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Views from the Choir Loft

PDF Download • “Extremely Rare Biography!” — Raphael Cardinal Merry Del Val (272 Pages)

Jeff Ostrowski · October 19, 2024

OME PEOPLE consider me “well read”—but they’re mistaken. There is, however, one exception: books about music. In high school, I could read a book of pianist interviews in mere minutes with 100% comprehension—even if that book contained hundreds of pages. Today, on the feast of Father John Brébeuf and companions, I’m pleased to release a book I’ve been saving since the summer. My original plan was to reproduce excerpts to “entice” our readers to give it a chance. But I abandoned that plan; there are just too many delightful and engrossing sections!

Raphael Cardinal Merry Del Val died the same year that Father Brébeuf, Father Isaac Jogues, and their companions were canonized.

*  PDF • BIOGRAPHY: CARDINAL MERRY DEL VAL (272 Pages)
—Written by Monsignor Vigilio Dalpiaz. • Published in Westminster in 1937.
—Translated by a Benedictine of Stanbrook Abbey. • Publisher: Burns, Oates & Washbourne.

Who Was He? • Many know Raphael Cardinal Merry Del Val as he to whom the LITANY OF HUMILITY is ascribed—but he was so much more. A very dear friend to Pope Saint Pius X, he was chosen to serve as his Secretary of State. He was a composer of music, and his compositions are still sung in Italy. He was intimately involved with the reform of CARMEN GREGORIANUM (“Gregorian Chant”) which took place under the reign of Pius X. He was a brilliant linguist, and composer of powerful prayers. As a Theologian, he published an important dissertation proving that Anglican ‘orders’ are invalid. He was also holy—and after his death people came forward to speak of the heavy penances he performed in private (which they had discovered by accident). He once wrote: “Each of our sins was one more thorn in our Lord’s crown, one more blow of His scourging.” If only the powerful men in today’s Vatican felt this way!

Choir Prayer • For many years, my choirs have begun each rehearsal with an abridged version of his daily offering, translated into English by Monsignor Robert A. Skeris. If you look on page 204, you can find the full version of this marvelous prayer. I intend to print that out for my family to pray, along with the LITANY OF HUMILITY.

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An Excerpt • Here’s a brief excerpt from Monsignor Vigilio’s book: “He had a very sensitive musical ear, and his voice was not only tuneful and pleasing, but sufficiently powerful to make itself heard in every part of the Basilica of Saint Peter’s. It was known that sometimes the choir deliberately pitched the note very high to see whether the Cardinal could reach it, but he never failed their rather mischievous test!”

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner willing to debate this assertion over zoom. Today—19 October 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Daily Offering Cardinal Merry Del Val, Litany of Humility, Rafael Merry del Val Last Updated: November 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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