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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“My Reflections” • Re: 2022 Symposium Keynote

Corrinne May · September 20, 2022

Y ORIGINAL INTENT was to listen to Father Fryar’s talk, given as a keynote address at the recent Sacred Music Symposium 2022, and to take some brief notes so as to do a ‘cliff notes’ version of it. But upon listening to it, I knew I could not just do a brief outline of the talk. There were just too many ‘aha’ moments and gems of wisdom, and valuable insights…

Many Hours Spent! • I ended up transcribing each and every word from Father Fryar’s talk, and even though it took many hours, I relished the process. Moreover, I had time to ponder all the insights and thoughts from a priest who has obviously thought long—and prayed hard about—what it is that is needed to make Sacred Music … sacred.

*  YouTube • Father Fryar’s Keynote (Video)
—Delivered at Sacred Music Symposium 2022.
*  Download • CORRINNE’S TRANSCRIPTION (PDF)
—I created this transcription from the video.

What I Took Away • If you’ve ever wondered how to get a deeper appreciation and to restore a sense of awe and wonder at your role as a musician, choir director or choir member in the Church, read the whole transcription of the talk, listen to a recording of it, ponder and reflect upon it, and you’ll find that there is strength and joy for the journey ahead. Of course if you still want an outline of the talk, here is my humble offering :

(1 of 6)
Everything that is used for the Mass, is blessed, consecrated and dedicated specifically for Holy Mass; e.g. the accoutrements used upon the altar, the altar cloth, the beeswax candles, the linen, the chalice, the paten, the cruets etc., are all meant to be set apart for the worship of God and therefore they should be the most valuable, be in the purest state, be of the best quality, so as to better represent and reflect the qualities of God; qualities such as Beauty, Purity, Timelessness, Strength, the Omniscience of God.
(2 of 6)
Therefore, we too, as choir members, as musicians, as music and choir directors, are ‘set apart’, called to sanctity, for the specific purpose of Holy Mass. The music has to reflect that value and beauty.
(3 of 6)
We have to represent the angels not just in the choir, but in our own lives. In the lives we live. We have to strive to be as pure as we can, as holy as we can…to sing from a pure heart, to live a pure life. We have to strive to be humble and not to be ‘performing’ from a place of pride.
(4 of 6)
We should try to reflect the beauty of God, to have a certain quality about us such that people can tell that we are distinguishable as choir members, in the way we try to live. So we should prepare, not just the music that we sing and direct, but we should keep in mind our spiritual preparation as well…we should try to keep our souls as pure and as holy as we possibly can, so as to better represent the angels.
(5 of 6)
Among our choir members, we should strive for Charity and Harmony among the members. A united, harmonious choir will sing and sound better.
(6 of 6)
The choir director should lead by example. People need to see that we live a purity of life that inspires. Joy, Devotion, Love, Patience…all these and more should emanate from our lives and the way we live.

Most surprising learning point • I had never before heard of the teaching of ex opere operantis and ex opere operato. So, it was surprising to me that my role as a choir member and a choir director, in fact my responsibility at ensuring that I kept my soul pure and my faith strong, and my thoughts turned towards the good… all these were more important than I ever realized. I had a part to play in the amount of graces that were available to the congregation at that particular Mass where I served. How, you ask? Well…

Google This! • So, as Father Fryar mentioned, the Mass has all the graces from Calvary, there, from the Mass itself, and the Latin phrase for it is ‘ex opere operato’. Google it. I did. I had to read it several times over, and I’m still trying to digest all that it means….but suffice to say, there is a huge amount of grace available at every Mass, in the Mass itself.

Everything Else • Then there is the ‘ex opere operantis’ which is everything else to do with the Mass. So, if the music, the architecture, the accoutrements, etc. are beautiful, valuable, pure and extremely fitting for the Mass, the result of all that is that we all benefit from more graces just out of attending that particular Mass. Conversely, if the priest or altar servers are in a state of mortal sin, or the chalice used is made out of an inferior material like plastic, or if the choir members are living immoral lives, then everyone who attends that Mass is shortchanged … is deprived of all the graces that could have come from attending that Mass. It is amazing to think that we have the privilege of helping every single person in the congregation grow closer to God in the liturgy and in the Mass just from us being aware that we need to live these virtues in our lives. We have an important part to play in how much of the graces can be received at that particular celebration of the Mass!

That being said, PLEASE read the whole transcript or listen to a recording of the talk. It is very good.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Fr James Fryar FSSP, Sacred Music Symposium 2022 Last Updated: December 26, 2023

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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