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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The New Lectionary & “Voice of God” Hymns

Jeff Ostrowski · February 10, 2025

OR ALMOST TWO decades, we’ve been assured a new LECTIONARY for the United States is “forthcoming.” According to highly placed officials at the USCCB, it could be here as early as 2029. On the other hand, those in charge of liturgical matters do whatever they please at any given moment—and they answer to no one. Even a basic question like which feasts in the United States are holy days of obligation has been ensnared in an absurd quarrel between several Vatican dicasteries. When it comes to what Monsignor Skeris called “the USCCB Liturgy Club,” it’s crucial to remember that promises—even legal threats—made in the past mean absolutely nothing (as I recently attempted to explain). As an American politician once said: “That was then; this is now.” It’s a scandalous situation … but what can any of us do? Perhaps it’s best to simply accept it.

Specificity! Specificity! • When Hitler was gaining power in Germany, he promised something “new.” He promised “a departure from the past.” Hitler did deliver something new—but was it better? Foolish people assume “new” is synonymous with “better.” As I’ve explained with examples provided, in many instances the so-called ABBEY PSALMS AND CANTICLES is virtually identical to previous versions, including the NAB. I ask again: Why specifically are they revising the LECTIONARY? What are some specific items they plan to fix?

Sad + Scandalous • Certain passages in our current LECTIONARY without question need to be revised. Look at the GOSPEL for the 22nd Sunday in Ordinary Time (Year A) and you’ll see it was bowdlerized in a shameful and scandalous way by people who don’t believe human beings have a “soul.” Are these same folks the ones who will be “fixing” the LECTIONARY? Why haven’t we seen a list with specific examples that need to be fixed? I have my doubts…

“Voice Of God” Hymns • As I recently explained, it makes sense to try to “even out” translations so they can be sung. Yet seven decades after Vatican II this still hasn’t been done in the United States—so forgive my skepticism. A good example comes from yesterday, where the ALLELUIA VERSE “broke the tone” because it was jagged:

Come after me
and I will make you fishers of men.

That could easily be fixed (as it was in the Spanish LECTIONARY):

Come after me, says the Lord,
and I will make you fishers of men.

Indeed, the traditional Gregorian Chant often has “dicit Dóminus.” This helps to eliminate something many hate: viz. “Voice of God Hymns.”

Inconsistencies • Speaking of yesterday’s Mass, the Responsorial Psalm says “In the sight of the angels I will sing your praises, Lord.” Then (just a few seconds later) we hear: “In the presence of the angels I will sing your praise.” Part of the problem is that various companies own different sections of the LECTIONARY.1 Another problem is the constant and unending search for the most ‘authentic’ psalm manuscript, which becomes obsessed with each new trend.

On the other hand, such inconsistencies have always been part of the sacred liturgy (even in the Traditional Latin Mass). Just one example: “Cum Clamarem” vs. “Dum Clamarem” for the 10th Sunday after Pentecost. As Father Adrian Fortescue wrote in 1912:

The text of the Introit, as of all the chants of the Mass, is taken not from the Vulgate but from the old Itala. It will be remembered that the fact that people were accustomed to sing the Itala text at Mass was the great hindrance to the spread of the Vulgate.

At this point, the USCCB has approved so many “variant” versions of the Responsorial Psalm—which will remain as valid options so long as they are sung—only a fool would believe that this toothpaste can be placed back in the tube.

1 By the way, the sale of (mandatory) indulgenced prayers is immoral. Someday they will have to make restitution for this—which will amount to billions and billions of dollars.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA, Novus Ordo Lectionary, Novus Ordo Lectionary Reform, Online Latin Lectionary, Rev Fr Adrian Fortescue Liturgy, Voice of God Hymns Last Updated: February 10, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Catholic liturgy has been overthrown under the pretext of rendering it more acceptable to the secularised masses.”

— Professor Louis Bouyer (writing in 1975)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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