• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Regína Caéli Laetáre” • 18 organ accompaniments

Jeff Ostrowski · April 12, 2023

APPROCHEMENT. Do you know what “rapprochement” means? It’s when two parties come to an understanding. Readers will probably agree that (many) Catholic priests and musicians need a rapprochement—but how can this be achieved? In my opinion, church musicians must follow the words of our Savior (Mt 10:16): “Be ye wise as serpents and innocent as doves.” Regrettably, most priests have never heard a decent choir singing in real life. I’m not talking about a QUARTET—because a soloist singing each part isn’t the same. I’m talking about a rich, sonorous, full, gorgeous choral sound, which I believe will move even a hardened soul when experienced in real life. Here’s a live recording of our volunteer choir singing the Recessional last Sunday:

Regína Cǽli Lætáre • Back in 2020, I posted seventeen (17) accompaniments for the simple Sálve Regína. I promised to do something similar for the other Marian antiphons, and today I offer eighteen (18) organ accompaniments—see below—for the simple Regína Coéli Laetáre. The vast majority follow the rhythmic markings of Dom André Mocquereau, which means they use a distinctive method of syncopating the chords. [Those interested in this should see pages 65-66 of The Politics of Plainchant in fin-de-siècle France by Katharine Ellis.] You can download the French singer’s score, but the Germans sing it differently.

Resplendent Not Repulsive • A word of caution, if I may. Earlier I said church musicians must be “wise as serpents.” For this reason, I suggest we must present music—at least initially—in a way that will attract people, rather than repulse them. Plainsong sung poorly (in a sluggish, lifeless manner) can leave a bad taste in people’s mouths. We who have been studying music for decades already fully understand the beauty of the Marian antiphons, and how important they are. Yet, I worry that if they are a presented in the wrong way, they can have the opposite effect of what we intend. In some (not all) parishes, it might be worth considering including “bright and accessible” pieces along with the Marian antiphons. Below is a live recording of our volunteer choir singing a hymn from the Brébeuf Catholic Hymnal last Sunday. When the women sing in unison, isn’t it gorgeous?

To access this hymn’s media in the Brébeuf Portal, click here.

Eighteen Accompaniments • Below I’ve assembled eighteen (18) different organ accompaniments for the simple version of the “Regína Coéli Laetáre,” which is the Marian antiphon for Eastertide:

*  PDF Download • 1st Version (Jeff Ostrowski)
—Harmonized by Jeffrey Ostrowski in 2010.
*  PDF Download • 2nd Version (Achille P. Bragers)
—Achille P. Bragers studied at the Lemmensinstituut (Belgium).
*  PDF Download • 3rd Version (Sister Luanne Durst)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 4th Version (Henri Potiron)
—Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute.
*  PDF Download • 5th Version (Julius Bas)
—Giulio Bas was engaged Solesmes Abbey to harmonize the complete Editio Vaticana.
*  PDF Download • 6th Version (Trappist Monk)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 7th Version (Malton Boyce)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 8th Version (Auguste Le Guennant)
—Dr. Auguste Le Guennant (d. 1972) replaced Dom Gajard at the “Gregorian Institute of Paris”.
*  PDF Download • 9th Version (Dr. Joseph Renner)
—Joseph Renner (d. 1934) succeeded Joseph Hanisch (d. 1892) at Regensburg Cathedral.
*  PDF Download • 10th Version (Jan Kern)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 11th Version (Dom Ferdinand Portier)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 12th Version (Father Percy Jones)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 13th Version (Dom Gregory Murray)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 14th Version (Father Green)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 15th Version (Father Carlo Rossini)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 16th Version (Dom Desrocquettes)
—Dom Jean-Hébert Desrocquettes was organist at Solesmes Abbey.
*  PDF Download • 17th Version (Father Aloysius Knauff)
—REGINA CAELI ORGAN ACCOMPANIMENT.
*  PDF Download • 18th Version (Dr. Theodore Marier)
—REGINA CAELI ORGAN ACCOMPANIMENT.

True Story • I had never heard of “Jan Kern”—but this morning I saw he’s mentioned by Monsignor Francis P. Schmitt on page 78 of Church Music Transgressed: Reflections on “Reform” (1977). How crazy is that? I just happened to be reading that exact page, whereas I had unsuccessfully searched the internet for information about Jan Kern moments earlier. Never forget: When you learn a new word, you’ll see it within 24 hours!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Gregorian Organ Accompaniments, Regina Caeli Organ Accompaniment, Regina Coeli Laetare Last Updated: April 12, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.