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Views from the Choir Loft

PDF Download • “Two-Voice Polyphony For Lent”

Jeff Ostrowski · February 28, 2024

HE SECOND VATICAN Council solemnly declared: “There must be no innovation unless the good of the Church genuinely and certainly requires it; and care must be taken that any new forms adopted should in some way grow organically from forms already existing.” When it comes to this statement, the council fathers voted 2,147 to 4 (!) in favor of it on 4 December 1963. Which four bishops who voted against it? According to FULTON J. SHEEN (who participated in the council): “There were four bishops who voted against every chapter because they believed that the Vatican Council should not have been held.”

Nobody Disputes This • I won’t insult readers’ intelligence by pointing out that “the good of the Church” did not “genuinely and certainly require” many changes made after Vatican II. One of the chief liturgical reformers—who was very close to Pope Saint Paul VI—revealed in his memoirs that this contradiction was largely the result of deceitfulness. On the other hand, I don’t believe God wants us to “dwell upon” or “rehash” this sad situation endlessly.

The Second Part • A holier course of action would be to focus on the 2nd part: New forms adopted should in some way grow organically. That’s a reminder that the Catholic Church did not begin to exist in the year 1962. Therefore, it’s good to incorporate resources from the past. One such resource—viz. a choral collection by Maria von Trapp (d. 1987)—was mentioned in 2017 by my colleague, Dr. Lucas Tappan. A piece for Lent (“Open, O Hard and Sinful Heart”) was recently sung by two friends of mine at a Mass celebrated in the Ordinary Form:

*  PDF Download • “Open, O Hard and Sinful Heart”
—Two-Voiced Polyphony For Lent and Passiontide.

Here’s the direct URL link.

PEN, OH HARD and sinful heart,
God will return to heed you.
Think of His pain and bitter part,
Let not more guilt impede you.
He who to penance is inspired,
Shall then in truth be living.
The sinner’s death God ne’er desired,
His mercy is forgiving.

2. Open your eyes, believe, be wise,
With God there’s no pretending.
Your sorry soul in danger lies
Of death and pains unending.
Come back, come back, O wayward one,
Shake off the sins that bind you.
Surely God’s own almighty Throne
Plentiful grace will find you.

3. Open your heart, your God behold,
With outstretched hands so tender,
On the dread cross in grief untold
His life for you surrender.
A trembling rends the hardest stone,
Sun, moon and stars are darkened.
Are you unsoftened, you alone,
Have you to Him not harkened?

Melody: 1638AD.
Appropriate hymn for Lent and Holy Week.
“Around the Year with the Trapp Family”
By Maria von Trapp
(Pantheon Books; New York, 1955).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Maria von Trapp, Open O Hard and Sinful Heart, Open Oh Hard and Sinful Heart, Simple Polyphony Last Updated: February 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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  • Bugnini’s Statement (6 November 1966)
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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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