the great hindrance to the spread of the Vulgate.

At this point, the USCCB has approved so many “variant” versions of the Responsorial Psalm—which will remain as valid options so long as they are sung—only a fool would believe that this toothpaste can be placed back in the tube.

1 By the way, the sale of (mandatory) indulgenced prayers is immoral. Someday they will have to make restitution for this—which will amount to billions and billions of dollars.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA, Novus Ordo Lectionary, Novus Ordo Lectionary Reform, Online Latin Lectionary, Rev Fr Adrian Fortescue Liturgy, Voice of God Hymns Last Updated: July 20, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

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  • “Reminder” — Month of July (2026)

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