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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Folk Mass Clip • Priest Facing “Ad Orientem”

Jeff Ostrowski · January 23, 2023

HERE WAS ONCE a priest who shrieked at me that the sine qua non of the Catholic Mass must be participation. He said the congregation must participate in absolutely everything. I was very young—and rather audacious and imprudent—so I immediately asked whether he would be printing out his homily, so the congregation could recite it along with him. The priest replied: “No, Jeff, the people participate in the sermon by listening to it.” Then he got really angry (because it dawned on him what he’d just admitted).

Did It Really? • Some claim the post-conciliar Mass gave “participation” back to the congregation. But did it really? For example, let’s assume 600 people are in the congregation. We are told that having a lay person—not the priest—proclaim the reading means the congregation is participating. Yet, just one person reads while the other 599 people sit and listen. Do you see my point? Instead of saying Vatican II gave participation “back to the people,” they should really say that Vatican II gave participation to one 600th of the people!

Amy Welborn • A former student [E.K.] kindly alerted me to a remarkable video posted by Amy Welborn, showing a priest facing ad orientem during a “Folk Mass” (1968):

Nobody Singing • I don’t see any members of the congregation singing in that video. Indeed, I could easily give you a whole list of post-conciliar parishes where absolutely nobody sings. In one parish, the “progressive” music director has been there since before I was born—so it’s not as if the people haven’t had an opportunity to learn the music! (Indeed, this particular director hasn’t changed the music in 30+ years.) My entire career is based upon one idea: Catholics don’t sing goofy music, but they will sing dignified music. If I had time, I would tell the story of my struggle to introduce traditional music into an Ordinary Form parish. It took some ‘fighting’—but after a while the people embraced it, and I have never heard such congregational singing.

Banish The Nonsense! • Currently, the best collection of congregational songs (for both forms of the Roman Rite) is found in the Brébeuf Catholic Hymnal. One of the main authors for the Church Music Association of America Blog declared (6/10/2022) that the Brébeuf Hymnal “has no parallel and not even any close competitor.” Check out the newest tool:

*  Brébeuf Portal • A New Tool

Search for terms like “Epiphany” or “Advent.” The tool was built by Mr. James Doherty, and is currently in development.

Video Description: In the Convent of Our Lady of Sion, Bellinter House, County Meath, Mass is being celebrated in a different way. Mass is held in a convent lecture hall and the ceremony sees guitars, tin whistle and mandolin replace the church organ and hymns in Latin. The Mass has been organised by Worship ’68, an organisation for Catholic lay people and priests. Popular folk band The Weavers perform ‘Shout from the Highest Mountain’. The chief celebrant is Reverend Roman O’Flanagan, OFM (Order of Friars Minor). The Second Vatican Council (1962 – 1965) brought wide-ranging reforms to the Catholic Church. One new aspect was the use of contemporary Catholic liturgical music at Mass (???), which was now celebrated in the vernacular, instead of in Latin. The aim behind this was to facilitate active participation of the entire congregation in the Mass, in music and song. Styles varied around the world, but a folk-based genre became popular in Ireland and other English speaking countries. These became known as ‘Folk Masses’ or ‘Mass with Folk music’. A Palladian style Georgian house, Bellinter House was designed by Richard Castle and constructed circa 1750. Home to the Preston family for almost two hundred years, the house and estate was bought by an English farmer, William Holdsworth in 1854. In 1966 it was acquired by the Land Commission. The Sisters of Sion, a French religious order, were based in Bellinter House from 1966. As well as a convent, they restored the house and developed it as an adult education, conference and retreat centre. In 2003 it was sold and opened as a hotel. ‘Seven Days’ began broadcasting on 26 September 1966 and was RTÉ television’s flagship current affairs programme for ten years. The programme’s young production team was made up of producer Lelia Doolan, directors Eoghan Harris and Dick Hill, and reporters John O’Donoghue, Brian Cleeve and Brian Farrell. Muiris Mac Conghail became producer of ‘Seven Days’ in 1967 when the programme was merged with another current affairs programme, ‘Division’. This episode of ‘Seven Days’ was broadcast on 6 December 1968. The reporter is John O’Donoghue.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1968 Folk Mass, Ad Orientem, Hootenanny Mass Last Updated: April 8, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The frequent elisions, as in the verse “Hoc óstium arcae in látere est Genti ad salútem pósitum” (feast of the Sacred Heart) make for an unpronounceable and unsingable hymn, and slightly less so does the hymn for Christ the King.

— Archbishop Hannibal Bugnini

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