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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”

Jeff Ostrowski · December 1, 2023

ROACTIVE. It’s a sad fact that some Catholic choirmasters—attempting with all their heart to follow Vatican II, which said the thesaurus musicae sacrae must be “preserved and fostered with great care”—ultimately fail because they aren’t proactive. For example, when it comes to hymns they try to implement, congregations reject them as drab, boring, and “horse-and-buggy.” In some ways, they’re not wrong! Indeed, one reason the Brébeuf Catholic Hymnal took five long years to produce was because lyrics needed adjusting. Certain words no longer carry the same meaning they did in the 19th century and as a result cannot be sung by congregations in 2023.1

Adjusting Lyrics? • Some people claim they only sing the “original language” to hymns—but that’s an ignorant statement. Even the greatest poets, such as Father Robert Southwell, adjusted their lyrics. Nobody sings “Draw nigh, draw nigh Emmanuel” (the original lyrics). Rather, they sing: “O come, O come Emmanuel.” Nobody sings “Hark how all the welkin rings” (the original lyrics). Rather, they sing: “Hark! The Herald Angels Sing.” Many people erroneously believe they are singing words written by John Mason Neale. As a matter of fact, many of Neale’s lyrics have undergone enormous transformations over the years. What’s crucial is that lyrics are not changed in an effort bowdlerize or “water down” orthodox theology—and the Brébeuf Hymnal never does that.

To Jesus Christ, Our Sovereign King • Consider the following hymn, by Monsignor Martin B. Hellriegel:

To access this hymn’s media in the Brébeuf Portal, click here.

But those weren’t the original lyrics!

Mr. Timothy H. sent us the original version by Monsignor Hellriegel, published in 1963:

*  PDF • “To Jesus Christ, Our Sovereign King” (1963 Version)
—The Latin word “ímperat” is translated as “Commander” instead of “Redeemer.”

Does anyone have the complete hymnal? Its details:

Holy Cross Parish Hymnal
Saint Louis, Missouri
Miss Marie Kremer, Organist
Martin B. Hellriegel, Pastor
Nihil obstat:
Reverend David T. Thomas
3 September 1963
Imprimatur:
Joseph Cardinal Ritter
13 September 1963

Article Summary • Set yourself up for success! If you need hymn for Christ the King that will received well by your congregation, just type “CHRIST THE KING” into the hymn portal

1 You wouldn’t believe how long it took to have poets and priests adjust the lyrics for the 800+ hymns in the Brébeuf Catholic Hymnal. If this topic interests you, feel free to explore this article, which is called Should Hymn Lyrics Be Inordinately Archaic?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Thesaurus musicae sacrae Last Updated: December 1, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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