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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”

Jeff Ostrowski · December 1, 2023

ROACTIVE. It’s a sad fact that some Catholic choirmasters—attempting with all their heart to follow Vatican II, which said the thesaurus musicae sacrae must be “preserved and fostered with great care”—ultimately fail because they aren’t proactive. For example, when it comes to hymns they try to implement, congregations reject them as drab, boring, and “horse-and-buggy.” In some ways, they’re not wrong! Indeed, one reason the Brébeuf Catholic Hymnal took five long years to produce was because lyrics needed adjusting. Certain words no longer carry the same meaning they did in the 19th century and as a result cannot be sung by congregations in 2023.1

Adjusting Lyrics? • Some people claim they only sing the “original language” to hymns—but that’s an ignorant statement. Even the greatest poets, such as Father Robert Southwell, adjusted their lyrics. Nobody sings “Draw nigh, draw nigh Emmanuel” (the original lyrics). Rather, they sing: “O come, O come Emmanuel.” Nobody sings “Hark how all the welkin rings” (the original lyrics). Rather, they sing: “Hark! The Herald Angels Sing.” Many people erroneously believe they are singing words written by John Mason Neale. As a matter of fact, many of Neale’s lyrics have undergone enormous transformations over the years. What’s crucial is that lyrics are not changed in an effort bowdlerize or “water down” orthodox theology—and the Brébeuf Hymnal never does that.

To Jesus Christ, Our Sovereign King • Consider the following hymn, by Monsignor Martin B. Hellriegel:

To access this hymn’s media in the Brébeuf Portal, click here.

But those weren’t the original lyrics!

Mr. Timothy H. sent us the original version by Monsignor Hellriegel, published in 1963:

*  PDF • “To Jesus Christ, Our Sovereign King” (1963 Version)
—The Latin word “ímperat” is translated as “Commander” instead of “Redeemer.”

Does anyone have the complete hymnal? Its details:

Holy Cross Parish Hymnal
Saint Louis, Missouri
Miss Marie Kremer, Organist
Martin B. Hellriegel, Pastor
Nihil obstat:
Reverend David T. Thomas
3 September 1963
Imprimatur:
Joseph Cardinal Ritter
13 September 1963

Article Summary • Set yourself up for success! If you need hymn for Christ the King that will received well by your congregation, just type “CHRIST THE KING” into the hymn portal

1 You wouldn’t believe how long it took to have poets and priests adjust the lyrics for the 800+ hymns in the Brébeuf Catholic Hymnal. If this topic interests you, feel free to explore this article, which is called Should Hymn Lyrics Be Inordinately Archaic?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Thesaurus musicae sacrae Last Updated: December 1, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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