• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Breathtaking!” • Hymn for the Souls in Purgatory

Jeff Ostrowski · October 16, 2023

O INTO YOUR local supermarket, bus station, coffee shop, gymnasium, or university and ask people to name a popular song for THANKSGIVING (celebrated on November’s fourth Thursday in these United States). The Christmas holiday has no shortage of songs and carols, but I guarantee not one person will be able to name a popular song for the Thanksgiving holiday. Indeed, an enterprising composer could make a killing by writing a good Thanksgiving song.

Missing A Song? • But what about the feast of ALL SOULS on 2 November? How many Catholics could name a hymn for that feast day? The Brébeuf Catholic Hymnal has several excellent hymns for November 2nd, including one by Cardinal Newman. Today, I will share with you a particularly sublime example which I believe ought to be better known:

To access this hymn’s media in the Brébeuf Portal, click here.

*  PDF COMPARISON • “De Profundis Exclamantes” (Chart)
—“De Profundis Exclamantes” • a literal English translation.

Raising The Pitch? • I’ve written hundreds of articles over the years. The time is ripe to pursue a better way of organizing them. Therefore, I’ve decided to begin a new section of the website called: Tricks of the Conscientious Choirmaster. If you watch the video (above) you’ll notice I transposed the choir into a higher key (towards the end) by means of an organ improvisation. This practice can be quite effective, so I wanted to draw attention to it.

Second Technique • Apropos of “Tricks of the Conscientious Choirmaster,” I have emphasized that the importance of musical diversity cannot be overstated. I direct a choir consisting of about 35 volunteer singers. Hymns are but one ‘arrow’ in our quiver. To demonstrate what I’m talking about, below are three excerpts of what we sang last Sunday:

(a) Spanish Renaissance Polyphony (SATB):

*  Mp3 Download • “Gloria” by Father Guerrero

(b) Accompanied Plainsong:

*  Mp3 Download • “Credo IV” (Alternatim)

(c) Soloists Singing Vs. Entire Choir:

*  Mp3 Download • William Byrd “Benedictus”

Third Technique • I have also attempted to underscore the importance of “modal mixture” when it comes to choosing repertoire. What do I mean by this? Well, the GLORIA and SANCTUS above are both in a “minor” mode. It seemed appropriate, therefore, to juxtapose those with a bright & happy hymn we sang during Holy Communion (alternating between organ and SATB, to add more variety):

To access this hymn’s media in the Brébeuf Portal, click here.

The CREDO (above), is also in a “minor” mode, and uses modal harmonies. Therefore, that was juxtaposed against a bright & happy hymn which uses Common Practice Era tonality. I really believe it’s worth purchasing the Brébeuf Hymnal just for this harmonization of REGENT SQUARE, which positively shimmers with beauty:

To access this hymn’s media in the Brébeuf Portal, click here.

Finally, the very first hymn I shared (“De Profundis Exclamantes”) was also in a “minor” mode, although the Brébeuf Hymnal offers several other tunes as well. Therefore, it seemed wise to juxtapose it against the following hymn to the Blessed Virgin Mary—remembering that October is dedicated to the Holy Rosary—which employs a bright & happy modality:

To access this hymn’s media in the Brébeuf Portal, click here.

“Death” by Monsignor Ronald Knox
Strange, and perhaps humiliating, that our memories of the lately dead should be so much preoccupied with the little tricks of personality, the jokes, the prejudices, the poses of the living man we knew; that they should reach so little to the inner heart of him, to the secret springs of character and of motive which God alone sees, which alone God judges … we would like to distil, if we could, some essential fragrance from the character of the departed which should inform our gratitude for his friendship and inspire, a little, our own lives from his memory. […]
We have all got so accustomed to a mental atmosphere in which everything is graded; one thing differs from another in degree, rather than in kind. There is no absolute standard about our human criticisms, no black and white, only shades of grey … But there is one nasty bump waiting for all of us, death; there are no shades or gradations about that.

Article Summary • In today’s article, I share what I consider to be an exquisite Hymn for the Souls in Purgatory. I also discuss several tips for “succeeding” with the choral program in your parish. If you appreciate articles like this—finding them to be helpful or inspiring—please let a friend of yours know about Corpus Christi Watershed. The only way we can continue is by good people like you spreading the word about our organization and what we’re trying to accomplish.

Quick Digression • One thing I’ve always hated is blog authors who constantly say things like: (1) “As I predicted…” (2) “As I have been telling you for years…” (3) “I knew about such-and-such before anyone else…” (4) etc. etc. etc. In today’s article, I made reference to certain suggestions I’ve made in the past. I tried to eliminate the wording that I hate—but doing so did violence to the article’s flow. Therefore, I ended up leaving in some of the dreaded “I” phrases, and for this I apologize.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles, Featured, PDF Download Tagged With: De Profundis Exclamantes Audi, HYMN for SOULS in PURGATORY, Regent Square Hymn, Tricks of Conscientious Choirmaster Last Updated: November 25, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

Recent Posts

  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up