• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Folk Mass Clip • Priest Facing “Ad Orientem”

Jeff Ostrowski · January 23, 2023

HERE WAS ONCE a priest who shrieked at me that the sine qua non of the Catholic Mass must be participation. He said the congregation must participate in absolutely everything. I was very young—and rather audacious and imprudent—so I immediately asked whether he would be printing out his homily, so the congregation could recite it along with him. The priest replied: “No, Jeff, the people participate in the sermon by listening to it.” Then he got really angry (because it dawned on him what he’d just admitted).

Did It Really? • Some claim the post-conciliar Mass gave “participation” back to the congregation. But did it really? For example, let’s assume 600 people are in the congregation. We are told that having a lay person—not the priest—proclaim the reading means the congregation is participating. Yet, just one person reads while the other 599 people sit and listen. Do you see my point? Instead of saying Vatican II gave participation “back to the people,” they should really say that Vatican II gave participation to one 600th of the people!

Amy Welborn • A former student [E.K.] kindly alerted me to a remarkable video posted by Amy Welborn, showing a priest facing ad orientem during a “Folk Mass” (1968):

Nobody Singing • I don’t see any members of the congregation singing in that video. Indeed, I could easily give you a whole list of post-conciliar parishes where absolutely nobody sings. In one parish, the “progressive” music director has been there since before I was born—so it’s not as if the people haven’t had an opportunity to learn the music! (Indeed, this particular director hasn’t changed the music in 30+ years.) My entire career is based upon one idea: Catholics don’t sing goofy music, but they will sing dignified music. If I had time, I would tell the story of my struggle to introduce traditional music into an Ordinary Form parish. It took some ‘fighting’—but after a while the people embraced it, and I have never heard such congregational singing.

Banish The Nonsense! • Currently, the best collection of congregational songs (for both forms of the Roman Rite) is found in the Brébeuf Catholic Hymnal. One of the main authors for the Church Music Association of America Blog declared (6/10/2022) that the Brébeuf Hymnal “has no parallel and not even any close competitor.” Check out the newest tool:

*  Brébeuf Portal • A New Tool

Search for terms like “Epiphany” or “Advent.” The tool was built by Mr. James Doherty, and is currently in development.

Video Description: In the Convent of Our Lady of Sion, Bellinter House, County Meath, Mass is being celebrated in a different way. Mass is held in a convent lecture hall and the ceremony sees guitars, tin whistle and mandolin replace the church organ and hymns in Latin. The Mass has been organised by Worship ’68, an organisation for Catholic lay people and priests. Popular folk band The Weavers perform ‘Shout from the Highest Mountain’. The chief celebrant is Reverend Roman O’Flanagan, OFM (Order of Friars Minor). The Second Vatican Council (1962 – 1965) brought wide-ranging reforms to the Catholic Church. One new aspect was the use of contemporary Catholic liturgical music at Mass (???), which was now celebrated in the vernacular, instead of in Latin. The aim behind this was to facilitate active participation of the entire congregation in the Mass, in music and song. Styles varied around the world, but a folk-based genre became popular in Ireland and other English speaking countries. These became known as ‘Folk Masses’ or ‘Mass with Folk music’. A Palladian style Georgian house, Bellinter House was designed by Richard Castle and constructed circa 1750. Home to the Preston family for almost two hundred years, the house and estate was bought by an English farmer, William Holdsworth in 1854. In 1966 it was acquired by the Land Commission. The Sisters of Sion, a French religious order, were based in Bellinter House from 1966. As well as a convent, they restored the house and developed it as an adult education, conference and retreat centre. In 2003 it was sold and opened as a hotel. ‘Seven Days’ began broadcasting on 26 September 1966 and was RTÉ television’s flagship current affairs programme for ten years. The programme’s young production team was made up of producer Lelia Doolan, directors Eoghan Harris and Dick Hill, and reporters John O’Donoghue, Brian Cleeve and Brian Farrell. Muiris Mac Conghail became producer of ‘Seven Days’ in 1967 when the programme was merged with another current affairs programme, ‘Division’. This episode of ‘Seven Days’ was broadcast on 6 December 1968. The reporter is John O’Donoghue.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1968 Folk Mass, Ad Orientem, Hootenanny Mass Last Updated: April 8, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up