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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“My Reflections” • Re: 2022 Symposium Keynote

Corrinne May · September 20, 2022

Y ORIGINAL INTENT was to listen to Father Fryar’s talk, given as a keynote address at the recent Sacred Music Symposium 2022, and to take some brief notes so as to do a ‘cliff notes’ version of it. But upon listening to it, I knew I could not just do a brief outline of the talk. There were just too many ‘aha’ moments and gems of wisdom, and valuable insights…

Many Hours Spent! • I ended up transcribing each and every word from Father Fryar’s talk, and even though it took many hours, I relished the process. Moreover, I had time to ponder all the insights and thoughts from a priest who has obviously thought long—and prayed hard about—what it is that is needed to make Sacred Music … sacred.

*  YouTube • Father Fryar’s Keynote (Video)
—Delivered at Sacred Music Symposium 2022.
*  Download • CORRINNE’S TRANSCRIPTION (PDF)
—I created this transcription from the video.

What I Took Away • If you’ve ever wondered how to get a deeper appreciation and to restore a sense of awe and wonder at your role as a musician, choir director or choir member in the Church, read the whole transcription of the talk, listen to a recording of it, ponder and reflect upon it, and you’ll find that there is strength and joy for the journey ahead. Of course if you still want an outline of the talk, here is my humble offering :

(1 of 6)
Everything that is used for the Mass, is blessed, consecrated and dedicated specifically for Holy Mass; e.g. the accoutrements used upon the altar, the altar cloth, the beeswax candles, the linen, the chalice, the paten, the cruets etc., are all meant to be set apart for the worship of God and therefore they should be the most valuable, be in the purest state, be of the best quality, so as to better represent and reflect the qualities of God; qualities such as Beauty, Purity, Timelessness, Strength, the Omniscience of God.
(2 of 6)
Therefore, we too, as choir members, as musicians, as music and choir directors, are ‘set apart’, called to sanctity, for the specific purpose of Holy Mass. The music has to reflect that value and beauty.
(3 of 6)
We have to represent the angels not just in the choir, but in our own lives. In the lives we live. We have to strive to be as pure as we can, as holy as we can…to sing from a pure heart, to live a pure life. We have to strive to be humble and not to be ‘performing’ from a place of pride.
(4 of 6)
We should try to reflect the beauty of God, to have a certain quality about us such that people can tell that we are distinguishable as choir members, in the way we try to live. So we should prepare, not just the music that we sing and direct, but we should keep in mind our spiritual preparation as well…we should try to keep our souls as pure and as holy as we possibly can, so as to better represent the angels.
(5 of 6)
Among our choir members, we should strive for Charity and Harmony among the members. A united, harmonious choir will sing and sound better.
(6 of 6)
The choir director should lead by example. People need to see that we live a purity of life that inspires. Joy, Devotion, Love, Patience…all these and more should emanate from our lives and the way we live.

Most surprising learning point • I had never before heard of the teaching of ex opere operantis and ex opere operato. So, it was surprising to me that my role as a choir member and a choir director, in fact my responsibility at ensuring that I kept my soul pure and my faith strong, and my thoughts turned towards the good… all these were more important than I ever realized. I had a part to play in the amount of graces that were available to the congregation at that particular Mass where I served. How, you ask? Well…

Google This! • So, as Father Fryar mentioned, the Mass has all the graces from Calvary, there, from the Mass itself, and the Latin phrase for it is ‘ex opere operato’. Google it. I did. I had to read it several times over, and I’m still trying to digest all that it means….but suffice to say, there is a huge amount of grace available at every Mass, in the Mass itself.

Everything Else • Then there is the ‘ex opere operantis’ which is everything else to do with the Mass. So, if the music, the architecture, the accoutrements, etc. are beautiful, valuable, pure and extremely fitting for the Mass, the result of all that is that we all benefit from more graces just out of attending that particular Mass. Conversely, if the priest or altar servers are in a state of mortal sin, or the chalice used is made out of an inferior material like plastic, or if the choir members are living immoral lives, then everyone who attends that Mass is shortchanged … is deprived of all the graces that could have come from attending that Mass. It is amazing to think that we have the privilege of helping every single person in the congregation grow closer to God in the liturgy and in the Mass just from us being aware that we need to live these virtues in our lives. We have an important part to play in how much of the graces can be received at that particular celebration of the Mass!

That being said, PLEASE read the whole transcript or listen to a recording of the talk. It is very good.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Fr James Fryar FSSP, Sacred Music Symposium 2022 Last Updated: December 26, 2023

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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