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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Two-Voice Polyphony For Lent”

Jeff Ostrowski · February 28, 2024

HE SECOND VATICAN Council solemnly declared: “There must be no innovation unless the good of the Church genuinely and certainly requires it; and care must be taken that any new forms adopted should in some way grow organically from forms already existing.” When it comes to this statement, the council fathers voted 2,147 to 4 (!) in favor of it on 4 December 1963. Which four bishops who voted against it? According to FULTON J. SHEEN (who participated in the council): “There were four bishops who voted against every chapter because they believed that the Vatican Council should not have been held.”

Nobody Disputes This • I won’t insult readers’ intelligence by pointing out that “the good of the Church” did not “genuinely and certainly require” many changes made after Vatican II. One of the chief liturgical reformers—who was very close to Pope Saint Paul VI—revealed in his memoirs that this contradiction was largely the result of deceitfulness. On the other hand, I don’t believe God wants us to “dwell upon” or “rehash” this sad situation endlessly.

The Second Part • A holier course of action would be to focus on the 2nd part: New forms adopted should in some way grow organically. That’s a reminder that the Catholic Church did not begin to exist in the year 1962. Therefore, it’s good to incorporate resources from the past. One such resource—viz. a choral collection by Maria von Trapp (d. 1987)—was mentioned in 2017 by my colleague, Dr. Lucas Tappan. A piece for Lent (“Open, O Hard and Sinful Heart”) was recently sung by two friends of mine at a Mass celebrated in the Ordinary Form:

*  PDF Download • “Open, O Hard and Sinful Heart”
—Two-Voiced Polyphony For Lent and Passiontide.

Here’s the direct URL link.

PEN, OH HARD and sinful heart,
God will return to heed you.
Think of His pain and bitter part,
Let not more guilt impede you.
He who to penance is inspired,
Shall then in truth be living.
The sinner’s death God ne’er desired,
His mercy is forgiving.

2. Open your eyes, believe, be wise,
With God there’s no pretending.
Your sorry soul in danger lies
Of death and pains unending.
Come back, come back, O wayward one,
Shake off the sins that bind you.
Surely God’s own almighty Throne
Plentiful grace will find you.

3. Open your heart, your God behold,
With outstretched hands so tender,
On the dread cross in grief untold
His life for you surrender.
A trembling rends the hardest stone,
Sun, moon and stars are darkened.
Are you unsoftened, you alone,
Have you to Him not harkened?

Melody: 1638AD.
Appropriate hymn for Lent and Holy Week.
“Around the Year with the Trapp Family”
By Maria von Trapp
(Pantheon Books; New York, 1955).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Maria von Trapp, Open O Hard and Sinful Heart, Open Oh Hard and Sinful Heart, Simple Polyphony Last Updated: February 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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  • New Bulletin Article • “12 October 2025”

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