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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eleven (11) Rare Lenten Hymns You’ve Not Sung!

Jeff Ostrowski · February 25, 2023

ATHER ADRIAN FORTESCUE was (rightly) considered the preëminent scholar of the Catholic world until Knox. Speaking of an ancient hymn, he once wrote: “Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” What is Father Fortescue talking about? What are some ancient hymns with powerful texts? Can they be sung by Catholics in English? Let me see if I can explain, with concrete examples.

Example: “Ex More Docti Mystico”

If you like to sing in Latin, you can sing the Matins hymn for Lent: EX MORE DOCTI MYSTICO. As you can see, the words (“lyrics”)—which come from the sixth century—are quite beautiful:

* *  PDF Download • “Ex More Docti Mystico” (LENT)
—6th-century Matins hymn during the holy season of Lent.

To sing it in English, you can use a splendid melody called “BRESSANI,” as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you don’t like that melody, you can try “SAXONY,” as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you don’t like either of those, you can try the “EISENACH” melody, as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

Example: “O Sol Salutis Intimis”

Another ancient hymn is called “O Sol Salutis Intimis”—but until the revisions of Pope Urban VIII it was called “Jam Christe Sol Justitiae.” Here it is in Latin, with a literal English translation:

* *  PDF Download • “O Sol Salutis” (LENT)
—The ancient name for this hymn is “Jam Christe Sol Justitiae.”

If you choir knows the “EISENACH” melody, you can sing it in English:

M To access this hymn’s media in the Brébeuf Portal, click here.

Another wonderful melody for that hymn was composed by Orlando Gibbons (d. 1625)

M To access this hymn’s media in the Brébeuf Portal, click here.

Example: “Vexilla Regis Prodeunt”

One of the greatest of all hymns is the VEXILLA REGIS by Bishop Venantius Fortunatus, who lived in the sixth century:

*  PDF Download • VEXILLA REGIS PRODEUNT
—Pope Urban VIII modified some of the verses in this hymn.

It can be sung in English using the “BRESSANI” melody:

Another beautiful Englished setting is the “AGINCOURT” tune:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you already taught your choir how to sing the “EISENACH” tune, you can use that one:

M To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • The Brébeuf Hymnal has more Lenten hymns than any other Catholic hymn book. You owe it to yourself—and your congregation—to investigate this resource!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Angel's Song by Orlando Gibbons, Bressani Hymn Tune, Eisenach Hymn, Ex More Docti Mystico, Jam Christe Sol Justitiae, O Sol Salutis Intimis, Orlando Gibbons, Rev Fr Adrian Fortescue Liturgy, Saxony Hymn Tune, Vexilla Regis Prodeunt Last Updated: February 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

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