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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“My Reflections” • Re: 2022 Symposium Keynote

Corrinne May · September 20, 2022

Y ORIGINAL INTENT was to listen to Father Fryar’s talk, given as a keynote address at the recent Sacred Music Symposium 2022, and to take some brief notes so as to do a ‘cliff notes’ version of it. But upon listening to it, I knew I could not just do a brief outline of the talk. There were just too many ‘aha’ moments and gems of wisdom, and valuable insights…

Many Hours Spent! • I ended up transcribing each and every word from Father Fryar’s talk, and even though it took many hours, I relished the process. Moreover, I had time to ponder all the insights and thoughts from a priest who has obviously thought long—and prayed hard about—what it is that is needed to make Sacred Music … sacred.

*  YouTube • Father Fryar’s Keynote (Video)
—Delivered at Sacred Music Symposium 2022.
*  Download • CORRINNE’S TRANSCRIPTION (PDF)
—I created this transcription from the video.

What I Took Away • If you’ve ever wondered how to get a deeper appreciation and to restore a sense of awe and wonder at your role as a musician, choir director or choir member in the Church, read the whole transcription of the talk, listen to a recording of it, ponder and reflect upon it, and you’ll find that there is strength and joy for the journey ahead. Of course if you still want an outline of the talk, here is my humble offering :

(1 of 6)
Everything that is used for the Mass, is blessed, consecrated and dedicated specifically for Holy Mass; e.g. the accoutrements used upon the altar, the altar cloth, the beeswax candles, the linen, the chalice, the paten, the cruets etc., are all meant to be set apart for the worship of God and therefore they should be the most valuable, be in the purest state, be of the best quality, so as to better represent and reflect the qualities of God; qualities such as Beauty, Purity, Timelessness, Strength, the Omniscience of God.
(2 of 6)
Therefore, we too, as choir members, as musicians, as music and choir directors, are ‘set apart’, called to sanctity, for the specific purpose of Holy Mass. The music has to reflect that value and beauty.
(3 of 6)
We have to represent the angels not just in the choir, but in our own lives. In the lives we live. We have to strive to be as pure as we can, as holy as we can…to sing from a pure heart, to live a pure life. We have to strive to be humble and not to be ‘performing’ from a place of pride.
(4 of 6)
We should try to reflect the beauty of God, to have a certain quality about us such that people can tell that we are distinguishable as choir members, in the way we try to live. So we should prepare, not just the music that we sing and direct, but we should keep in mind our spiritual preparation as well…we should try to keep our souls as pure and as holy as we possibly can, so as to better represent the angels.
(5 of 6)
Among our choir members, we should strive for Charity and Harmony among the members. A united, harmonious choir will sing and sound better.
(6 of 6)
The choir director should lead by example. People need to see that we live a purity of life that inspires. Joy, Devotion, Love, Patience…all these and more should emanate from our lives and the way we live.

Most surprising learning point • I had never before heard of the teaching of ex opere operantis and ex opere operato. So, it was surprising to me that my role as a choir member and a choir director, in fact my responsibility at ensuring that I kept my soul pure and my faith strong, and my thoughts turned towards the good… all these were more important than I ever realized. I had a part to play in the amount of graces that were available to the congregation at that particular Mass where I served. How, you ask? Well…

Google This! • So, as Father Fryar mentioned, the Mass has all the graces from Calvary, there, from the Mass itself, and the Latin phrase for it is ‘ex opere operato’. Google it. I did. I had to read it several times over, and I’m still trying to digest all that it means….but suffice to say, there is a huge amount of grace available at every Mass, in the Mass itself.

Everything Else • Then there is the ‘ex opere operantis’ which is everything else to do with the Mass. So, if the music, the architecture, the accoutrements, etc. are beautiful, valuable, pure and extremely fitting for the Mass, the result of all that is that we all benefit from more graces just out of attending that particular Mass. Conversely, if the priest or altar servers are in a state of mortal sin, or the chalice used is made out of an inferior material like plastic, or if the choir members are living immoral lives, then everyone who attends that Mass is shortchanged … is deprived of all the graces that could have come from attending that Mass. It is amazing to think that we have the privilege of helping every single person in the congregation grow closer to God in the liturgy and in the Mass just from us being aware that we need to live these virtues in our lives. We have an important part to play in how much of the graces can be received at that particular celebration of the Mass!

That being said, PLEASE read the whole transcript or listen to a recording of the talk. It is very good.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Fr James Fryar FSSP, Sacred Music Symposium 2022 Last Updated: December 26, 2023

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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