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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

Jeff Ostrowski · March 7, 2024

ONALD REAGAN said famously: “The great thing about having Alzheimer’s is you get to meet new people every day.” A political science professor told us that in the 1990s. The only problem was, he told that same story a billion times! Did he see the irony? When students are told the same thing over and over, they wonder whether their professor might be senile. As an author, how much repetition is too much? Is “information overload” a real thing? I often write about post-conciliar liturgical reforms: a truly enormous topic. How dare I broach such a vast subject? I will strive to remember the advice given by Father Valentine Young (d. 2020). Talking about young priests, he once said: “When they give a homily, they act like they have to say everything they know about a subject. That’s wrong.”

Adult In The Room = Chiron • Some claim the Catholic Church effectively ended in 1962. Others act like the Catholic Church didn’t begin until 1962. I believe both are wrong. I’ve spent decades learning about what the reformers did after Vatican II. The liturgical changes contradicted the explicit mandates of Vatican II—and I’m unaware of any serious Catholic liturgical scholar who rejects that view. The final nail in the coffin was a 2016 book by Yves Chiron called: “ANNIBALE BUGNINI: Reformer of the Liturgy.” It’s one of the most impressive books I’ve ever read; the author really knows his stuff. Those interested in liturgical history leading up to Vatican II should obtain the third edition of the Saint Edmund Campion Missal (SOPHIA INSTITUTE PRESS, 2022).

Paul Inwood’s Claim (1 of 5) • Most likely owing to an earlier article I published, I was recently sent the following Facebook exchange (December 2023). Notice how Paul Inwood says: “It is indeed a miracle that the TLM still exists, considering that its adherents make up a tiny splinter sect in the Church. [After fifty years] their numbers have not increased to any significant extent.”

Paul Inwood’s Claim (2 of 5) • With a snap of His fingers, Almighty God could create a billion new planets more splendid than earth. God does not require my assistance in combating error. Therefore, I won’t waste my time demonstrating how defective Paul Inwood’s statements are. He seems to be engaging in what I call “wishful reality.” In other words, Paul Inwood doesn’t like the Traditional Mass. Therefore (according to his way of thinking) nobody else could either. It’s as if he believes that BY TYPING OUT HIS THOUGHTS on Facebook they magically become true.

Paul Inwood’s Claim (3 of 5) • It’s possible that Mr. Inwood, being an elderly person, doesn’t know where to go to discover the truth of the matter. Perhaps he truly does believe “their numbers have not increased to any significant extent” over the last fifty years. On a purely factual level, he’s dead wrong—but things get worse for him. I speak to young diocesan priests all over the world, and so many of them have learned how to offer the Extraordinary Form. Some took advantage of COVID-19 to gain this knowledge. Many are currently forbidden from offering the TLM, but such a situation seems unlikely to endure.

Paul Inwood’s Claim (4 of 5) • Inwood’s statement is also foolish from a cultural perspective. Declarations by the Vatican have often focused on EF legislation. Nobody would have dreamt of such a thing during the 1970s. Consider: Summorum Pontificum, promulgated on 7 July 2007; Universae Ecclesiae, promulgated on 30 April 2011; Traditionis Custodes, promulgated on 16 July 2021. Many “influential” people attend the traditional rites; I mean people who run major Catholic organizations. I’m also talking about “famous” people like Dr. Scott Hahn or Justice Antonin Scalia. Recently, Cardinal Zuppi, head of the Italian Bishops’ Conference, led “Extraordinary Form” Vespers in the heart of Rome. Not long afterwards, the 1962 Missal was used in Saint Peter’s Basilica (!) by Monsignor Marco Agostini, MASTER OF CEREMONIES for Pope Francis. Recently, the USCCB Vice President and Archbishop of Detroit—who served on the Bishop’s Liturgy Committee alongside bishops like Cupich and Trautman—confirmed using the traditional PONTIFICALE ROMANUM. Indeed, an ex-employee of the USCCB named Mike Lewis started a blog called Where Pacha Is. Although Mr. Lewis claims to be ‘mainstream,’ his every thought and utterance is dominated by the Traditional Latin Mass.1

Paul Inwood’s Claim (5 of 5) • It strikes me that many people will not know who Paul Inwood is. Let me briefly say that his music was popular in Catholic churches during the 1980s. His influence seems to have waned around the time of the fall of the Soviet Union (circa 1991). As a youngster, some of his songs were sung in our parish church. Even though I was very young, Inwood’s music struck me as totally inappropriate. The words “gimmicky,” “secular,” and “Broadway” come to mind. Below is an example of sacred music (!) by Paul Inwood:

*  Mp3 Download • Song by Paul Inwood

The Latin Mass? • When it comes to explicit mandates of the Second Vatican Council, the Extraordinary Form seems much closer to what the council fathers desired than the Ordinary Form—especially if we’re talking about how the MISSALE RECENS was celebrated during the 1980s and 1990s. Moreover, I believe the Extraordinary Form is extremely important vis-à-vis the continuity of the church. As Cardinal Ratzinger said beautifully in a 2003 interview: “We are today not another Church as 500 years ago. It is always the same the Church.”

Reform Of The Reform? • At the same time, it’s undeniable that a “reform of the reform” (ROTR) has taken place. [For the record, I’m speaking of the the liturgy as celebrated in the United States.] Broadly speaking, we no longer see as many instances of horrific liturgical abuse. We should praise God for this! Furthermore, many parishes have started moving towards the PROPRIA MISSAE; that is to say Singing the Mass rather than singing at Mass. Many (but not all) musical abominations have been discarded. Holy Mass in the Ordinary Form is no longer completely dominated by third-rate folk music or imitation Broadway—at least in many localities. Slowly but surely, items that had been forgotten are being recovered. For instance, the ROMAN CANON is becoming more prominent (especially when it comes to younger priests). Indeed, something Pope Saint Paul VI insisted on (20 June 1966) was that the ROMAN CANON be left “untouched.” However, Paul VI said that “two or three other anaphoras should be composed, or sought an existing texts, that could be used during certain defined seasons” [cf. Yves Chiron’s Annibale Bugnini: Reformer of the Liturgy, p. 128].

A New Project • When Pope Saint Pius X came to the papal throne on 4 August 1903, all the “heavy lifting” vis-à-vis church music had already been done by Abbat Pothier. Pope Saint Pius X did not choose the 1903 book by Dom Mocquereau to serve as the basis for the official edition. Instead, he chose the work of Abbat Pothier, which had established a magnificent ‘track record’ stretching back two decades. Consider the words of Auguste Pécoul (d. 1916)—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—published on 24 June 1901:

“To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.”

I feel it’s time that we began a Missal Project. Essentially, we need to start putting together drafts of how the Ordinary Form could be made more traditional. Such a project will require many years. It will also require patient and charitable collaboration. The reason I feel we should start such a project is so that it will be “ready and waiting” when a reformer pope ascends the throne of Peter.

“Ultra-Traditionalists” Perfect? • As someone who’s been intimately involved with the “TLM movement” going back to the 1990s, I have often observed that traditionalists can be “their own worst enemy.” I agree with Paul Inwood that some “ultra-traditionalists” pretend to resurrect something that never existed. It is simply false to pretend that the 1945 Missal (for example) is absolutely “perfect” in every respect and can never be improved. There were minor traditions that were not essential. One that springs immediately to mind is how the priest was required to read the entire Gospel quietly at the altar before (!) the deacon was allowed to begin chanting it. I know of so-called “ultra-traditionalist” parishes in operation today who have a Solemn High Mass on the Feast of Christ the King but low Masses on Christmas day and Easter Sunday. [I’m not going to reveal names for obvious reasons.] The reality is, the Feast of Christ the King was invented out of thin air in 1925. Its propers never exited before 1925. It’s a completely modern feast. Indeed, our Savior’s “kingship” was traditionally celebrated during the Epiphany Octave.

Musical Considerations • Some believe music which is “dignified” ipso facto sounds terrible. Something I’ve tried to emphasize in my articles on this blog is that sacred music—whether for the Extraordinary Form or the Ordinary Form—should be a “delight” for the listener. As Pope Pius XII reminded us in §60a of De musica sacra et sacra liturgia (1958) sacred music should be performed well. I realize that some “ultra-traditionalists” believe it’s a grave sin to sing anything in the vernacular during Mass. This is incorrect, and historically ignorant. Indeed, Bishop Urban Sagstetter (d. 1573) mandated (!) vernacular Communion songs in his diocese. I delved into this subject in an article published on 22 September 2022, and I won’t be repeating everything I said there. I would simply mention that we sing vernacular hymns at our Traditional Latin Masses here in Los Angeles, and they’re quite beautiful. Here’s an example recorded during last Sunday’s Mass:

To access this hymn’s media in the Brébeuf Portal, click here.

1 Perhaps Paul Inwood has a different definition of “tiny splinter sect” than most people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbat Joseph Pothier, Auguste Pécoul, Franjo Cardinal Šeper, Paul Inwood, Paul Inwood Composer Last Updated: March 7, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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