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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF • 2014 Dissertation: “Plainchant Influence on the Liturgical Music of Dr. Marier” (324 pages)

Jeff Ostrowski · February 15, 2023

HIS YEAR, the Sacred Music Symposium is dedicated to Dr. Theodore Marier (d. 2001), and will close with a lecture on his life and music, presented by Richard J. Clark, who currently serves as Director of Music for the Archdiocese of Boston, where Dr. Marier founded a famous choir school in Harvard Square. You should consider attending this year’s Symposium. I can’t reveal all the details yet, but I can assure you: it will be unforgettable. While I personally never met him, Ted Marier seems to have been a Christian husband and father filled with the Lord’s joy. He also “put his money where his mouth is.” That is to say, Dr. Theodore Marier conducted church music in real life, as opposed to just talking about it. Indeed, our Symposium has distinguished itself by its presenters, who (like Marier) have spent their lives conducting choirs in real life.1

Magnificent Dissertation • Our organization has been given permission to post an absolutely magnificent doctoral dissertation by Dr. William Atwood, Diocesan Director of Music for the Diocese of Bridgeport Connecticut. This treatise is a “must read” for anyone who cares about liturgical music in the Catholic Church. Its official title is: “The Influence of Plainchant on the Liturgical Music of Theodore Marier.” However, its 324 pages do much more than simply look at Marier’s music:

*  PDF Download • MARIER DISSERTATION (2014)
—“The Influence of Plainchant on the Liturgical Music of Theodore Marier” • 324 pages.

An example of the way Dr. Marier incorporated plainsong:

Summary Of Marier’s Life • In his dissertation, Dr. William Atwood mentions an excellent tribute to Dr. Marier, written by the legendary Dr. Robert A. Skeris. You can download that tribute here:

*  PDF Download • TRIBUTE TO MARIER
—Written by his friend, Monsignor Robert Skeris.

42516-Wedding-1941-Theodore-Marier-Ted-Marier-Photograph
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42519-Dom-Gajard-Theodore-Marier-Ted-Marier-Photograph
42513-Cartoon-Theodore-Marier-Ted-Marier-Photograph
42515-At-The-Piano-1942-Theodore-Marier-Ted-Marier-Photograph
42514-In-His-Study-2000-Theodore-Marier-Ted-Marier-Photograph
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1 Please note: I’m not saying it’s wrong to write articles about authentic sacred music. What I’m saying is this: writing articles is one thing, whereas standing in front of a parish choir in real life is something else entirely. Only those who have stood in front of a parish choir in real life can understand the unique challenges this presents.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Dr Theodore Marier, Theodore Marier Last Updated: February 15, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

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  • “Dies Irae” • A Monstrous Translation

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