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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Jeff Ostrowski · August 7, 2023

HERE’S AN OLD SAYING: “Sometimes you win and sometimes you learn.” Are you someone who constantly makes mistakes? I am. Do you learn from your mistakes? That’s the key. I constantly make mistakes, but it’s okay because I learn from them. For example, I created an organ accompaniment for VESPERS on the Feast of the Transfiguration. During the process of creating it, I tried tons of new techniques. Some worked; many didn’t. Then, while I was accompanying VESPERS yesterday, the organ broke halfway through! But it’s all fine, because the booklet will be ready for next year—and everything I learned will be helpful next time I make a booklet:

*  PDF Download • TRANSFIGURATION BOOKLET (25 pages)
—Organ Accompaniment Booklet • 6 August • VESPERS.

Hymn for the Transfiguration • Moreover, I was able to add a Latin version of “Quicúmque Christum Quǽritis” at the bottom of this website for choirs forbidden to sing in English. I have often declared that the Vespers hymn for the Sacred Heart contains more hyper-metric syllables than any other—but I see that “Quicúmque Christum Quǽritis” is a close second. Indeed, there’s something funky about its hyper-metric syllables, in particular the word “óculos.” Most occur in the same spot, which leads me to believe its “original” melody might have something to do with this. You can see how “Quicúmque” appeared in the edition by Abbat Pothier’s student if you click here. The Gregorian melody is not one of my favorites. I find it hard for congregations to sing well and a little too “dark.”

Historic Release! • Today, we release something quite remarkable. It’s a special edition of the “Missale Romanum” printed in Turin—with North American feasts in a supplement—by the MARIETTI PUBLISHING COMPANY in 1957:

*  PDF Download • MISSALE ROMANUM (Turin, 1957)
—Beware! This file is 1.58GB.

39122-Missale-E
39122-Missale-k
39122-Missale-F
39122-Missale-l
39122-Missale-C
39122-Missale-G
39122-Missale-B
39122-Missale-A
39122-Missale-H

Liturgical Changes! • I feel bad for the MARIETTI PUBLISHING COMPANY. They went to immense trouble in order to include the Pius XII Holy Week, which was first used in 1956. However, just a few years later the entire book would become obsolete. The amount of liturgical changes made during the 20th century are staggering. Pope Saint Pius X made many liturgical changes. In my humble opinion, the way he restored the ancient TEMPORALE was praiseworthy. After Pius X, you had new prefaces and feasts added. Pope Pius XII then made innumerable changes to the liturgy. The 1960s brought more changes, as did the 1970s. Indeed, the Abbey of Solesmes refused to incorporate the 1961 rubrical changes made by Pope Saint John XIII in their famous LIBER USUALIS. I believe the reason they refused is because it would’ve required enormous effort, and everything was about to change again! It’s almost as if Solesmes Abbey (given charge of all official Vatican plainsong editions beginning in 1913) was saying to the Vatican in 1961:

“Let us know when you get your house in order. Only then will we begin laboriously implementing these incessant ‘improvements’ you are constantly making to our liturgical books.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quicumque Christum Quæritis Last Updated: August 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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