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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Jeff Ostrowski · March 27, 2024

ARISHES WHICH SING the CREED in English might be interested my setting, dedicated to Saint Felix. It’s the one found in the “appendix” of the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary. In composing this piece, I had four basic goals: (a) I wanted this setting to be interesting, so people don’t get bored after a few weeks. (b) It needed to be singable—so I kept the congregational sections in a low range, with somewhat simple melodies. (c) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone—again, in the interest of variety. (d) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

Yesterday morning—28 March 2024—I recorded the Saint Felix Creed:

Here’s the direct URL link.

*  PDF Download • Gregorian Notation (Treble Clef)
*  PDF Download • Organ Accompaniment (2 pages)
You can download this congregational insert for the Saint Felix Creed. A special version for choir members who can’t read Gregorian notation is also available.

On 20 March 2014, my musical setting was approved for liturgical use in the United States by The Committee on Divine Worship (a standing committee of the United States Conference of Catholic Bishops). The setting is dedicated to my brother, who is a priest.

OR QUITE a surprisingly long time, the CREED continued to be sung in Greek, not Latin. On page 270 of the Saint Isaac Jogues Illuminated Missal you will discover something utterly remarkable: a color photograph from the 11th century with the CREED in both Latin and Greek. The Latin was written on top—in orange letters—and the Greek underneath. As Dr. Peter Wagner wrote: “The scribes seldom knew Greek, so these renderings of Greek texts into Latin characters teem with mistakes of every kind.” Needless to say, singing the Nicene Creed in Latin is also a venerable and ancient tradition.

A Latin Version • If your choir sings in Latin, you might consider the following version. It’s the ancient Gregorian Chant CREDO VII, interspersed with polyphonic sections I composed (as well as astounding canonical excerpts from Father Guerrero). Below is a ‘live’ recording of our 100% volunteer choir singing this version last Sunday.

The polyphonic sections begin at marker 0:33.

Free rehearsal videos for each individual voice await you at #33782.

You’ll notice that rehearsal videos for each individual voice are available. This can save tons of rehearsal time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Musical Setting of the Creed, Roman Missal Third Edition Last Updated: March 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Orlando de Lassus died in Munich on 14 June 1594, the selfsame day his employer decided to dismiss him for economic reasons. He never saw the letter.”

— New Grove

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