• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Extremely Rare! • “Liber Cantus Gregoriani” (1950) — 1,864 pages!

Jeff Ostrowski · June 27, 2023

WENTY YEARS AGO, nobody could have predicted that a future pope would issue a decree attempting to curb the spread of the Latin Mass (as a result of its burgeoning popularity among the faithful). Even five years ago, if someone had claimed the CDW would browbeat local bishops to convince them to ostracize Catholics who obtain spiritual consolation from the ancient rites, such a prediction would have been mocked. Indeed, future Catholics will scratch their heads vis-à-vis the post-conciliar years—especially with regard to public declarations by high-ranking clerics saying that “obeying Vatican II” means doing the opposite of what Vatican II explicitly mandated. I don’t pretend to understand why God has allowed certain things to happen. Nevertheless, the response of a faithful Christian must be to pray (earnestly) to God: “Do with me what Thou wilt…”

Calmness • The saints possessed great serenity and peace of soul. Of course, I can’t speak for my colleagues—but I suspect they would agree it’s best to avoid running around “as if one’s hair is on fire.” We should not proceed in a frenzied, panic-stricken manner. Rather, let us pray each morning for the grace to do God’s Will. Having done that, let us undertake our work with tranquility. Catholic monks, by means of a shovel, would remove one ‘scoop’ from the ground each morning. They were—quite literally—digging their own grave. This was done to remind them that “you know neither the day nor the hour” (Mt 25:13).

Psychologist • According to psychologists, you should never mention just one thing. You should never say: “I love my car for many reasons; for example, I love that it’s painted red.” Some people listening won’t understand. In their mind, what you said was: “I love my car for just one reason—because it’s red.” Therefore, I’m taking a risk by mentioning one thing we do here at CORPUS CHRISTI WATERSHED. [Okay, here goes!] One of the many things we do here is make it possible for Catholic musicians to understand our history and tradition. Therefore, we hunt for, obtain, and (painstakingly) scan rare books. Then we make them available online for free!

Extremely Rare Book • Today, we release a professional scan of a book which is extremely rare. We obtained this treasure through the generosity of John Greutman. Our organization paid a lot of money to have it scanned professionally. We believe this book is part of the THESAURUS MUSICAE SACRAE, which Vatican II said must be “preserved and fostered with great care.”

*  PDF Download • “LIBER CANTUS GREGORIANI”—1,864 pages!
—IMPRIMATUR 28 December 1950; Dessain (Belgium).

Title Of This Book • The book is called: Liber cantus Gregoriani: complectens Missas, Vesperas et Completorium ad singulos anni dies necnon et parvas horas diebus festivis ex ultimis editionibus Vaticanis. Translated into English: “Book of Gregorian Chant Including Masses, Vespers and Compline for individual days of the year as well as the Little Hours on Feasts from the most recent Vatican editions.” It has completely different typesetting (!) than the 1951 Mechlin Graduale I released in 2008. This book contains as much (or more!) as what is contained in the famous “Liber Usualis” of Solesmes Abbey.

Re: Official Rhythm:

No Weird Stuff (A) • In his 1977 tome, Monsignor Francis P. Schmitt spoke of attending Mass at the SAINT JOSEPH ORATORY in Montreal. He said their choir (consisting of 80+ singers) was as fine as any on the continent. According to Monsignor Schmitt: “A polyphonic Creed was sung during the distribution of Communion.” To my liturgical sensibilities, it’s quite ‘odd’ or ‘strange’ or ‘weird’ to sing a polyphonic Creed during the distribution of Holy Communion. I’m against doing things which are weird during the sacred liturgy. [By the way, I know what Saint Joseph’s Oratory was trying to do. It was attempting to preserve the THESAURUS MUSICAE SACRAE in an era where there was great hostility to following the mandates of Vatican II.]

No Weird Stuff (B) • Somebody might say: “But Jeff, don’t you sing Gregorian Chant in a weird way?” No, I do not. I sing according the system of rhythm mandated by the Congregation of Sacred Rites under Pope Saint Pius X. The book we released above (all 1,864 pages of it!) is a testimony to the reality that many publishers followed the official rhythm. The SCHWANN GRADUALE is another example, as is the version published by the Vatican Polyglot Press. And we will be releasing even more editions over the coming months.

Here’s an example taken from the official edition:

But the edition by Dom Mocquereau—which became very popular—added all kinds of extra elongations (while eliminating many of the elongations mandated by the official edition). Here is how that same antiphon appears in the version by Dom Mocquereau:

Problems With Mocquereau (A) • Dom Mocquereau claimed that most of his additions were based upon a handful of manuscripts, for which he had a predilection. One problem with Mocquereau’s editions is that they (supposedly) reproduce the rhythm from a handful of manuscripts, but they ignore close to 10,000 other manuscripts, which are also part of the THESAURUS MUSICAE SACRAE.

Problems With Mocquereau (B) • There’s another problem. Imagine if each editor had done what Dom Mocquereau did. That is to say, imagine that each editor had selected a handful of manuscripts (for which they had affection) and then modified the official edition based on those. Does anyone think that would be a good idea?

“As Many As Possible” • Katharine Ellis has suggested that Prior André Mocquereau may have had a financial incentive to make his monastery’s editions “special” or “proprietary” or “distinctive.” Specifically, when Dom Mocquereau learned that other companies might attempt to superimpose proprietary symbols over the official edition, Mocquereau was advised to “put as many rhythmic signs as possible in the Gradual and Antiphoner.” In spite of the Vatican decrees, he did precisely that! Indeed, when the GRADUALE appeared (12 march 1908) followed by the ANTIPHONALE (20 December 1912), Dom Mocquereau added so many modifications, many melodies became unrecognizable.

Strongly-Worded Letter! • Indeed, when Dom Mocquereau learned (in January of 1905) that another printer was planning to do what he had done—viz. add rhythmic signs to the official edition based on particular manuscripts—he became full of “rage” according to Katharine Ellis. He wrote an angry letter to one of his supporters in Rome. Referencing his “proprietary” rhythmic modifications, Dom Mocquereau said these modifications constituted:

“our only means to……………………”

What precisely did those ellipses mean? Dr. Katharine Ellis, a professor at the University of Cambridge, claims on page 94 (The Politics of Plainchant in fin-de-siècle France, 2013) that Dom Mocquereau’s meaning was “patently obvious” to his correspondent. That is to say, his point was: these proprietary modifications were his monastery’s “only means” (seul moyen pour nous…) to beat the competition.

39846-Photo-By-John-Greutman
39845-Photo-By-John-Greutman
39847-Photo-By-John-Greutman

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1950 Dessain Liber Cantus Gregoriani, Inter pastoralis officii Pius X, Liber Usualis 1950, Thesaurus musicae sacrae Last Updated: June 28, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”
  • Pope Leo XIV pays tribute to Palestrina
  • PDF Download • Palestrina’s “Ave Maria”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up