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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Two-Voice Polyphony For Lent”

Jeff Ostrowski · February 28, 2024

HE SECOND VATICAN Council solemnly declared: “There must be no innovation unless the good of the Church genuinely and certainly requires it; and care must be taken that any new forms adopted should in some way grow organically from forms already existing.” When it comes to this statement, the council fathers voted 2,147 to 4 (!) in favor of it on 4 December 1963. Which four bishops who voted against it? According to FULTON J. SHEEN (who participated in the council): “There were four bishops who voted against every chapter because they believed that the Vatican Council should not have been held.”

Nobody Disputes This • I won’t insult readers’ intelligence by pointing out that “the good of the Church” did not “genuinely and certainly require” many changes made after Vatican II. One of the chief liturgical reformers—who was very close to Pope Saint Paul VI—revealed in his memoirs that this contradiction was largely the result of deceitfulness. On the other hand, I don’t believe God wants us to “dwell upon” or “rehash” this sad situation endlessly.

The Second Part • A holier course of action would be to focus on the 2nd part: New forms adopted should in some way grow organically. That’s a reminder that the Catholic Church did not begin to exist in the year 1962. Therefore, it’s good to incorporate resources from the past. One such resource—viz. a choral collection by Maria von Trapp (d. 1987)—was mentioned in 2017 by my colleague, Dr. Lucas Tappan. A piece for Lent (“Open, O Hard and Sinful Heart”) was recently sung by two friends of mine at a Mass celebrated in the Ordinary Form:

*  PDF Download • “Open, O Hard and Sinful Heart”
—Two-Voiced Polyphony For Lent and Passiontide.

Here’s the direct URL link.

PEN, OH HARD and sinful heart,
God will return to heed you.
Think of His pain and bitter part,
Let not more guilt impede you.
He who to penance is inspired,
Shall then in truth be living.
The sinner’s death God ne’er desired,
His mercy is forgiving.

2. Open your eyes, believe, be wise,
With God there’s no pretending.
Your sorry soul in danger lies
Of death and pains unending.
Come back, come back, O wayward one,
Shake off the sins that bind you.
Surely God’s own almighty Throne
Plentiful grace will find you.

3. Open your heart, your God behold,
With outstretched hands so tender,
On the dread cross in grief untold
His life for you surrender.
A trembling rends the hardest stone,
Sun, moon and stars are darkened.
Are you unsoftened, you alone,
Have you to Him not harkened?

Melody: 1638AD.
Appropriate hymn for Lent and Holy Week.
“Around the Year with the Trapp Family”
By Maria von Trapp
(Pantheon Books; New York, 1955).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Maria von Trapp, Open O Hard and Sinful Heart, Open Oh Hard and Sinful Heart, Simple Polyphony Last Updated: February 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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