• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

Jeff Ostrowski · August 23, 2023

WOULD BET MONEY you’ve heard elderly people say something like: “When I was growing up, I’d walk twelve miles to school in the snow…” I can assure you: I always walked to school. I never once rode in a car. And we enjoyed walking. It was quite peaceful. I was astonished to learn (when we moved to Los Angeles) that some parents send their children to high school each day in über! Do you ever take time to reflect? Do you ever look back and remember how things were growing up? Do you agree life back then was completely different? My family had four boys and one girl (the youngest). My parents refused to buy us a Nintendo, so we entered strangers’ houses (!) to watch our neighbors play Nintendo. For hours we’d sit there, hoping ardently we might get a short turn.

Kyrie Released • In a moment, I will continue this discussion. But first I want to release another movement of the Mass in Honor of Saint Noël Chabanel. Written for the Ordinary Form, this Mass involves your CONGREGATION, your CANTOR, and your CHOIR. It consists of seven movements. The other movements will most likely be released next week; we’re putting finishing touches on the rehearsal videos. I tried to make my setting as brief as possible. (Anyone who’s worked in Ordinary Form parishes will understand why.)

Free rehearsal videos for each individual voice await you at #39164.

To freely download the PDF score, locate #39164.

Discussion Cont’d • It seems unreal that as youngsters we roamed the neighborhood each day. I have a poor memory, so there’s tons I can’t remember. But I do remember the various houses we lived in, and I have specific memories of entering strangers’ homes. Life was different back then. Nobody even locked their doors at night! (If readers have similar experiences they wish to share, I’d love to hear them. You can send to the email address listed at the bottom of this page.)

Has Jeff Changed? • I think we’ve established that “times have changed.” Needless to say, human beings also change and develop with the passage of time. Consider the polyphonic ending to the Kýrie Eléison posted above. Would I even appreciate such a music as a youngster? Would I say to myself: “Oh, what a wonderful use of canon!” Would I exclaim: “Such a clever juxtaposition of long notes against fast-moving stepwise patterns.” Would I get excited over the way each voice enters yet carefully makes room for others to enter? Would I cherish the fact that no matter how many times one listens to that short polyphonic section, there’s always something new to listen for?

An Ever-Widening Vista • My friends, let’s be honest. This isn’t something my brain would have understood as a youngster. Yet, tremendous wisdom is demonstrated by the tradition of the Catholic Church. The THESAURUS MUSICAE SACRAE (“treasury of sacred music”) is not stagnant, lifeless, and tedious. Rather, it’s an ever-widening vista, offering something powerful and valuable to all who set foot in the church, no matter their current stage of development. Our culture insists that learning a discipline is worthless. Our culture also says hard work “victimizes.” But the tradition of the Church is different. The tradition of the Church says we don’t know everything—and it is good to study, learn, struggle, develop, and (as a consequence) grow.

Keeping Grounded • Readers will agree that American society has changed so much, it’s almost unrecognizable. However, the way to “escape the madness”—in my humble opinion—is to interact with people in real life. I love our annual Sacred Music Symposium because I come into contact with such wonderful and “grounded” people. I also love directing choirs, because the singers are fantastic people. They’re kind, generous, interesting, and unique. They keep me grounded.

The Rock’s Lesson • A “siren” in Greek mythology was a half-bird woman who lured sailors to destruction by the sweetness of her song. Many church leaders today have been lured away from the Gospel; instead they talk about “making the world a better place.” They have forgotten that our Savior said cælum et terra transíbunt (Mt 24:35). We must remember the lesson of the rock. If you visit Rome, you’ll observe stones which have been trod upon for centuries. It turns out even a hard stone will (ever so slowly) develop furrows. Now imagine the Earth as a giant stone. Ask yourself how long it would take for a tiny ant to walk around the equator until it caused furrows. We’re talking millions of years, right? And yet, even that is barely the beginning of eternity. Do we contemplate this?

Conclusion • When we begin to understand how long eternity lasts, the constant and heavy penances undertaken daily by someone like Saint John Vianney make sense. I do think there’s a “shortcut” to Heaven, however. (I base my theory off something Father Valentine Young said to me during confession.) In essence, I believe charity is something particularly pleasing to Almighty God. Therefore, let us love one another! And let us pray for the grace to forgive others’ faults for the sake of JESUS CHRIST. Et dimítte nobis débita nostra, sicut et nos dimíttimus debitóribus nostris…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Choral Extension Jeff Ostrowski, Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL, SATB Polyphonic Extension, Thesaurus musicae sacrae Last Updated: August 23, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.