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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

English Plainchant Revival • “Is It Real?”

Jeff Ostrowski · October 2, 2024

HE MOST CELEBRATED Italian pianist of all time (Ferruccio Busoni) two years before his death wrote as follows: “I have devoted myself too much, I think, to Bach, to Mozart, and to Liszt. I wish now I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life…” Busoni’s words should serve as a reminder to Catholic music directors everywhere. Sometimes we’re so saturated with music—so “close” to music—we lose perspective.

English Plainchant Revival • In fact, the ENGLISH PLAINCHANT REVIVAL is real and continues unabated. The conscientious choirmaster (usually immersed in music every day since the tender age of six) may forget this. But once in a while it’s wise to soberly remind ourselves how far we’ve come. I often cite an unseemly MEMORIAL ACCLAMATION they sang at our wealthy Catholic parish in the 1990s when I was a child. The tune is so utterly ridiculous I began to doubt my own memory. But I recently came across this absurd piece in a 1992 hymnal—so my memory was vindicated.

An Example From Last Week • Through the generosity of Mr. Nathan Wood comes the following example, sung by a volunteer choir at a ‘normal’ Midwest parish on Sunday [29-SEP-2024]. Perhaps you’re not impressed … since the ENTRANCE CHANT currently gets sung at Masses all over the world. Nevertheless, I assure you that what you’re about to see was scarce as hen’s teeth even as recently as the 1990s:

Here’s the direct URL link.

Musical score & organ accomp.
can be downloaded free of
charge at the Feasts Website.

The Least We Can Do • After the Second Vatican Council, the ‘average’ Catholic in the pews was subjected to every manner of novelty and experimentation. Even POPE SAINT PAUL VI, who technically signed off on all the liturgical changes, exclaimed on 3 June 1971: “How on earth in the [reformed] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] But we need this!” Considering what the ‘average’ Catholic has suffered for sixty years, it’s absolutely crucial that the re-introduction of plainsong to the parish Mass on Sundays be done in a way that avoids alienating your congregation. The least we can do is make sure the people have the text of the PROPRIUM MISSAE in front of their eyes (in both Latin and English). At my parish, we have The Saint Isaac Jogues Missal in every pew. Look at how beautifully the propers and readings are printed:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Entrance Chant Collection, English Plainchant Revival Last Updated: October 2, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Glorious among virgins, high above the stars, thou dost nourish at thy breast as a child him who created thee.” (Fortunatus)

— English translation by Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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