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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Two-Voice Polyphony For Lent”

Jeff Ostrowski · February 28, 2024

HE SECOND VATICAN Council solemnly declared: “There must be no innovation unless the good of the Church genuinely and certainly requires it; and care must be taken that any new forms adopted should in some way grow organically from forms already existing.” When it comes to this statement, the council fathers voted 2,147 to 4 (!) in favor of it on 4 December 1963. Which four bishops who voted against it? According to FULTON J. SHEEN (who participated in the council): “There were four bishops who voted against every chapter because they believed that the Vatican Council should not have been held.”

Nobody Disputes This • I won’t insult readers’ intelligence by pointing out that “the good of the Church” did not “genuinely and certainly require” many changes made after Vatican II. One of the chief liturgical reformers—who was very close to Pope Saint Paul VI—revealed in his memoirs that this contradiction was largely the result of deceitfulness. On the other hand, I don’t believe God wants us to “dwell upon” or “rehash” this sad situation endlessly.

The Second Part • A holier course of action would be to focus on the 2nd part: New forms adopted should in some way grow organically. That’s a reminder that the Catholic Church did not begin to exist in the year 1962. Therefore, it’s good to incorporate resources from the past. One such resource—viz. a choral collection by Maria von Trapp (d. 1987)—was mentioned in 2017 by my colleague, Dr. Lucas Tappan. A piece for Lent (“Open, O Hard and Sinful Heart”) was recently sung by two friends of mine at a Mass celebrated in the Ordinary Form:

*  PDF Download • “Open, O Hard and Sinful Heart”
—Two-Voiced Polyphony For Lent and Passiontide.

Here’s the direct URL link.

PEN, OH HARD and sinful heart,
God will return to heed you.
Think of His pain and bitter part,
Let not more guilt impede you.
He who to penance is inspired,
Shall then in truth be living.
The sinner’s death God ne’er desired,
His mercy is forgiving.

2. Open your eyes, believe, be wise,
With God there’s no pretending.
Your sorry soul in danger lies
Of death and pains unending.
Come back, come back, O wayward one,
Shake off the sins that bind you.
Surely God’s own almighty Throne
Plentiful grace will find you.

3. Open your heart, your God behold,
With outstretched hands so tender,
On the dread cross in grief untold
His life for you surrender.
A trembling rends the hardest stone,
Sun, moon and stars are darkened.
Are you unsoftened, you alone,
Have you to Him not harkened?

Melody: 1638AD.
Appropriate hymn for Lent and Holy Week.
“Around the Year with the Trapp Family”
By Maria von Trapp
(Pantheon Books; New York, 1955).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Maria von Trapp, Open O Hard and Sinful Heart, Open Oh Hard and Sinful Heart, Simple Polyphony Last Updated: February 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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