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Views from the Choir Loft

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

Jeff Ostrowski · September 20, 2023

OT IN A MILLION years would I compare myself to Saint Isaac Jogues, aptly described by Francis Parkman (d. 1893) as “one of the purest examples of Roman Catholic virtue which this Western continent has seen.” In just 30 minutes, Father Jogues suffered more for JESUS CHRIST than I have during my entire life. Nevertheless, I’m reminded of a remarkable incident, wherein Jogues wondered whether God “still had work for him to do.” Readers know that I stopped composing back in 2016. Although I had transcribed (beginning in 2001) more than 2,000 pages of Renaissance polyphony, something “clicked” for me in 2016. Specifically, hearing Dr. Calabrese conduct a 4-voice KYRIE by Father Guerrero (d. 1599) made me realize men like Guerrero we’re composing on a completely different level. On the other hand, I’ve enjoyed looking through Mass settings I composed in 2011. I’m trying to decide whether I should revoke the vow I made never to compose again—whether (perhaps) God “still has work for me to do.” If you’re someone who’s found my liturgical compositions to be valuable, please consider saying a prayer for me that I will make the right decision.

“Glory To God” (Chabanel Mass) • Today, I release another movement of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church. Click here if you desire to see the movements released so far.

*  PDF Download • “GLORY TO GOD” for Choir + Congregation
—Mass in Honor of Saint Noël Chabanel (for the Ordinary Form).

The “Glory To God” begins with the entire congregation singing, but the middle section launches into SATB polyphony:

Free rehearsal videos for each individual voice await you at #38310.

Demonstration “A” • Traditionally, my settings have made use of stepwise bass motion, “pedal tones” (oblique motion) in various voices, and a careful—almost obsessive—sensitivity to dissonance and consonance:

Here’s the direct URL link.

Demonstration “B” • In my humble opinion, too many Mass settings composed for the Ordinary Form are dreadfully predictable and quickly become stale. My goal was to create a Mass setting which is simple and brief—yet complex enough to keep one’s attention no matter how many times it’s sung. Readers can decide for themselves whether I was successful.

Here’s the direct URL link.

What Remains To Be Done? • Before long, I will release the final movement to my Mass in Honor of Saint Noël Chabanel. Once I’ve done that, I’ll assemble all of the movements and place them on a single web-page (for ease of access). I will also release a “congregational insert” that can be placed in the pews for Catholic congregations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Isaac Jogues, Francisco Guerrero Composer, MASS IN HONOR OF NOEL CHABANEL Last Updated: September 20, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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