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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking!” • Hymn for the Souls in Purgatory

Jeff Ostrowski · October 16, 2023

O INTO YOUR local supermarket, bus station, coffee shop, gymnasium, or university and ask people to name a popular song for THANKSGIVING (celebrated on November’s fourth Thursday in these United States). The Christmas holiday has no shortage of songs and carols, but I guarantee not one person will be able to name a popular song for the Thanksgiving holiday. Indeed, an enterprising composer could make a killing by writing a good Thanksgiving song.

Missing A Song? • But what about the feast of ALL SOULS on 2 November? How many Catholics could name a hymn for that feast day? The Brébeuf Catholic Hymnal has several excellent hymns for November 2nd, including one by Cardinal Newman. Today, I will share with you a particularly sublime example which I believe ought to be better known:

To access this hymn’s media in the Brébeuf Portal, click here.

*  PDF COMPARISON • “De Profundis Exclamantes” (Chart)
—“De Profundis Exclamantes” • a literal English translation.

Raising The Pitch? • I’ve written hundreds of articles over the years. The time is ripe to pursue a better way of organizing them. Therefore, I’ve decided to begin a new section of the website called: Tricks of the Conscientious Choirmaster. If you watch the video (above) you’ll notice I transposed the choir into a higher key (towards the end) by means of an organ improvisation. This practice can be quite effective, so I wanted to draw attention to it.

Second Technique • Apropos of “Tricks of the Conscientious Choirmaster,” I have emphasized that the importance of musical diversity cannot be overstated. I direct a choir consisting of about 35 volunteer singers. Hymns are but one ‘arrow’ in our quiver. To demonstrate what I’m talking about, below are three excerpts of what we sang last Sunday:

(a) Spanish Renaissance Polyphony (SATB):

*  Mp3 Download • “Gloria” by Father Guerrero

(b) Accompanied Plainsong:

*  Mp3 Download • “Credo IV” (Alternatim)

(c) Soloists Singing Vs. Entire Choir:

*  Mp3 Download • William Byrd “Benedictus”

Third Technique • I have also attempted to underscore the importance of “modal mixture” when it comes to choosing repertoire. What do I mean by this? Well, the GLORIA and SANCTUS above are both in a “minor” mode. It seemed appropriate, therefore, to juxtapose those with a bright & happy hymn we sang during Holy Communion (alternating between organ and SATB, to add more variety):

To access this hymn’s media in the Brébeuf Portal, click here.

The CREDO (above), is also in a “minor” mode, and uses modal harmonies. Therefore, that was juxtaposed against a bright & happy hymn which uses Common Practice Era tonality. I really believe it’s worth purchasing the Brébeuf Hymnal just for this harmonization of REGENT SQUARE, which positively shimmers with beauty:

To access this hymn’s media in the Brébeuf Portal, click here.

Finally, the very first hymn I shared (“De Profundis Exclamantes”) was also in a “minor” mode, although the Brébeuf Hymnal offers several other tunes as well. Therefore, it seemed wise to juxtapose it against the following hymn to the Blessed Virgin Mary—remembering that October is dedicated to the Holy Rosary—which employs a bright & happy modality:

To access this hymn’s media in the Brébeuf Portal, click here.

“Death” by Monsignor Ronald Knox
Strange, and perhaps humiliating, that our memories of the lately dead should be so much preoccupied with the little tricks of personality, the jokes, the prejudices, the poses of the living man we knew; that they should reach so little to the inner heart of him, to the secret springs of character and of motive which God alone sees, which alone God judges … we would like to distil, if we could, some essential fragrance from the character of the departed which should inform our gratitude for his friendship and inspire, a little, our own lives from his memory. […]
We have all got so accustomed to a mental atmosphere in which everything is graded; one thing differs from another in degree, rather than in kind. There is no absolute standard about our human criticisms, no black and white, only shades of grey … But there is one nasty bump waiting for all of us, death; there are no shades or gradations about that.

Article Summary • In today’s article, I share what I consider to be an exquisite Hymn for the Souls in Purgatory. I also discuss several tips for “succeeding” with the choral program in your parish. If you appreciate articles like this—finding them to be helpful or inspiring—please let a friend of yours know about Corpus Christi Watershed. The only way we can continue is by good people like you spreading the word about our organization and what we’re trying to accomplish.

Quick Digression • One thing I’ve always hated is blog authors who constantly say things like: (1) “As I predicted…” (2) “As I have been telling you for years…” (3) “I knew about such-and-such before anyone else…” (4) etc. etc. etc. In today’s article, I made reference to certain suggestions I’ve made in the past. I tried to eliminate the wording that I hate—but doing so did violence to the article’s flow. Therefore, I ended up leaving in some of the dreaded “I” phrases, and for this I apologize.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: De Profundis Exclamantes Audi, HYMN for SOULS in PURGATORY, Regent Square Hymn, Tricks of Conscientious Choirmaster Last Updated: November 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

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  • PDF Download • Dom Murray Harmonies

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