• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

PDF Download • “Extremely Rare Biography!” — Raphael Cardinal Merry Del Val (272 Pages)

Jeff Ostrowski · October 19, 2024

OME PEOPLE consider me “well read”—but they’re mistaken. There is, however, one exception: books about music. In high school, I could read a book of pianist interviews in mere minutes with 100% comprehension—even if that book contained hundreds of pages. Today, on the feast of Father John Brébeuf and companions, I’m pleased to release a book I’ve been saving since the summer. My original plan was to reproduce excerpts to “entice” our readers to give it a chance. But I abandoned that plan; there are just too many delightful and engrossing sections!

Raphael Cardinal Merry Del Val died the same year that Father Brébeuf, Father Isaac Jogues, and their companions were canonized.

*  PDF • BIOGRAPHY: CARDINAL MERRY DEL VAL (272 Pages)
—Written by Monsignor Vigilio Dalpiaz. • Published in Westminster in 1937.
—Translated by a Benedictine of Stanbrook Abbey. • Publisher: Burns, Oates & Washbourne.

Who Was He? • Many know Raphael Cardinal Merry Del Val as he to whom the LITANY OF HUMILITY is ascribed—but he was so much more. A very dear friend to Pope Saint Pius X, he was chosen to serve as his Secretary of State. He was a composer of music, and his compositions are still sung in Italy. He was intimately involved with the reform of CARMEN GREGORIANUM (“Gregorian Chant”) which took place under the reign of Pius X. He was a brilliant linguist, and composer of powerful prayers. As a Theologian, he published an important dissertation proving that Anglican ‘orders’ are invalid. He was also holy—and after his death people came forward to speak of the heavy penances he performed in private (which they had discovered by accident). He once wrote: “Each of our sins was one more thorn in our Lord’s crown, one more blow of His scourging.” If only the powerful men in today’s Vatican felt this way!

Choir Prayer • For many years, my choirs have begun each rehearsal with an abridged version of his daily offering, translated into English by Monsignor Robert A. Skeris. If you look on page 204, you can find the full version of this marvelous prayer. I intend to print that out for my family to pray, along with the LITANY OF HUMILITY.

29762-Raphael-Cardinal-Merry-Del-Val-Biography-SM
29763-Raphael-Cardinal-Merry-Del-Val-Biography-SM
29760-Raphael-Cardinal-Merry-Del-Val-Biography-SM
29761-Raphael-Cardinal-Merry-Del-Val-Biography-SM

An Excerpt • Here’s a brief excerpt from Monsignor Vigilio’s book: “He had a very sensitive musical ear, and his voice was not only tuneful and pleasing, but sufficiently powerful to make itself heard in every part of the Basilica of Saint Peter’s. It was known that sometimes the choir deliberately pitched the note very high to see whether the Cardinal could reach it, but he never failed their rather mischievous test!”

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner willing to debate this assertion over zoom. Today—19 October 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Daily Offering Cardinal Merry Del Val, Litany of Humility, Rafael Merry del Val Last Updated: November 10, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will ever persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

  • “Common” Responsorial Psalm?
  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.