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Views from the Choir Loft

Folk Mass Clip • Priest Facing “Ad Orientem”

Jeff Ostrowski · January 23, 2023

HERE WAS ONCE a priest who shrieked at me that the sine qua non of the Catholic Mass must be participation. He said the congregation must participate in absolutely everything. I was very young—and rather audacious and imprudent—so I immediately asked whether he would be printing out his homily, so the congregation could recite it along with him. The priest replied: “No, Jeff, the people participate in the sermon by listening to it.” Then he got really angry (because it dawned on him what he’d just admitted).

Did It Really? • Some claim the post-conciliar Mass gave “participation” back to the congregation. But did it really? For example, let’s assume 600 people are in the congregation. We are told that having a lay person—not the priest—proclaim the reading means the congregation is participating. Yet, just one person reads while the other 599 people sit and listen. Do you see my point? Instead of saying Vatican II gave participation “back to the people,” they should really say that Vatican II gave participation to one 600th of the people!

Amy Welborn • A former student [E.K.] kindly alerted me to a remarkable video posted by Amy Welborn, showing a priest facing ad orientem during a “Folk Mass” (1968):

Nobody Singing • I don’t see any members of the congregation singing in that video. Indeed, I could easily give you a whole list of post-conciliar parishes where absolutely nobody sings. In one parish, the “progressive” music director has been there since before I was born—so it’s not as if the people haven’t had an opportunity to learn the music! (Indeed, this particular director hasn’t changed the music in 30+ years.) My entire career is based upon one idea: Catholics don’t sing goofy music, but they will sing dignified music. If I had time, I would tell the story of my struggle to introduce traditional music into an Ordinary Form parish. It took some ‘fighting’—but after a while the people embraced it, and I have never heard such congregational singing.

Banish The Nonsense! • Currently, the best collection of congregational songs (for both forms of the Roman Rite) is found in the Brébeuf Catholic Hymnal. One of the main authors for the Church Music Association of America Blog declared (6/10/2022) that the Brébeuf Hymnal “has no parallel and not even any close competitor.” Check out the newest tool:

*  Brébeuf Portal • A New Tool

Search for terms like “Epiphany” or “Advent.” The tool was built by Mr. James Doherty, and is currently in development.

Video Description: In the Convent of Our Lady of Sion, Bellinter House, County Meath, Mass is being celebrated in a different way. Mass is held in a convent lecture hall and the ceremony sees guitars, tin whistle and mandolin replace the church organ and hymns in Latin. The Mass has been organised by Worship ’68, an organisation for Catholic lay people and priests. Popular folk band The Weavers perform ‘Shout from the Highest Mountain’. The chief celebrant is Reverend Roman O’Flanagan, OFM (Order of Friars Minor). The Second Vatican Council (1962 – 1965) brought wide-ranging reforms to the Catholic Church. One new aspect was the use of contemporary Catholic liturgical music at Mass (???), which was now celebrated in the vernacular, instead of in Latin. The aim behind this was to facilitate active participation of the entire congregation in the Mass, in music and song. Styles varied around the world, but a folk-based genre became popular in Ireland and other English speaking countries. These became known as ‘Folk Masses’ or ‘Mass with Folk music’. A Palladian style Georgian house, Bellinter House was designed by Richard Castle and constructed circa 1750. Home to the Preston family for almost two hundred years, the house and estate was bought by an English farmer, William Holdsworth in 1854. In 1966 it was acquired by the Land Commission. The Sisters of Sion, a French religious order, were based in Bellinter House from 1966. As well as a convent, they restored the house and developed it as an adult education, conference and retreat centre. In 2003 it was sold and opened as a hotel. ‘Seven Days’ began broadcasting on 26 September 1966 and was RTÉ television’s flagship current affairs programme for ten years. The programme’s young production team was made up of producer Lelia Doolan, directors Eoghan Harris and Dick Hill, and reporters John O’Donoghue, Brian Cleeve and Brian Farrell. Muiris Mac Conghail became producer of ‘Seven Days’ in 1967 when the programme was merged with another current affairs programme, ‘Division’. This episode of ‘Seven Days’ was broadcast on 6 December 1968. The reporter is John O’Donoghue.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1968 Folk Mass, Ad Orientem, Hootenanny Mass Last Updated: April 8, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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