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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The New Lectionary & “Voice of God” Hymns

Jeff Ostrowski · February 10, 2025

OR ALMOST TWO decades, we’ve been assured a new LECTIONARY for the United States is “forthcoming.” According to highly placed officials at the USCCB, it could be here as early as 2029. On the other hand, those in charge of liturgical matters do whatever they please at any given moment—and they answer to no one. Even a basic question like which feasts in the United States are holy days of obligation has been ensnared in an absurd quarrel between several Vatican dicasteries. When it comes to what Monsignor Skeris called “the USCCB Liturgy Club,” it’s crucial to remember that promises—even legal threats—made in the past mean absolutely nothing (as I recently attempted to explain). As an American politician once said: “That was then; this is now.” It’s a scandalous situation … but what can any of us do? Perhaps it’s best to simply accept it.

Specificity! Specificity! • When Hitler was gaining power in Germany, he promised something “new.” He promised “a departure from the past.” Hitler did deliver something new—but was it better? Foolish people assume “new” is synonymous with “better.” As I’ve explained with examples provided, in many instances the so-called ABBEY PSALMS AND CANTICLES is virtually identical to previous versions, including the NAB. I ask again: Why specifically are they revising the LECTIONARY? What are some specific items they plan to fix?

Sad + Scandalous • Certain passages in our current LECTIONARY without question need to be revised. Look at the GOSPEL for the 22nd Sunday in Ordinary Time (Year A) and you’ll see it was bowdlerized in a shameful and scandalous way by people who don’t believe human beings have a “soul.” Are these same folks the ones who will be “fixing” the LECTIONARY? Why haven’t we seen a list with specific examples that need to be fixed? I have my doubts…

“Voice Of God” Hymns • As I recently explained, it makes sense to try to “even out” translations so they can be sung. Yet seven decades after Vatican II this still hasn’t been done in the United States—so forgive my skepticism. A good example comes from yesterday, where the ALLELUIA VERSE “broke the tone” because it was jagged:

Come after me
and I will make you fishers of men.

That could easily be fixed (as it was in the Spanish LECTIONARY):

Come after me, says the Lord,
and I will make you fishers of men.

Indeed, the traditional Gregorian Chant often has “dicit Dóminus.” This helps to eliminate something many hate: viz. “Voice of God Hymns.”

Inconsistencies • Speaking of yesterday’s Mass, the Responsorial Psalm says “In the sight of the angels I will sing your praises, Lord.” Then (just a few seconds later) we hear: “In the presence of the angels I will sing your praise.” Part of the problem is that various companies own different sections of the LECTIONARY.1 Another problem is the constant and unending search for the most ‘authentic’ psalm manuscript, which becomes obsessed with each new trend.

On the other hand, such inconsistencies have always been part of the sacred liturgy (even in the Traditional Latin Mass). Just one example: “Cum Clamarem” vs. “Dum Clamarem” for the 10th Sunday after Pentecost. As Father Adrian Fortescue wrote in 1912:

The text of the Introit, as of all the chants of the Mass, is taken not from the Vulgate but from the old Itala. It will be remembered that the fact that people were accustomed to sing the Itala text at Mass was the great hindrance to the spread of the Vulgate.

At this point, the USCCB has approved so many “variant” versions of the Responsorial Psalm—which will remain as valid options so long as they are sung—only a fool would believe that this toothpaste can be placed back in the tube.

1 By the way, the sale of (mandatory) indulgenced prayers is immoral. Someday they will have to make restitution for this—which will amount to billions and billions of dollars.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA, Novus Ordo Lectionary, Novus Ordo Lectionary Reform, Online Latin Lectionary, Rev Fr Adrian Fortescue Liturgy, Voice of God Hymns Last Updated: February 10, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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