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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“All Saints” • Jeff Ostrowski Tries to Simultaneously Accompany His Voice on the Organ

Jeff Ostrowski · November 1, 2024

HOSE WHO HAVE studied the diaries of Cardinal Antonelli realize the disproportionately large role Professor Josef A. Jungmann (d. 1975) played in the liturgical reforms. During his entire priestly life, Father Jungmann never once celebrated a sung Mass. Although this beggars belief,1 perhaps we shouldn’t be surprised … because so many post-conciliar reforms could only have been enacted by people with a deficient knowledge of sacred music. (It gives me no joy to say this.)

Hidden By Humility • The world didn’t consider Father Valentine Young (d. 2020) a notable scholar, but I guarantee you he was in many ways smarter than Father Jungmann—or perhaps I should say “wiser.” Father Valentine took pains to disguise his great learning. He did this by tremendous humility. I still remember how he had a particular love for the Gaudeamus INTROIT and got excited whenever an upcoming feast included it. In those days, I didn’t understand why he made such a big deal about it. However, over the years I’ve come to love this ancient chant deeply.

November 1st • The marvelous feast-day of November 1st—viz. THE FEAST OF ALL SAINTS—prescribes as its Entrance Chant the “Gaudeamus.” This morning, I attempted to simultaneously accompany my voice on the pipe organ while singing it:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

A Saint Among Us • What can I say about Father Valentine Young? I was so blessed to know him. He brought happiness to the lives of everyone he encountered. And Father Valentine loved intensely the sacred liturgy, and especially Gregorian Chant. No matter where he went—even when he spent years as a missionary to the Navajo—he spread the love of CARMEN GREGORIANUM. He (of all people!) had a zillion reasons to be bitter … yet his heart was full of nothing but love, humility, and joy. Maybe someday God will give me the grace to be like Father Valentine.

Many profess to love God. Many claim they’re content each day to do God’s Will and not their own. Many profess to love Gregorian Chant. Many claim to love the sacred liturgy. But Father Valentine was the real deal.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner who’s willing to debate this assertion over zoom. Today—1 November 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

1 This is according to the testimony of Dr. Louis Bouyer, who was a close friend of Pope Saint Paul VI. Cf. page 257 of “Louis Bouyer Memoirs” (San Francisco: IGNATIUS PRESS, 2015). Father Jungmann seems to have taken the famous motto (“Jesuita non cantat”) to absurd extremes. On the other hand, the undeniable erudition of his publications wouldn’t be incompatible with a priest who spent most of his time alone or in scholarly pursuits.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Catholic Hymnal Challenge, Father Valetine Young, Feast of All Saints, November 1st All Saints, Rev Fr Valentine Young OFM Last Updated: January 27, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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