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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eleven (11) Rare Lenten Hymns You’ve Not Sung!

Jeff Ostrowski · February 25, 2023

ATHER ADRIAN FORTESCUE was (rightly) considered the preëminent scholar of the Catholic world until Knox. Speaking of an ancient hymn, he once wrote: “Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” What is Father Fortescue talking about? What are some ancient hymns with powerful texts? Can they be sung by Catholics in English? Let me see if I can explain, with concrete examples.

Example: “Ex More Docti Mystico”

If you like to sing in Latin, you can sing the Matins hymn for Lent: EX MORE DOCTI MYSTICO. As you can see, the words (“lyrics”)—which come from the sixth century—are quite beautiful:

* *  PDF Download • “Ex More Docti Mystico” (LENT)
—6th-century Matins hymn during the holy season of Lent.

To sing it in English, you can use a splendid melody called “BRESSANI,” as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you don’t like that melody, you can try “SAXONY,” as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you don’t like either of those, you can try the “EISENACH” melody, as shown here:

M To access this hymn’s media in the Brébeuf Portal, click here.

Example: “O Sol Salutis Intimis”

Another ancient hymn is called “O Sol Salutis Intimis”—but until the revisions of Pope Urban VIII it was called “Jam Christe Sol Justitiae.” Here it is in Latin, with a literal English translation:

* *  PDF Download • “O Sol Salutis” (LENT)
—The ancient name for this hymn is “Jam Christe Sol Justitiae.”

If you choir knows the “EISENACH” melody, you can sing it in English:

M To access this hymn’s media in the Brébeuf Portal, click here.

Another wonderful melody for that hymn was composed by Orlando Gibbons (d. 1625)

M To access this hymn’s media in the Brébeuf Portal, click here.

Example: “Vexilla Regis Prodeunt”

One of the greatest of all hymns is the VEXILLA REGIS by Bishop Venantius Fortunatus, who lived in the sixth century:

*  PDF Download • VEXILLA REGIS PRODEUNT
—Pope Urban VIII modified some of the verses in this hymn.

It can be sung in English using the “BRESSANI” melody:

Another beautiful Englished setting is the “AGINCOURT” tune:

M To access this hymn’s media in the Brébeuf Portal, click here.

If you already taught your choir how to sing the “EISENACH” tune, you can use that one:

M To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • The Brébeuf Hymnal has more Lenten hymns than any other Catholic hymn book. You owe it to yourself—and your congregation—to investigate this resource!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Angel's Song by Orlando Gibbons, Bressani Hymn Tune, Eisenach Hymn, Ex More Docti Mystico, Jam Christe Sol Justitiae, O Sol Salutis Intimis, Orlando Gibbons, Rev Fr Adrian Fortescue Liturgy, Saxony Hymn Tune, Vexilla Regis Prodeunt Last Updated: February 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski
    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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