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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Extremely Rare Biography!” — Raphael Cardinal Merry Del Val (272 Pages)

Jeff Ostrowski · October 19, 2024

OME PEOPLE consider me “well read”—but they’re mistaken. There is, however, one exception: books about music. In high school, I could read a book of pianist interviews in mere minutes with 100% comprehension—even if that book contained hundreds of pages. Today, on the feast of Father John Brébeuf and companions, I’m pleased to release a book I’ve been saving since the summer. My original plan was to reproduce excerpts to “entice” our readers to give it a chance. But I abandoned that plan; there are just too many delightful and engrossing sections!

Raphael Cardinal Merry Del Val died the same year that Father Brébeuf, Father Isaac Jogues, and their companions were canonized.

*  PDF • BIOGRAPHY: CARDINAL MERRY DEL VAL (272 Pages)
—Written by Monsignor Vigilio Dalpiaz. • Published in Westminster in 1937.
—Translated by a Benedictine of Stanbrook Abbey. • Publisher: Burns, Oates & Washbourne.

Who Was He? • Many know Raphael Cardinal Merry Del Val as he to whom the LITANY OF HUMILITY is ascribed—but he was so much more. A very dear friend to Pope Saint Pius X, he was chosen to serve as his Secretary of State. He was a composer of music, and his compositions are still sung in Italy. He was intimately involved with the reform of CARMEN GREGORIANUM (“Gregorian Chant”) which took place under the reign of Pius X. He was a brilliant linguist, and composer of powerful prayers. As a Theologian, he published an important dissertation proving that Anglican ‘orders’ are invalid. He was also holy—and after his death people came forward to speak of the heavy penances he performed in private (which they had discovered by accident). He once wrote: “Each of our sins was one more thorn in our Lord’s crown, one more blow of His scourging.” If only the powerful men in today’s Vatican felt this way!

Choir Prayer • For many years, my choirs have begun each rehearsal with an abridged version of his daily offering, translated into English by Monsignor Robert A. Skeris. If you look on page 204, you can find the full version of this marvelous prayer. I intend to print that out for my family to pray, along with the LITANY OF HUMILITY.

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An Excerpt • Here’s a brief excerpt from Monsignor Vigilio’s book: “He had a very sensitive musical ear, and his voice was not only tuneful and pleasing, but sufficiently powerful to make itself heard in every part of the Basilica of Saint Peter’s. It was known that sometimes the choir deliberately pitched the note very high to see whether the Cardinal could reach it, but he never failed their rather mischievous test!”

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner willing to debate this assertion over zoom. Today—19 October 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Daily Offering Cardinal Merry Del Val, Litany of Humility, Rafael Merry del Val Last Updated: November 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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