• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

Jeff Ostrowski · August 23, 2023

WOULD BET MONEY you’ve heard elderly people say something like: “When I was growing up, I’d walk twelve miles to school in the snow…” I can assure you: I always walked to school. I never once rode in a car. And we enjoyed walking. It was quite peaceful. I was astonished to learn (when we moved to Los Angeles) that some parents send their children to high school each day in über! Do you ever take time to reflect? Do you ever look back and remember how things were growing up? Do you agree life back then was completely different? My family had four boys and one girl (the youngest). My parents refused to buy us a Nintendo, so we entered strangers’ houses (!) to watch our neighbors play Nintendo. For hours we’d sit there, hoping ardently we might get a short turn.

Kyrie Released • In a moment, I will continue this discussion. But first I want to release another movement of the Mass in Honor of Saint Noël Chabanel. Written for the Ordinary Form, this Mass involves your CONGREGATION, your CANTOR, and your CHOIR. It consists of seven movements. The other movements will most likely be released next week; we’re putting finishing touches on the rehearsal videos. I tried to make my setting as brief as possible. (Anyone who’s worked in Ordinary Form parishes will understand why.)

Free rehearsal videos for each individual voice await you at #39164.

To freely download the PDF score, locate #39164.

Discussion Cont’d • It seems unreal that as youngsters we roamed the neighborhood each day. I have a poor memory, so there’s tons I can’t remember. But I do remember the various houses we lived in, and I have specific memories of entering strangers’ homes. Life was different back then. Nobody even locked their doors at night! (If readers have similar experiences they wish to share, I’d love to hear them. You can send to the email address listed at the bottom of this page.)

Has Jeff Changed? • I think we’ve established that “times have changed.” Needless to say, human beings also change and develop with the passage of time. Consider the polyphonic ending to the Kýrie Eléison posted above. Would I even appreciate such a music as a youngster? Would I say to myself: “Oh, what a wonderful use of canon!” Would I exclaim: “Such a clever juxtaposition of long notes against fast-moving stepwise patterns.” Would I get excited over the way each voice enters yet carefully makes room for others to enter? Would I cherish the fact that no matter how many times one listens to that short polyphonic section, there’s always something new to listen for?

An Ever-Widening Vista • My friends, let’s be honest. This isn’t something my brain would have understood as a youngster. Yet, tremendous wisdom is demonstrated by the tradition of the Catholic Church. The THESAURUS MUSICAE SACRAE (“treasury of sacred music”) is not stagnant, lifeless, and tedious. Rather, it’s an ever-widening vista, offering something powerful and valuable to all who set foot in the church, no matter their current stage of development. Our culture insists that learning a discipline is worthless. Our culture also says hard work “victimizes.” But the tradition of the Church is different. The tradition of the Church says we don’t know everything—and it is good to study, learn, struggle, develop, and (as a consequence) grow.

Keeping Grounded • Readers will agree that American society has changed so much, it’s almost unrecognizable. However, the way to “escape the madness”—in my humble opinion—is to interact with people in real life. I love our annual Sacred Music Symposium because I come into contact with such wonderful and “grounded” people. I also love directing choirs, because the singers are fantastic people. They’re kind, generous, interesting, and unique. They keep me grounded.

The Rock’s Lesson • A “siren” in Greek mythology was a half-bird woman who lured sailors to destruction by the sweetness of her song. Many church leaders today have been lured away from the Gospel; instead they talk about “making the world a better place.” They have forgotten that our Savior said cælum et terra transíbunt (Mt 24:35). We must remember the lesson of the rock. If you visit Rome, you’ll observe stones which have been trod upon for centuries. It turns out even a hard stone will (ever so slowly) develop furrows. Now imagine the Earth as a giant stone. Ask yourself how long it would take for a tiny ant to walk around the equator until it caused furrows. We’re talking millions of years, right? And yet, even that is barely the beginning of eternity. Do we contemplate this?

Conclusion • When we begin to understand how long eternity lasts, the constant and heavy penances undertaken daily by someone like Saint John Vianney make sense. I do think there’s a “shortcut” to Heaven, however. (I base my theory off something Father Valentine Young said to me during confession.) In essence, I believe charity is something particularly pleasing to Almighty God. Therefore, let us love one another! And let us pray for the grace to forgive others’ faults for the sake of JESUS CHRIST. Et dimítte nobis débita nostra, sicut et nos dimíttimus debitóribus nostris…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Choral Extension Jeff Ostrowski, Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL, SATB Polyphonic Extension, Thesaurus musicae sacrae Last Updated: August 23, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.