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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

English Plainchant Revival • “Is It Real?”

Jeff Ostrowski · October 2, 2024

HE MOST CELEBRATED Italian pianist of all time (Ferruccio Busoni) two years before his death wrote as follows: “I have devoted myself too much, I think, to Bach, to Mozart, and to Liszt. I wish now I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life…” Busoni’s words should serve as a reminder to Catholic music directors everywhere. Sometimes we’re so saturated with music—so “close” to music—we lose perspective.

English Plainchant Revival • In fact, the ENGLISH PLAINCHANT REVIVAL is real and continues unabated. The conscientious choirmaster (usually immersed in music every day since the tender age of six) may forget this. But once in a while it’s wise to soberly remind ourselves how far we’ve come. I often cite an unseemly MEMORIAL ACCLAMATION they sang at our wealthy Catholic parish in the 1990s when I was a child. The tune is so utterly ridiculous I began to doubt my own memory. But I recently came across this absurd piece in a 1992 hymnal—so my memory was vindicated.

An Example From Last Week • Through the generosity of Mr. Nathan Wood comes the following example, sung by a volunteer choir at a ‘normal’ Midwest parish on Sunday [29-SEP-2024]. Perhaps you’re not impressed … since the ENTRANCE CHANT currently gets sung at Masses all over the world. Nevertheless, I assure you that what you’re about to see was scarce as hen’s teeth even as recently as the 1990s:

Here’s the direct URL link.

Musical score & organ accomp.
can be downloaded free of
charge at the Feasts Website.

The Least We Can Do • After the Second Vatican Council, the ‘average’ Catholic in the pews was subjected to every manner of novelty and experimentation. Even POPE SAINT PAUL VI, who technically signed off on all the liturgical changes, exclaimed on 3 June 1971: “How on earth in the [reformed] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] But we need this!” Considering what the ‘average’ Catholic has suffered for sixty years, it’s absolutely crucial that the re-introduction of plainsong to the parish Mass on Sundays be done in a way that avoids alienating your congregation. The least we can do is make sure the people have the text of the PROPRIUM MISSAE in front of their eyes (in both Latin and English). At my parish, we have The Saint Isaac Jogues Missal in every pew. Look at how beautifully the propers and readings are printed:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Entrance Chant Collection, English Plainchant Revival Last Updated: October 2, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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