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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

Jeff Ostrowski · August 23, 2023

WOULD BET MONEY you’ve heard elderly people say something like: “When I was growing up, I’d walk twelve miles to school in the snow…” I can assure you: I always walked to school. I never once rode in a car. And we enjoyed walking. It was quite peaceful. I was astonished to learn (when we moved to Los Angeles) that some parents send their children to high school each day in über! Do you ever take time to reflect? Do you ever look back and remember how things were growing up? Do you agree life back then was completely different? My family had four boys and one girl (the youngest). My parents refused to buy us a Nintendo, so we entered strangers’ houses (!) to watch our neighbors play Nintendo. For hours we’d sit there, hoping ardently we might get a short turn.

Kyrie Released • In a moment, I will continue this discussion. But first I want to release another movement of the Mass in Honor of Saint Noël Chabanel. Written for the Ordinary Form, this Mass involves your CONGREGATION, your CANTOR, and your CHOIR. It consists of seven movements. The other movements will most likely be released next week; we’re putting finishing touches on the rehearsal videos. I tried to make my setting as brief as possible. (Anyone who’s worked in Ordinary Form parishes will understand why.)

Free rehearsal videos for each individual voice await you at #39164.

To freely download the PDF score, locate #39164.

Discussion Cont’d • It seems unreal that as youngsters we roamed the neighborhood each day. I have a poor memory, so there’s tons I can’t remember. But I do remember the various houses we lived in, and I have specific memories of entering strangers’ homes. Life was different back then. Nobody even locked their doors at night! (If readers have similar experiences they wish to share, I’d love to hear them. You can send to the email address listed at the bottom of this page.)

Has Jeff Changed? • I think we’ve established that “times have changed.” Needless to say, human beings also change and develop with the passage of time. Consider the polyphonic ending to the Kýrie Eléison posted above. Would I even appreciate such a music as a youngster? Would I say to myself: “Oh, what a wonderful use of canon!” Would I exclaim: “Such a clever juxtaposition of long notes against fast-moving stepwise patterns.” Would I get excited over the way each voice enters yet carefully makes room for others to enter? Would I cherish the fact that no matter how many times one listens to that short polyphonic section, there’s always something new to listen for?

An Ever-Widening Vista • My friends, let’s be honest. This isn’t something my brain would have understood as a youngster. Yet, tremendous wisdom is demonstrated by the tradition of the Catholic Church. The THESAURUS MUSICAE SACRAE (“treasury of sacred music”) is not stagnant, lifeless, and tedious. Rather, it’s an ever-widening vista, offering something powerful and valuable to all who set foot in the church, no matter their current stage of development. Our culture insists that learning a discipline is worthless. Our culture also says hard work “victimizes.” But the tradition of the Church is different. The tradition of the Church says we don’t know everything—and it is good to study, learn, struggle, develop, and (as a consequence) grow.

Keeping Grounded • Readers will agree that American society has changed so much, it’s almost unrecognizable. However, the way to “escape the madness”—in my humble opinion—is to interact with people in real life. I love our annual Sacred Music Symposium because I come into contact with such wonderful and “grounded” people. I also love directing choirs, because the singers are fantastic people. They’re kind, generous, interesting, and unique. They keep me grounded.

The Rock’s Lesson • A “siren” in Greek mythology was a half-bird woman who lured sailors to destruction by the sweetness of her song. Many church leaders today have been lured away from the Gospel; instead they talk about “making the world a better place.” They have forgotten that our Savior said cælum et terra transíbunt (Mt 24:35). We must remember the lesson of the rock. If you visit Rome, you’ll observe stones which have been trod upon for centuries. It turns out even a hard stone will (ever so slowly) develop furrows. Now imagine the Earth as a giant stone. Ask yourself how long it would take for a tiny ant to walk around the equator until it caused furrows. We’re talking millions of years, right? And yet, even that is barely the beginning of eternity. Do we contemplate this?

Conclusion • When we begin to understand how long eternity lasts, the constant and heavy penances undertaken daily by someone like Saint John Vianney make sense. I do think there’s a “shortcut” to Heaven, however. (I base my theory off something Father Valentine Young said to me during confession.) In essence, I believe charity is something particularly pleasing to Almighty God. Therefore, let us love one another! And let us pray for the grace to forgive others’ faults for the sake of JESUS CHRIST. Et dimítte nobis débita nostra, sicut et nos dimíttimus debitóribus nostris…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Choral Extension Jeff Ostrowski, Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL, SATB Polyphonic Extension, Thesaurus musicae sacrae Last Updated: August 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

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