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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: Ancient Sequence (Thursday after Pentecost)

Jeff Ostrowski · May 29, 2023

ERONICA MORENO recently published a fascinating article called: Terrific Pentecost Hymn You’ve Not Heard Before! Basically, Veronica spoke about the ancient Sequence for Pentecost Thursday called: Qui Procédis Ab Utróque. Veronica provided quite a bit of information. For example, she posted a PDF organ accompaniment—99 pages!—by HENRI POTIRON (professor at the Gregorian Institute in Paris) which contains an accompaniment for that Sequence. Veronica also provided a peerless metrical translation by MONSIGNOR RONALD KNOX, which is #710 in the Brébeuf Portal. She also posted rehearsal videos, a mediæval manuscript, background for the ALLES IST AN GOTTES SEGEN tune, and other interesting items.

FSSP Priest Enters! • A member of the Priestly Fraternity of Saint Peter saw the article and was inspired to create—for the first time in history—a literal translation into English:

Qui procédis ab utróque,
Genitóre Genitóque,
Páriter Paráclite.
Redde linguas eloquéntes,
Fac fervéntes in te mentes
Flamma tua dívite.

Thou who procedest equally from each,
Father and Son,
O Paraclete:
render tongues rich in speech,
make minds glow for thee
through thy lavish flame.

Amor Patris Filiíque,
Par ambórum et utríque
Compar et consímilis.
Cuncta reples, cuncta foves,
Astra regis, caelum moves,
Pérmanens immóbilis.

Love of the Father and Son,
equal of both, and to each
matched and alike:
all thou fillest, all thou tendest,
stars thou rulest, heaven thou movest,
all unmoving thou remaining.

Lumen carum, lumen clarum,
Internárum tenebrárum
Éffugans calíginem.
Per te mundi sunt mundáti:
Tu peccátum, tu peccáti
Déstruis rubíginem.

Light beloved, light radiant,
putting to flight the obscurity
of inward shadows:
the clean by thee are cleansed:
thou sin, and thou sin’s
rust destroyest.

Veritátem notam facis,
Et osténdis viam pacis,
Et iter justítiae.
Perversórum corda vitas,
Et bonórum corda ditas
Múnere sciéntiae.

Truth thou makest known,
thou showest both the way of peace
and the course of justice.
The hearts of the depraved thou shunnest,
and the hearts of the good thou enrichest
with the gift of knowledge.

Te docénte nil obscúrum,
Te regénte nil impúrum
Sub tua praeséntia.
Gloriátur mens jucúnda
Per te laeta; per te munda
Gaudet consciéntia.

With thy teaching naught is darksome,
with thy ruling naught is sullied
beneath thy gaze
[lit. presence].
The cheerful mind glories,
gladdened by thee; made clean
by thee, conscience rejoices.

Tu commútas eleménta:
Per te suam sacraménta
Habent efficáciam.
Tu nocívam vim repéllis,
Tu confútas et reféllis
Hóstium nequítiam.

Elements thou convertest:
by thee do the sacraments
possess their power.
Harmful force thou drivest away,
thou restrainest and exposest
the wickedness of foes.

Quando venis, corda lenis:
Quando subis, átrae nubis
Éffugit obscúritas.
Sacer ignis, cor fidélis
Intus uris, et a curis
Purgas, quando vísitas.

When thou comest, thou softenest hearts:
when thou enterest, there flees
the dismal cloud’s darkness.
O hallowed fire, the faithful heart
thou burnest within, and from cares
thou clearest, when thou visitest.

Mentes prius imperítas
Et sopítas et oblítas
Érudis et éxcitas.
Foves linguas, formas sonum;
Cor ad bonum facit pronum
A te data cáritas.

Minds hitherto unaware,
both deadened and besmeared
[or in another sense, deceived]
thou refinest and rousest.
Tongues thou tendest, speech thou shapest;
charity, given by thee,
makes the heart inclined to good.

O juvámen oppressórum,
O solámen miserórum,
Páuperum refúgium.
Da contémptum terrenórum,
Ad amórem supernórum
Trahe desidérium.
Amen.

O aid of the downtrodden,
O solace of the wretched,
haven of the poor:
grant
[us] disregard of earthly things,
to the love of things above
draw
[our] longing.
Amen.

Provenance • I believe this Sequence was mainly used in France. You can tell it’s relatively late as it’s written according to rhyme and stress-accent (QuaLitative), rather than long and short syllables (QuanTitative). For more on this, cf. my 2016 article: The “Long & Short” of Latin Hymns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alles Ist An Gottes Segen, Henri Potiron, Monsignor Ronald Knox Traditional Mass, Qui procédis ab utróque, Sequence for Pentecost Thursday Last Updated: May 29, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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