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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacred Music Institute at Mount St. Mary’s, Cincinnati

Patrick Williams · May 15, 2023

OUNT ST. MARY’S SEMINARY & SCHOOL OF THEOLOGY (MTSM) in Cincinnati will present its fifth annual Sacred Music Institute July 19–21. According to the website, “The Institute serves parishes, priests and musicians in Catholic dioceses across the region by providing events and resources to those interested in and passionate about sacred music.” In keeping with the national Eucharistic Revival, this year’s theme is “Inheritors of Heaven: The Call to Eucharistic Worship.” Presenters will include liturgical music educator and mezzo soprano Catherine Fishlock; Dr. Richard K. Fitzgerald, director of music and organist at St. Joseph Cathedral in Columbus, Ohio; Ukrainian Byzantine Catholic priest Fr. Andrij Hlabse, S.J.; New Testament scholar and assistant professor Dr. Samuel Johnson; liturgical specialist Alexis Kazimira Kutarna; Dr. Mary Catherine Levri, director of music at the seminary; and CCWatershed contributor Andrew R. Motyka, cathedral and archdiocesan director of music and principal organist at the Cathedral of Ss. Peter and Paul in Indianapolis. Sessions will be offered on choral techniques, Gregorian chant, the role of the organ in the church music program, psalmody, and vocal technique, along with a panel Q&A session and keynote addresses on Eucharistic theology from the Eastern perspective and the Eucharist and scripture. In addition to the offerings mentioned above, the conference schedule will include Mass, Lauds, Vespers, Compline, and choir rehearsals, with four meals and two evening socials included in the registration cost of $275; lodging and breakfast are available for an additional $100.

St. Gregory Chapel
The Athenaeum, Cincinnati

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 15, 2023

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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