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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“All Saints” • Jeff Ostrowski Tries to Simultaneously Accompany His Voice on the Organ

Jeff Ostrowski · November 1, 2024

HOSE WHO HAVE studied the diaries of Cardinal Antonelli realize the disproportionately large role Professor Josef A. Jungmann (d. 1975) played in the liturgical reforms. During his entire priestly life, Father Jungmann never once celebrated a sung Mass. Although this beggars belief,1 perhaps we shouldn’t be surprised … because so many post-conciliar reforms could only have been enacted by people with a deficient knowledge of sacred music. (It gives me no joy to say this.)

Hidden By Humility • The world didn’t consider Father Valentine Young (d. 2020) a notable scholar, but I guarantee you he was in many ways smarter than Father Jungmann—or perhaps I should say “wiser.” Father Valentine took pains to disguise his great learning. He did this by tremendous humility. I still remember how he had a particular love for the Gaudeamus INTROIT and got excited whenever an upcoming feast included it. In those days, I didn’t understand why he made such a big deal about it. However, over the years I’ve come to love this ancient chant deeply.

November 1st • The marvelous feast-day of November 1st—viz. THE FEAST OF ALL SAINTS—prescribes as its Entrance Chant the “Gaudeamus.” This morning, I attempted to simultaneously accompany my voice on the pipe organ while singing it:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

A Saint Among Us • What can I say about Father Valentine Young? I was so blessed to know him. He brought happiness to the lives of everyone he encountered. And Father Valentine loved intensely the sacred liturgy, and especially Gregorian Chant. No matter where he went—even when he spent years as a missionary to the Navajo—he spread the love of CARMEN GREGORIANUM. He (of all people!) had a zillion reasons to be bitter … yet his heart was full of nothing but love, humility, and joy. Maybe someday God will give me the grace to be like Father Valentine.

Many profess to love God. Many claim they’re content each day to do God’s Will and not their own. Many profess to love Gregorian Chant. Many claim to love the sacred liturgy. But Father Valentine was the real deal.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner who’s willing to debate this assertion over zoom. Today—1 November 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

1 This is according to the testimony of Dr. Louis Bouyer, who was a close friend of Pope Saint Paul VI. Cf. page 257 of “Louis Bouyer Memoirs” (San Francisco: IGNATIUS PRESS, 2015). Father Jungmann seems to have taken the famous motto (“Jesuita non cantat”) to absurd extremes. On the other hand, the undeniable erudition of his publications wouldn’t be incompatible with a priest who spent most of his time alone or in scholarly pursuits.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Catholic Hymnal Challenge, Father Valetine Young, Feast of All Saints, November 1st All Saints, Rev Fr Valentine Young OFM Last Updated: January 27, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

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