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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

English Plainchant Revival • “Is It Real?”

Jeff Ostrowski · October 2, 2024

HE MOST CELEBRATED Italian pianist of all time (Ferruccio Busoni) two years before his death wrote as follows: “I have devoted myself too much, I think, to Bach, to Mozart, and to Liszt. I wish now I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life…” Busoni’s words should serve as a reminder to Catholic music directors everywhere. Sometimes we’re so saturated with music—so “close” to music—we lose perspective.

English Plainchant Revival • In fact, the ENGLISH PLAINCHANT REVIVAL is real and continues unabated. The conscientious choirmaster (usually immersed in music every day since the tender age of six) may forget this. But once in a while it’s wise to soberly remind ourselves how far we’ve come. I often cite an unseemly MEMORIAL ACCLAMATION they sang at our wealthy Catholic parish in the 1990s when I was a child. The tune is so utterly ridiculous I began to doubt my own memory. But I recently came across this absurd piece in a 1992 hymnal—so my memory was vindicated.

An Example From Last Week • Through the generosity of Mr. Nathan Wood comes the following example, sung by a volunteer choir at a ‘normal’ Midwest parish on Sunday [29-SEP-2024]. Perhaps you’re not impressed … since the ENTRANCE CHANT currently gets sung at Masses all over the world. Nevertheless, I assure you that what you’re about to see was scarce as hen’s teeth even as recently as the 1990s:

Here’s the direct URL link.

Musical score & organ accomp.
can be downloaded free of
charge at the Feasts Website.

The Least We Can Do • After the Second Vatican Council, the ‘average’ Catholic in the pews was subjected to every manner of novelty and experimentation. Even POPE SAINT PAUL VI, who technically signed off on all the liturgical changes, exclaimed on 3 June 1971: “How on earth in the [reformed] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] But we need this!” Considering what the ‘average’ Catholic has suffered for sixty years, it’s absolutely crucial that the re-introduction of plainsong to the parish Mass on Sundays be done in a way that avoids alienating your congregation. The least we can do is make sure the people have the text of the PROPRIUM MISSAE in front of their eyes (in both Latin and English). At my parish, we have The Saint Isaac Jogues Missal in every pew. Look at how beautifully the propers and readings are printed:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Entrance Chant Collection, English Plainchant Revival Last Updated: October 2, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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