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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“My Reflections” • Re: 2022 Symposium Keynote

Corrinne May · September 20, 2022

Y ORIGINAL INTENT was to listen to Father Fryar’s talk, given as a keynote address at the recent Sacred Music Symposium 2022, and to take some brief notes so as to do a ‘cliff notes’ version of it. But upon listening to it, I knew I could not just do a brief outline of the talk. There were just too many ‘aha’ moments and gems of wisdom, and valuable insights…

Many Hours Spent! • I ended up transcribing each and every word from Father Fryar’s talk, and even though it took many hours, I relished the process. Moreover, I had time to ponder all the insights and thoughts from a priest who has obviously thought long—and prayed hard about—what it is that is needed to make Sacred Music … sacred.

*  YouTube • Father Fryar’s Keynote (Video)
—Delivered at Sacred Music Symposium 2022.
*  Download • CORRINNE’S TRANSCRIPTION (PDF)
—I created this transcription from the video.

What I Took Away • If you’ve ever wondered how to get a deeper appreciation and to restore a sense of awe and wonder at your role as a musician, choir director or choir member in the Church, read the whole transcription of the talk, listen to a recording of it, ponder and reflect upon it, and you’ll find that there is strength and joy for the journey ahead. Of course if you still want an outline of the talk, here is my humble offering :

(1 of 6)
Everything that is used for the Mass, is blessed, consecrated and dedicated specifically for Holy Mass; e.g. the accoutrements used upon the altar, the altar cloth, the beeswax candles, the linen, the chalice, the paten, the cruets etc., are all meant to be set apart for the worship of God and therefore they should be the most valuable, be in the purest state, be of the best quality, so as to better represent and reflect the qualities of God; qualities such as Beauty, Purity, Timelessness, Strength, the Omniscience of God.
(2 of 6)
Therefore, we too, as choir members, as musicians, as music and choir directors, are ‘set apart’, called to sanctity, for the specific purpose of Holy Mass. The music has to reflect that value and beauty.
(3 of 6)
We have to represent the angels not just in the choir, but in our own lives. In the lives we live. We have to strive to be as pure as we can, as holy as we can…to sing from a pure heart, to live a pure life. We have to strive to be humble and not to be ‘performing’ from a place of pride.
(4 of 6)
We should try to reflect the beauty of God, to have a certain quality about us such that people can tell that we are distinguishable as choir members, in the way we try to live. So we should prepare, not just the music that we sing and direct, but we should keep in mind our spiritual preparation as well…we should try to keep our souls as pure and as holy as we possibly can, so as to better represent the angels.
(5 of 6)
Among our choir members, we should strive for Charity and Harmony among the members. A united, harmonious choir will sing and sound better.
(6 of 6)
The choir director should lead by example. People need to see that we live a purity of life that inspires. Joy, Devotion, Love, Patience…all these and more should emanate from our lives and the way we live.

Most surprising learning point • I had never before heard of the teaching of ex opere operantis and ex opere operato. So, it was surprising to me that my role as a choir member and a choir director, in fact my responsibility at ensuring that I kept my soul pure and my faith strong, and my thoughts turned towards the good… all these were more important than I ever realized. I had a part to play in the amount of graces that were available to the congregation at that particular Mass where I served. How, you ask? Well…

Google This! • So, as Father Fryar mentioned, the Mass has all the graces from Calvary, there, from the Mass itself, and the Latin phrase for it is ‘ex opere operato’. Google it. I did. I had to read it several times over, and I’m still trying to digest all that it means….but suffice to say, there is a huge amount of grace available at every Mass, in the Mass itself.

Everything Else • Then there is the ‘ex opere operantis’ which is everything else to do with the Mass. So, if the music, the architecture, the accoutrements, etc. are beautiful, valuable, pure and extremely fitting for the Mass, the result of all that is that we all benefit from more graces just out of attending that particular Mass. Conversely, if the priest or altar servers are in a state of mortal sin, or the chalice used is made out of an inferior material like plastic, or if the choir members are living immoral lives, then everyone who attends that Mass is shortchanged … is deprived of all the graces that could have come from attending that Mass. It is amazing to think that we have the privilege of helping every single person in the congregation grow closer to God in the liturgy and in the Mass just from us being aware that we need to live these virtues in our lives. We have an important part to play in how much of the graces can be received at that particular celebration of the Mass!

That being said, PLEASE read the whole transcript or listen to a recording of the talk. It is very good.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Fr James Fryar FSSP, Sacred Music Symposium 2022 Last Updated: December 26, 2023

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

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The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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