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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Jeff Ostrowski · August 7, 2023

HERE’S AN OLD SAYING: “Sometimes you win and sometimes you learn.” Are you someone who constantly makes mistakes? I am. Do you learn from your mistakes? That’s the key. I constantly make mistakes, but it’s okay because I learn from them. For example, I created an organ accompaniment for VESPERS on the Feast of the Transfiguration. During the process of creating it, I tried tons of new techniques. Some worked; many didn’t. Then, while I was accompanying VESPERS yesterday, the organ broke halfway through! But it’s all fine, because the booklet will be ready for next year—and everything I learned will be helpful next time I make a booklet:

*  PDF Download • TRANSFIGURATION BOOKLET (25 pages)
—Organ Accompaniment Booklet • 6 August • VESPERS.

Hymn for the Transfiguration • Moreover, I was able to add a Latin version of “Quicúmque Christum Quǽritis” at the bottom of this website for choirs forbidden to sing in English. I have often declared that the Vespers hymn for the Sacred Heart contains more hyper-metric syllables than any other—but I see that “Quicúmque Christum Quǽritis” is a close second. Indeed, there’s something funky about its hyper-metric syllables, in particular the word “óculos.” Most occur in the same spot, which leads me to believe its “original” melody might have something to do with this. You can see how “Quicúmque” appeared in the edition by Abbat Pothier’s student if you click here. The Gregorian melody is not one of my favorites. I find it hard for congregations to sing well and a little too “dark.”

Historic Release! • Today, we release something quite remarkable. It’s a special edition of the “Missale Romanum” printed in Turin—with North American feasts in a supplement—by the MARIETTI PUBLISHING COMPANY in 1957:

*  PDF Download • MISSALE ROMANUM (Turin, 1957)
—Beware! This file is 1.58GB.

39122-Missale-E
39122-Missale-k
39122-Missale-F
39122-Missale-l
39122-Missale-C
39122-Missale-G
39122-Missale-B
39122-Missale-A
39122-Missale-H

Liturgical Changes! • I feel bad for the MARIETTI PUBLISHING COMPANY. They went to immense trouble in order to include the Pius XII Holy Week, which was first used in 1956. However, just a few years later the entire book would become obsolete. The amount of liturgical changes made during the 20th century are staggering. Pope Saint Pius X made many liturgical changes. In my humble opinion, the way he restored the ancient TEMPORALE was praiseworthy. After Pius X, you had new prefaces and feasts added. Pope Pius XII then made innumerable changes to the liturgy. The 1960s brought more changes, as did the 1970s. Indeed, the Abbey of Solesmes refused to incorporate the 1961 rubrical changes made by Pope Saint John XIII in their famous LIBER USUALIS. I believe the reason they refused is because it would’ve required enormous effort, and everything was about to change again! It’s almost as if Solesmes Abbey (given charge of all official Vatican plainsong editions beginning in 1913) was saying to the Vatican in 1961:

“Let us know when you get your house in order. Only then will we begin laboriously implementing these incessant ‘improvements’ you are constantly making to our liturgical books.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quicumque Christum Quæritis Last Updated: December 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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