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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”

Jeff Ostrowski · December 1, 2023

ROACTIVE. It’s a sad fact that some Catholic choirmasters—attempting with all their heart to follow Vatican II, which said the thesaurus musicae sacrae must be “preserved and fostered with great care”—ultimately fail because they aren’t proactive. For example, when it comes to hymns they try to implement, congregations reject them as drab, boring, and “horse-and-buggy.” In some ways, they’re not wrong! Indeed, one reason the Brébeuf Catholic Hymnal took five long years to produce was because lyrics needed adjusting. Certain words no longer carry the same meaning they did in the 19th century and as a result cannot be sung by congregations in 2023.1

Adjusting Lyrics? • Some people claim they only sing the “original language” to hymns—but that’s an ignorant statement. Even the greatest poets, such as Father Robert Southwell, adjusted their lyrics. Nobody sings “Draw nigh, draw nigh Emmanuel” (the original lyrics). Rather, they sing: “O come, O come Emmanuel.” Nobody sings “Hark how all the welkin rings” (the original lyrics). Rather, they sing: “Hark! The Herald Angels Sing.” Many people erroneously believe they are singing words written by John Mason Neale. As a matter of fact, many of Neale’s lyrics have undergone enormous transformations over the years. What’s crucial is that lyrics are not changed in an effort bowdlerize or “water down” orthodox theology—and the Brébeuf Hymnal never does that.

To Jesus Christ, Our Sovereign King • Consider the following hymn, by Monsignor Martin B. Hellriegel:

To access this hymn’s media in the Brébeuf Portal, click here.

But those weren’t the original lyrics!

Mr. Timothy H. sent us the original version by Monsignor Hellriegel, published in 1963:

*  PDF • “To Jesus Christ, Our Sovereign King” (1963 Version)
—The Latin word “ímperat” is translated as “Commander” instead of “Redeemer.”

Does anyone have the complete hymnal? Its details:

Holy Cross Parish Hymnal
Saint Louis, Missouri
Miss Marie Kremer, Organist
Martin B. Hellriegel, Pastor
Nihil obstat:
Reverend David T. Thomas
3 September 1963
Imprimatur:
Joseph Cardinal Ritter
13 September 1963

Article Summary • Set yourself up for success! If you need hymn for Christ the King that will received well by your congregation, just type “CHRIST THE KING” into the hymn portal

1 You wouldn’t believe how long it took to have poets and priests adjust the lyrics for the 800+ hymns in the Brébeuf Catholic Hymnal. If this topic interests you, feel free to explore this article, which is called Should Hymn Lyrics Be Inordinately Archaic?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Thesaurus musicae sacrae Last Updated: December 1, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR shamefully granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Holy Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand while it’s sung … even though everything about the SEQUENCE—including its name—means it should follow the Alleluia. Furthermore, imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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