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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking!” • Hymn for the Souls in Purgatory

Jeff Ostrowski · October 16, 2023

O INTO YOUR local supermarket, bus station, coffee shop, gymnasium, or university and ask people to name a popular song for THANKSGIVING (celebrated on November’s fourth Thursday in these United States). The Christmas holiday has no shortage of songs and carols, but I guarantee not one person will be able to name a popular song for the Thanksgiving holiday. Indeed, an enterprising composer could make a killing by writing a good Thanksgiving song.

Missing A Song? • But what about the feast of ALL SOULS on 2 November? How many Catholics could name a hymn for that feast day? The Brébeuf Catholic Hymnal has several excellent hymns for November 2nd, including one by Cardinal Newman. Today, I will share with you a particularly sublime example which I believe ought to be better known:

To access this hymn’s media in the Brébeuf Portal, click here.

*  PDF COMPARISON • “De Profundis Exclamantes” (Chart)
—“De Profundis Exclamantes” • a literal English translation.

Raising The Pitch? • I’ve written hundreds of articles over the years. The time is ripe to pursue a better way of organizing them. Therefore, I’ve decided to begin a new section of the website called: Tricks of the Conscientious Choirmaster. If you watch the video (above) you’ll notice I transposed the choir into a higher key (towards the end) by means of an organ improvisation. This practice can be quite effective, so I wanted to draw attention to it.

Second Technique • Apropos of “Tricks of the Conscientious Choirmaster,” I have emphasized that the importance of musical diversity cannot be overstated. I direct a choir consisting of about 35 volunteer singers. Hymns are but one ‘arrow’ in our quiver. To demonstrate what I’m talking about, below are three excerpts of what we sang last Sunday:

(a) Spanish Renaissance Polyphony (SATB):

*  Mp3 Download • “Gloria” by Father Guerrero

(b) Accompanied Plainsong:

*  Mp3 Download • “Credo IV” (Alternatim)

(c) Soloists Singing Vs. Entire Choir:

*  Mp3 Download • William Byrd “Benedictus”

Third Technique • I have also attempted to underscore the importance of “modal mixture” when it comes to choosing repertoire. What do I mean by this? Well, the GLORIA and SANCTUS above are both in a “minor” mode. It seemed appropriate, therefore, to juxtapose those with a bright & happy hymn we sang during Holy Communion (alternating between organ and SATB, to add more variety):

To access this hymn’s media in the Brébeuf Portal, click here.

The CREDO (above), is also in a “minor” mode, and uses modal harmonies. Therefore, that was juxtaposed against a bright & happy hymn which uses Common Practice Era tonality. I really believe it’s worth purchasing the Brébeuf Hymnal just for this harmonization of REGENT SQUARE, which positively shimmers with beauty:

To access this hymn’s media in the Brébeuf Portal, click here.

Finally, the very first hymn I shared (“De Profundis Exclamantes”) was also in a “minor” mode, although the Brébeuf Hymnal offers several other tunes as well. Therefore, it seemed wise to juxtapose it against the following hymn to the Blessed Virgin Mary—remembering that October is dedicated to the Holy Rosary—which employs a bright & happy modality:

To access this hymn’s media in the Brébeuf Portal, click here.

“Death” by Monsignor Ronald Knox
Strange, and perhaps humiliating, that our memories of the lately dead should be so much preoccupied with the little tricks of personality, the jokes, the prejudices, the poses of the living man we knew; that they should reach so little to the inner heart of him, to the secret springs of character and of motive which God alone sees, which alone God judges … we would like to distil, if we could, some essential fragrance from the character of the departed which should inform our gratitude for his friendship and inspire, a little, our own lives from his memory. […]
We have all got so accustomed to a mental atmosphere in which everything is graded; one thing differs from another in degree, rather than in kind. There is no absolute standard about our human criticisms, no black and white, only shades of grey … But there is one nasty bump waiting for all of us, death; there are no shades or gradations about that.

Article Summary • In today’s article, I share what I consider to be an exquisite Hymn for the Souls in Purgatory. I also discuss several tips for “succeeding” with the choral program in your parish. If you appreciate articles like this—finding them to be helpful or inspiring—please let a friend of yours know about Corpus Christi Watershed. The only way we can continue is by good people like you spreading the word about our organization and what we’re trying to accomplish.

Quick Digression • One thing I’ve always hated is blog authors who constantly say things like: (1) “As I predicted…” (2) “As I have been telling you for years…” (3) “I knew about such-and-such before anyone else…” (4) etc. etc. etc. In today’s article, I made reference to certain suggestions I’ve made in the past. I tried to eliminate the wording that I hate—but doing so did violence to the article’s flow. Therefore, I ended up leaving in some of the dreaded “I” phrases, and for this I apologize.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: De Profundis Exclamantes Audi, HYMN for SOULS in PURGATORY, Regent Square Hymn, Tricks of Conscientious Choirmaster Last Updated: November 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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