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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Use of Plainsong in Heretical Worship” • (Letter by Dom Gregory Murray)

Jeff Ostrowski · June 29, 2023

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KIND READER brought to our attention an interesting letter written by Dom Andrew Gregory Murray, OSB (1905-1992). In my view, Dom Gregory was an excellent composer. Many of his organ interludes are masterpieces! (His famous People’s Mass is an aberration; it is uninspired, technically flawed, and insipid.) He served as organist and choirmaster at Downside from 1929 to 1940. Tension was caused amongst the other monks owing to the BBC constantly dragging their recording equipment to Downside to record Dom Gregory’s organ playing. In 1940, he left the Abbey to serve as a parish priest: at Ealing from 1940 to 1946; Saint Benedict’s Hindley (near Wigan) from 1948 to 1952, and Saint Benedict’s (Stratton-on-the-Fosse) from 1952 to 1987.

*  PDF Download • Letter from Dom Gregory Murray, OSB

An excerpt from his letter:

Pope Pius X described plainsong as “the chant proper to the Roman Church, the only chant which she has inherited from the ancient fathers, which she has jealously guarded for centuries in her liturgical codices, which she directly proposes to the faithful as her own.” Plainsong, then, is the exclusive property of the Catholic Church, whose official liturgical music it is. The question of its interpretation, therefore, is not, and cannot be, for me a merely musical matter, for it is not merely music but the Church’s liturgical music. Moreover, if non-Catholics wish to discuss how it should be sung, it seems to me that they do so with the primary object of receiving assistance in the singing of plainsong in their own services. I am still further persuaded of this when I find the name of an “Anglican Benedictine” printed side by side with my own name on a leaflet advertising the discussion. I am not prepared to assist non-Catholics in the musical conduct of their services, nor will I take part in a discussion which is calculated to promote the use of the official liturgical music of the Church in heretical worship. I suggest, therefore, that unless Catholic musicians especially priests, are particularly careful in questions of this kind, they may easily encourage non-Catholics in the belief that the differences between Catholics and non-Catholics are of minor importance.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Andrew Gregory Murray d 1992, Dom Gregory Murray Last Updated: June 29, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

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