• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

A Suggestion for Ordinary Form Masses

Jeff Ostrowski · October 29, 2024

LONG WITH MANY others, I have insisted that the Traditional Latin Mass (a.k.a. “MISSALE VESTUSTUM”) is very important for the continuity of the Catholic Church. It’s an intensely pure and holy rite. Moreover, nobody’s been able to point out anything deficient about it. Needless to say, that doesn’t mean every priest who offers the TLM is perfect. Nor does it mean every single Catholic who attends the Extraordinary Form is perfect, or even a decent human being. Some have argued that a higher percentage of Catholics who attend the TLM “take their faith seriously.” That may or may not be true—but such a discussion will have to wait for another day. Today, I have a suggestion to make.

Rediscovery! • In the 1990s, when the MISSALE VESTUSTUM was being rediscovered, there were some problems. For instance, many of the older missals didn’t contain the 1962 modifications. As a result, some priests weren’t offering Mass according to the “pure” 1962 Missal.1 Some priests, for example, read the Gospel sotto voce before the Deacon sang it during Solemn Mass. Other priests allowed a third CONFITEOR before Communion. Still others used the “wrong” books for Holy Week.

Good Liturgical Praxis • An unfortunate result still lingers from those early days. To be blunt, the altar boys were often confused. During Holy Week, for example, what seemed like 15 minutes would elapse while the altar boy figured out which book or item was needed, went and grabbed it, and (finally) carried it to the priest. Sometimes the altar boy forgot to bow—so he’d grab the item back, bow, kiss the priest’s hand, then give it back. A good altar boy would have had that item waiting. The idea developed that having the priest wait 15 minutes for an item (or book) he needs is “good and reverent” liturgy. But that’s false. Indeed, a well-trained MASTER OF CEREMONIES keeps 1-2 steps ahead of the priest, anticipating what comes next and keeping things running smoothly.

Mutual Enrichment • In the MISSALE VESTUSTUM, the Deacon carries the Burse (containing the Corporal) to the Altar while the Creed is being sung by the choir:

My Suggestion • I have a suggestion for the Ordinary Form. I believe whoever’s going to read the petitions for the “Prayer of the Faithful” (a.k.a. BIDDING PRAYERS) ought to leave his seat during the CREED. He should open the book and be ready to play ball when CREED ends. I’d love to know whether you agree with me. “Reverent liturgy” doesn’t mean sitting there waiting for people to get into position when they ought to have done that already.

1  Some idiot will probably claim I’m expressing an opinion or preference vis-à-vis the 1962 rubrics. But literate people know better. I’m not expressing an opinion here; I’m merely describing what took place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bidding Prayers in the Ordinary Form, Missale Vetustum, Prayer of the Faithful Last Updated: October 29, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

Recent Posts

  • Brave Schola Director Posts ‘Live’ Recording
  • “Cracker Barrel & Catholicism” • Logos and Lessons
  • “Reform of the Reform” officially embraced by USCCB
  • “The Worm That Dieth Not”
  • Father Chris Smith Celebrates 20 Years as a Priest

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.