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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Suggestion for Ordinary Form Masses

Jeff Ostrowski · October 29, 2024

LONG WITH MANY others, I have insisted that the Traditional Latin Mass (a.k.a. “MISSALE VESTUSTUM”) is very important for the continuity of the Catholic Church. It’s an intensely pure and holy rite. Moreover, nobody’s been able to point out anything deficient about it. Needless to say, that doesn’t mean every priest who offers the TLM is perfect. Nor does it mean every single Catholic who attends the Extraordinary Form is perfect, or even a decent human being. Some have argued that a higher percentage of Catholics who attend the TLM “take their faith seriously.” That may or may not be true—but such a discussion will have to wait for another day. Today, I have a suggestion to make.

Rediscovery! • In the 1990s, when the MISSALE VESTUSTUM was being rediscovered, there were some problems. For instance, many of the older missals didn’t contain the 1962 modifications. As a result, some priests weren’t offering Mass according to the “pure” 1962 Missal.1 Some priests, for example, read the Gospel sotto voce before the Deacon sang it during Solemn Mass. Other priests allowed a third CONFITEOR before Communion. Still others used the “wrong” books for Holy Week.

Good Liturgical Praxis • An unfortunate result still lingers from those early days. To be blunt, the altar boys were often confused. During Holy Week, for example, what seemed like 15 minutes would elapse while the altar boy figured out which book or item was needed, went and grabbed it, and (finally) carried it to the priest. Sometimes the altar boy forgot to bow—so he’d grab the item back, bow, kiss the priest’s hand, then give it back. A good altar boy would have had that item waiting. The idea developed that having the priest wait 15 minutes for an item (or book) he needs is “good and reverent” liturgy. But that’s false. Indeed, a well-trained MASTER OF CEREMONIES keeps 1-2 steps ahead of the priest, anticipating what comes next and keeping things running smoothly.

Mutual Enrichment • In the MISSALE VESTUSTUM, the Deacon carries the Burse (containing the Corporal) to the Altar while the Creed is being sung by the choir:

My Suggestion • I have a suggestion for the Ordinary Form. I believe whoever’s going to read the petitions for the “Prayer of the Faithful” (a.k.a. BIDDING PRAYERS) ought to leave his seat during the CREED. He should open the book and be ready to play ball when CREED ends. I’d love to know whether you agree with me. “Reverent liturgy” doesn’t mean sitting there waiting for people to get into position when they ought to have done that already.

1  Some idiot will probably claim I’m expressing an opinion or preference vis-à-vis the 1962 rubrics. But literate people know better. I’m not expressing an opinion here; I’m merely describing what took place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bidding Prayers in the Ordinary Form, Missale Vetustum, Prayer of the Faithful Last Updated: October 29, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

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