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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Quinquagesima Sunday” Organ Accompaniment Booklet (25 pages)

Jeff Ostrowski · February 20, 2023

NE OF THE PRIESTS I mentioned in my open letter to the head of the CDW was Father Louis Bouyer (d. 2004), a close personal friend of Pope Saint Paul VI who was deeply involved in liturgical reforms following Vatican II. Regarding the post-conciliar calendar, Father Bouyer wrote: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed—with no good reason—Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!” When Father Bouyer references Septuagesima, he denotes the ancient “season of preparation” for Lent—a time when the vestments turned violet, the GLORIA was omitted, and the word “Allelúja” was forbidden.

Penitential Times • Traditionally, the word “Allelúja” at Vespers was replaced with: Laus tibi, Dómine, Rex ætérnæ glóriæ. Translated into English, that means: “Praise be to Thee, O Lord, King of eternal glory.” You can see how that works—cf. page 5—if you download the organ accompaniment I created for Quinquagesima Sunday Vespers:

*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)
—“Quinquagesima Sunday” • Organ Accompaniment for Vespers.

“Ordinary Form” Versions • In the Ordinary Form, the word “Allelúja” is also replaced during Lent. You can download the official Latin from the Ordo Lectionum Missae, or you can download the English version from the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary. To summarize: In the Ordinary Form, instead of “Allelúja,” any of the following phrases may be used both before and after the Gospel Acclamation:

1. Gloria et laus tibi, Christe.
2. Gloria tibi, Christe, Sapientia Dei Patris.
3. Gloria tibi, Christe, Verbum Dei.
4. Gloria tibi, Domine, Fili Dei vivi.
5.  Laus et honor tibi, Domine Iesu.
6. Laus tibi, Christe, Rex aeternae gloriae.
7. Magna et mirabilia opera tua, Domine.
8. Salus et gloria et virtus Domino Iesu Christo.

1. Glory and praise to you, Lord Jesus Christ!
2. Glory to you, Lord Jesus Christ, Wisdom of God the Father!
3. Glory to you, Word of God, Lord Jesus Christ!
4. Glory to you, Lord Jesus Christ, Son of the Living God!
5. Praise and honor to you, Lord Jesus Christ!
6. Praise to you, Lord Jesus Christ, King of endless glory!
7. Marvelous and great are your works, O Lord!
8. Salvation, glory, and power to the Lord Jesus Christ!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Quinquagesima Sunday Organ Accompaniment, Vespers, Vespers Organist Scores Last Updated: February 20, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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