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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Two-Voice Polyphony For Lent”

Jeff Ostrowski · February 28, 2024

HE SECOND VATICAN Council solemnly declared: “There must be no innovation unless the good of the Church genuinely and certainly requires it; and care must be taken that any new forms adopted should in some way grow organically from forms already existing.” When it comes to this statement, the council fathers voted 2,147 to 4 (!) in favor of it on 4 December 1963. Which four bishops who voted against it? According to FULTON J. SHEEN (who participated in the council): “There were four bishops who voted against every chapter because they believed that the Vatican Council should not have been held.”

Nobody Disputes This • I won’t insult readers’ intelligence by pointing out that “the good of the Church” did not “genuinely and certainly require” many changes made after Vatican II. One of the chief liturgical reformers—who was very close to Pope Saint Paul VI—revealed in his memoirs that this contradiction was largely the result of deceitfulness. On the other hand, I don’t believe God wants us to “dwell upon” or “rehash” this sad situation endlessly.

The Second Part • A holier course of action would be to focus on the 2nd part: New forms adopted should in some way grow organically. That’s a reminder that the Catholic Church did not begin to exist in the year 1962. Therefore, it’s good to incorporate resources from the past. One such resource—viz. a choral collection by Maria von Trapp (d. 1987)—was mentioned in 2017 by my colleague, Dr. Lucas Tappan. A piece for Lent (“Open, O Hard and Sinful Heart”) was recently sung by two friends of mine at a Mass celebrated in the Ordinary Form:

*  PDF Download • “Open, O Hard and Sinful Heart”
—Two-Voiced Polyphony For Lent and Passiontide.

Here’s the direct URL link.

PEN, OH HARD and sinful heart,
God will return to heed you.
Think of His pain and bitter part,
Let not more guilt impede you.
He who to penance is inspired,
Shall then in truth be living.
The sinner’s death God ne’er desired,
His mercy is forgiving.

2. Open your eyes, believe, be wise,
With God there’s no pretending.
Your sorry soul in danger lies
Of death and pains unending.
Come back, come back, O wayward one,
Shake off the sins that bind you.
Surely God’s own almighty Throne
Plentiful grace will find you.

3. Open your heart, your God behold,
With outstretched hands so tender,
On the dread cross in grief untold
His life for you surrender.
A trembling rends the hardest stone,
Sun, moon and stars are darkened.
Are you unsoftened, you alone,
Have you to Him not harkened?

Melody: 1638AD.
Appropriate hymn for Lent and Holy Week.
“Around the Year with the Trapp Family”
By Maria von Trapp
(Pantheon Books; New York, 1955).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Maria von Trapp, Open O Hard and Sinful Heart, Open Oh Hard and Sinful Heart, Simple Polyphony Last Updated: February 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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