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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

English Plainchant Revival • “Is It Real?”

Jeff Ostrowski · October 2, 2024

HE MOST CELEBRATED Italian pianist of all time (Ferruccio Busoni) two years before his death wrote as follows: “I have devoted myself too much, I think, to Bach, to Mozart, and to Liszt. I wish now I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life…” Busoni’s words should serve as a reminder to Catholic music directors everywhere. Sometimes we’re so saturated with music—so “close” to music—we lose perspective.

English Plainchant Revival • In fact, the ENGLISH PLAINCHANT REVIVAL is real and continues unabated. The conscientious choirmaster (usually immersed in music every day since the tender age of six) may forget this. But once in a while it’s wise to soberly remind ourselves how far we’ve come. I often cite an unseemly MEMORIAL ACCLAMATION they sang at our wealthy Catholic parish in the 1990s when I was a child. The tune is so utterly ridiculous I began to doubt my own memory. But I recently came across this absurd piece in a 1992 hymnal—so my memory was vindicated.

An Example From Last Week • Through the generosity of Mr. Nathan Wood comes the following example, sung by a volunteer choir at a ‘normal’ Midwest parish on Sunday [29-SEP-2024]. Perhaps you’re not impressed … since the ENTRANCE CHANT currently gets sung at Masses all over the world. Nevertheless, I assure you that what you’re about to see was scarce as hen’s teeth even as recently as the 1990s:

Here’s the direct URL link.

Musical score & organ accomp.
can be downloaded free of
charge at the Feasts Website.

The Least We Can Do • After the Second Vatican Council, the ‘average’ Catholic in the pews was subjected to every manner of novelty and experimentation. Even POPE SAINT PAUL VI, who technically signed off on all the liturgical changes, exclaimed on 3 June 1971: “How on earth in the [reformed] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] But we need this!” Considering what the ‘average’ Catholic has suffered for sixty years, it’s absolutely crucial that the re-introduction of plainsong to the parish Mass on Sundays be done in a way that avoids alienating your congregation. The least we can do is make sure the people have the text of the PROPRIUM MISSAE in front of their eyes (in both Latin and English). At my parish, we have The Saint Isaac Jogues Missal in every pew. Look at how beautifully the propers and readings are printed:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Entrance Chant Collection, English Plainchant Revival Last Updated: October 2, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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  • “To Cover Sin With Smooth Names”

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