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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

Jeff Ostrowski · September 20, 2023

OT IN A MILLION years would I compare myself to Saint Isaac Jogues, aptly described by Francis Parkman (d. 1893) as “one of the purest examples of Roman Catholic virtue which this Western continent has seen.” In just 30 minutes, Father Jogues suffered more for JESUS CHRIST than I have during my entire life. Nevertheless, I’m reminded of a remarkable incident, wherein Jogues wondered whether God “still had work for him to do.” Readers know that I stopped composing back in 2016. Although I had transcribed (beginning in 2001) more than 2,000 pages of Renaissance polyphony, something “clicked” for me in 2016. Specifically, hearing Dr. Calabrese conduct a 4-voice KYRIE by Father Guerrero (d. 1599) made me realize men like Guerrero we’re composing on a completely different level. On the other hand, I’ve enjoyed looking through Mass settings I composed in 2011. I’m trying to decide whether I should revoke the vow I made never to compose again—whether (perhaps) God “still has work for me to do.” If you’re someone who’s found my liturgical compositions to be valuable, please consider saying a prayer for me that I will make the right decision.

“Glory To God” (Chabanel Mass) • Today, I release another movement of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church. Click here if you desire to see the movements released so far.

*  PDF Download • “GLORY TO GOD” for Choir + Congregation
—Mass in Honor of Saint Noël Chabanel (for the Ordinary Form).

The “Glory To God” begins with the entire congregation singing, but the middle section launches into SATB polyphony:

Free rehearsal videos for each individual voice await you at #38310.

Demonstration “A” • Traditionally, my settings have made use of stepwise bass motion, “pedal tones” (oblique motion) in various voices, and a careful—almost obsessive—sensitivity to dissonance and consonance:

Here’s the direct URL link.

Demonstration “B” • In my humble opinion, too many Mass settings composed for the Ordinary Form are dreadfully predictable and quickly become stale. My goal was to create a Mass setting which is simple and brief—yet complex enough to keep one’s attention no matter how many times it’s sung. Readers can decide for themselves whether I was successful.

Here’s the direct URL link.

What Remains To Be Done? • Before long, I will release the final movement to my Mass in Honor of Saint Noël Chabanel. Once I’ve done that, I’ll assemble all of the movements and place them on a single web-page (for ease of access). I will also release a “congregational insert” that can be placed in the pews for Catholic congregations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Isaac Jogues, Francisco Guerrero Composer, MASS IN HONOR OF NOEL CHABANEL Last Updated: September 20, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

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  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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