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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Passiontide Carols?

Veronica Brandt · April 4, 2023

A friend sent this talk he gave at a recent Passiontide Carol Service. When I heard Passiontide and Carols together, I was taken aback. I asked what carols were sung.

  • The glory of our King was seen
  • All glory, praise and honour
  • Sing my tongue the Saviour’s glory
  • My song is love unknown
  • There is a green hill far away
  • In the Cross of Christ I glory
  • O sacred head sore wounded
  • O Jesus crucified
  • Glory be to Jesus
  • When I survey the wondrous Cross

The program was interspersed with readings, like an Anglican Carol Service for Christmas. This raises the question of whether this belongs in a Catholic church. Maybe we would be better served with celebrating solemn Vespers. But it remains a good thing to meditate on Scripture and Hymns during Passtiontide. For better or worse, a concert format is more familiar to congregations.

Christian Walter Catsanos is an accomplished musician. A few years ago I wrote about his book New Catholic Hymns: 24 Hymns for the Liturgical Year. Keep reading to hear more reasons for singing Passiontide Carols in his talk at this year’s Service in Sydney.

Passiontide carols… What’s that all about, hey?

Perhaps you didn’t grow up singing carols at this time of year – Christmas, sure; but not so much around now. That’s OK – I didn’t grow up singing carols at this time of year either.

Why is that, do you wonder? After all, we all know Saint Paul’s words that had Christ never been raised from death, our faith would have been in vain – not had he never been born, not even had he never died; but had he never been raised from death. And it was the old Pasch of the Jews – that great forerunner to the new Pasch of Easter – which the Lord commanded Moses and Aaron to keep as a day of festival for all generations and forever.

And indeed, we all know the prevalence of the Easter mystery in our day-to-day lives of faith, surely? Many of you tonight will be wearing your crucifix, symbolising the death of Christ, or else your bare cross to symbolise His resurrection; but I’d bet my bottom dollar no-one is wearing a manger around their neck! So then, we do acknowledge, even if only implicitly, the prevalence of the Easter mystery in our shared Christian faith and in our daily lives. Yet we follow the ways of the world in celebrating the carols of Christmas but not partaking in those particular to this time of the year – and why is it that the world thinks this way?

May I be so bold as to suggest that it’s because the world doesn’t like that the message of Easter challenges us. For all the many ways in which the modern world de-sanctifies human life in its many stages, at the moment when a mother and father are celebrating the birth of their newborn baby, the world celebrates with them. The message of Christmas is one which the world celebrates, and so the carols are sung with great enthusiasm, if not necessarily with the reverence and devotion which they merit, alongside the multitude of other traditions which the world embraces to ensure that this is a joyous occasion for all.

By contrast, Easter challenges us. The message of Good Friday is one of utter self-sacrifice, of emptying oneself of all inward desires to make a gift of ourselves in the name of love – not a message deeply admired by our indulgent, self-serving world. As far as Easter goes in the modern world, it doesn’t go far beyond indulging in chocolate and weekend getaways – even the joy of the Resurrection doesn’t gain the admiration of the world, simply because it first requires the pain of the Cross. Since the world won’t even sing with us the joyful carols of Eastertide which we’ll hear throughout our churches in a few days’ time, it’s needless to say that worldly pleasures leave next to no room for the reverent singing of the approaching suffering and death of the Saviour.

And yet, as Christians in the midst of the world, we have a solemn obligation to restore due reverence to these sacred times. Whether it’s encouraging a more reverent character to the celebration of Christmas, or ensuring that the. celebration of Easter is not forgotten in its entirety, we are bound to make disciples of all the nations, as Christ commanded us to do before His glorious Ascension. When I first held a Passiontide carols service, I wanted to bring greater prominence to Easter as was enjoyed by Christmas. With now a further sixteen years’ experience in which I have gained the wisdom of the celebration of both Easter and Christmas in our churches, I’m able to recognise that any celebration of these great occasions in our life of faith and in our sacred year is meaningless if not done with the true reverence and devotion of which they are meet.

As we now draw into the most sacred days of our year, let us reflect on how we live this time in our own lives. Let us commit ourselves now to making this a truly worthy celebration of the Lord’s Supper, of His most loving and sacrificial death, and of His glorious resurrection. Let us make 2023 our most reverent and our most worthy Easter ever.

~ Christian WJ Catsanos, during Passiontide carols at St Benedict’s Broadway, 31 March 2023

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 4, 2023

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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